The Highest Being Drawn Down into Decadence

The German poet Stefan George lamented the fact that inDer Tod in Venedig“the highest is drawn down into the realm of decadence” (Mann,Letters96) (“sei das Höchste in die Sphäre des Verfalls hinabgezogen”; Mann,Briefe179). Of course, the problem that George actually had with the novella was that it...

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description The German poet Stefan George lamented the fact that inDer Tod in Venedig“the highest is drawn down into the realm of decadence” (Mann,Letters96) (“sei das Höchste in die Sphäre des Verfalls hinabgezogen”; Mann,Briefe179). Of course, the problem that George actually had with the novella was that it did nothing to bring “the highest”—George believed the love between an older and younger man to be the highest form of love—out of the realm of decadence, to which many commentators had already consigned it for some time. Mann’s seemed yet another voice that either
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Of course, the problem that George actually had with the novella was that it did nothing to bring “the highest”—George believed the love between an older and younger man to be the highest form of love—out of the realm of decadence, to which many commentators had already consigned it for some time. Mann’s seemed yet another voice that either</description><identifier>EISBN: 9781557537508</identifier><identifier>EISBN: 155753750X</identifier><language>eng</language><publisher>Purdue University Press</publisher><subject>Arts ; Behavioral sciences ; Cognitive psychology ; Desire ; Emotion ; Emotional states ; Fiction ; Gays and lesbians ; Gender identity ; Gender studies ; Homosexual relationships ; Homosexuality ; Human behavior ; Human populations ; Human sexual behavior ; Interpersonal relations ; Literary characters ; Literary elements ; Literary genres ; Literature ; Love ; Male homosexuality ; Men ; Novella ; Novels ; Persons ; Population studies ; Protagonists ; Psychology ; Sexology ; Sexual orientation ; Sexual relations ; Social psychology ; Social sciences</subject><ispartof>Reconsidering the Emergence of the Gay Novel in English and German, 2016, p.91</ispartof><rights>2016 Purdue University</rights><oa>free_for_read</oa><woscitedreferencessubscribed>false</woscitedreferencessubscribed></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><link.rule.ids>775,776,780,789,24340,24760</link.rule.ids></links><search><creatorcontrib>James Patrick Wilper</creatorcontrib><title>The Highest Being Drawn Down into Decadence</title><title>Reconsidering the Emergence of the Gay Novel in English and German</title><description>The German poet Stefan George lamented the fact that inDer Tod in Venedig“the highest is drawn down into the realm of decadence” (Mann,Letters96) (“sei das Höchste in die Sphäre des Verfalls hinabgezogen”; Mann,Briefe179). 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Of course, the problem that George actually had with the novella was that it did nothing to bring “the highest”—George believed the love between an older and younger man to be the highest form of love—out of the realm of decadence, to which many commentators had already consigned it for some time. Mann’s seemed yet another voice that either</abstract><pub>Purdue University Press</pub><oa>free_for_read</oa></addata></record>
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subjects Arts
Behavioral sciences
Cognitive psychology
Desire
Emotion
Emotional states
Fiction
Gays and lesbians
Gender identity
Gender studies
Homosexual relationships
Homosexuality
Human behavior
Human populations
Human sexual behavior
Interpersonal relations
Literary characters
Literary elements
Literary genres
Literature
Love
Male homosexuality
Men
Novella
Novels
Persons
Population studies
Protagonists
Psychology
Sexology
Sexual orientation
Sexual relations
Social psychology
Social sciences
title The Highest Being Drawn Down into Decadence
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