Mr. Magoo as Public Dream

FROM THE TIME OF ITS introduction into America in the late thirties, the psychoanalytic approach to the study of mass entertainments has steadily won adherents and sometimes transformed them into partisans. Its root proposition is now very well known: the contents of popular entertainments may be sy...

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description FROM THE TIME OF ITS introduction into America in the late thirties, the psychoanalytic approach to the study of mass entertainments has steadily won adherents and sometimes transformed them into partisans. Its root proposition is now very well known: the contents of popular entertainments may be symbolically reduced and translated so as to provide a picture of the unconscious needs and fears of their audiences. Production workers, critics, and social scientists have, in the main, been willing to accept this proposition; to grant that entertainments are public and saleable dreams. But, in recent years, they have come to suspect that
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But, in recent years, they have come to suspect that</description><identifier>ISBN: 0520232739</identifier><identifier>ISBN: 9780520232730</identifier><identifier>EISBN: 0520936329</identifier><identifier>EISBN: 9780520936324</identifier><language>eng</language><publisher>University of California Press</publisher><subject>Arts ; Behavioral sciences ; Cartoons ; Cognitive psychology ; Communications ; Communicative content ; Dreams ; Entertainment ; Humor ; Leisure studies ; Psychological research ; Psychology ; Recreation ; Social sciences ; Unconscious mind ; Visual arts</subject><ispartof>Hollywood Quarterly, 2002, p.84</ispartof><rights>2002 the Regents of the University of California</rights><woscitedreferencessubscribed>false</woscitedreferencessubscribed></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><link.rule.ids>775,776,780,789</link.rule.ids></links><search><contributor>Ann Martin</contributor><contributor>Eric Smoodin</contributor><creatorcontrib>Milton J. 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subjects Arts
Behavioral sciences
Cartoons
Cognitive psychology
Communications
Communicative content
Dreams
Entertainment
Humor
Leisure studies
Psychological research
Psychology
Recreation
Social sciences
Unconscious mind
Visual arts
title Mr. Magoo as Public Dream
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