Latinx Realisms: The Cinematic Borderworlds of Josefina López, David Riker, and Alex Rivera
La Ciudad (The City) opens with an aerial shot of the city, the only movement coming from a freight train slowly cutting through the haze of gray buildings. The camera cuts to a vacant single sidewalk, angled obliquely on a photo store, advertising one-hour photos for “loteria de visa & aplicaci...
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