現實與文學呈現之間：華茲華斯、康德與柯爾律治作品中的疆界跨越
此論文探討西方哲學史中深具影響力的人物——康德與柯爾律治——對華茲華斯的文學創作影響；德國理想主義至英國有機體論皆探討對於思想的美學呈現，美學創作旨在型塑一個「絕對」可被美學直接觸及的世界。康德認識論中的核心論點為世界的理性秩序是由以規則為本的「綜合」活動所創造，而此活動源自人心；相對地，柯爾律治認為在自然中存有「以經驗為根據」的法則，其有機整體論中存有不同片斷力量，而正是此整體與不完整的組合構成其創造哲學，此研究將嘗試揭露出華茲華斯的自然文學呈現中更複雜的交織點——整體中不完整性同時「複製」了整體性——以深入研究華茲華斯文學創作歷程中，受到西方哲學影響的同時，如何亦帶入其深藏的失落感...
Gespeichert in:
| Veröffentlicht in: | 歐美研究 2019-06, Vol.49 (2), p.143-199 |
|---|---|
| 1. Verfasser: | |
| Format: | Artikel |
| Sprache: | chi |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
| container_end_page | 199 |
|---|---|
| container_issue | 2 |
| container_start_page | 143 |
| container_title | 歐美研究 |
| container_volume | 49 |
| creator | 李佳容(Chia-Jung Lee) |
| description | 此論文探討西方哲學史中深具影響力的人物——康德與柯爾律治——對華茲華斯的文學創作影響；德國理想主義至英國有機體論皆探討對於思想的美學呈現，美學創作旨在型塑一個「絕對」可被美學直接觸及的世界。康德認識論中的核心論點為世界的理性秩序是由以規則為本的「綜合」活動所創造，而此活動源自人心；相對地，柯爾律治認為在自然中存有「以經驗為根據」的法則，其有機整體論中存有不同片斷力量，而正是此整體與不完整的組合構成其創造哲學，此研究將嘗試揭露出華茲華斯的自然文學呈現中更複雜的交織點——整體中不完整性同時「複製」了整體性——以深入研究華茲華斯文學創作歷程中，受到西方哲學影響的同時，如何亦帶入其深藏的失落感 |
| format | Article |
| fullrecord | <record><control><sourceid>hyweb</sourceid><recordid>TN_cdi_hyweb_hyread_00531976</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><sourcerecordid>00531976</sourcerecordid><originalsourceid>FETCH-hyweb_hyread_005319763</originalsourceid><addsrcrecordid>eNpjYeA0NDAy1DU2MLXgYOAtLs4yAAJLQyNjI1NOhqjn_fuerl_2oqP92bT2p2t3PJ3YARR5srP75bTJ7_fMetG__kXPJiD5bNr6xw2NT3dtf7pvO0jx_PXPO_Y93df9bNPuJ3vnPJ3c-GTH2uezWp5Pa3s-tefF9hUvtnXxMLCmJeYUp_JCaW4GGTfXEGcP3YzK8tSk-IzKotTElHgDA1NjQ0tzM2MC0gBjAlwF</addsrcrecordid><sourcetype>Publisher</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype></control><display><type>article</type><title>現實與文學呈現之間：華茲華斯、康德與柯爾律治作品中的疆界跨越</title><source>Elektronische Zeitschriftenbibliothek - Frei zugängliche E-Journals</source><source>Political Science Complete</source><creator>李佳容(Chia-Jung Lee)</creator><creatorcontrib>李佳容(Chia-Jung Lee)</creatorcontrib><description>此論文探討西方哲學史中深具影響力的人物——康德與柯爾律治——對華茲華斯的文學創作影響；德國理想主義至英國有機體論皆探討對於思想的美學呈現，美學創作旨在型塑一個「絕對」可被美學直接觸及的世界。康德認識論中的核心論點為世界的理性秩序是由以規則為本的「綜合」活動所創造，而此活動源自人心；相對地，柯爾律治認為在自然中存有「以經驗為根據」的法則，其有機整體論中存有不同片斷力量，而正是此整體與不完整的組合構成其創造哲學，此研究將嘗試揭露出華茲華斯的自然文學呈現中更複雜的交織點——整體中不完整性同時「複製」了整體性——以深入研究華茲華斯文學創作歷程中，受到西方哲學影響的同時，如何亦帶入其深藏的失落感</description><description>This paper will explore the impact of Immanuel Kant and Samuel Taylor Coleridge, two influential figures in Western philosophy, on William Wordsworth’s writing to arrive at a finer understanding of this poet’s use of language that includes the intellectual and artistic landscape of his poetry as a function of 18th-century aesthetics. A dominant train of thought extending from German Idealism to British Organicism is concerned with the aesthetic presentation of ideas, whose function is the creation of a world in which “the absolute” can be accessed directly. Kant’s core epistemological concept is that the world’s rational order is the product of the rule-based activity of “synthesis.” While Kant believes that the world</description><identifier>ISSN: 1021-3058</identifier><language>chi</language><publisher>台灣: 中央研究院歐美研究所</publisher><subject>aesthetic idealism ; Coleridge ; Kant ; THCI ; the Literary Absolute ; TSSCI ; Wordsworth ; 康德 ; 文學絕對性 ; 柯爾律治 ; 美學創作 ; 華茲華斯</subject><ispartof>歐美研究, 2019-06, Vol.49 (2), p.143-199</ispartof><woscitedreferencessubscribed>false</woscitedreferencessubscribed></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><link.rule.ids>314,780,784</link.rule.ids></links><search><creatorcontrib>李佳容(Chia-Jung Lee)</creatorcontrib><title>現實與文學呈現之間：華茲華斯、康德與柯爾律治作品中的疆界跨越</title><title>歐美研究</title><description>此論文探討西方哲學史中深具影響力的人物——康德與柯爾律治——對華茲華斯的文學創作影響；德國理想主義至英國有機體論皆探討對於思想的美學呈現，美學創作旨在型塑一個「絕對」可被美學直接觸及的世界。康德認識論中的核心論點為世界的理性秩序是由以規則為本的「綜合」活動所創造，而此活動源自人心；相對地，柯爾律治認為在自然中存有「以經驗為根據」的法則，其有機整體論中存有不同片斷力量，而正是此整體與不完整的組合構成其創造哲學，此研究將嘗試揭露出華茲華斯的自然文學呈現中更複雜的交織點——整體中不完整性同時「複製」了整體性——以深入研究華茲華斯文學創作歷程中，受到西方哲學影響的同時，如何亦帶入其深藏的失落感</description><description>This paper will explore the impact of Immanuel Kant and Samuel Taylor Coleridge, two influential figures in Western philosophy, on William Wordsworth’s writing to arrive at a finer understanding of this poet’s use of language that includes the intellectual and artistic landscape of his poetry as a function of 18th-century aesthetics. A dominant train of thought extending from German Idealism to British Organicism is concerned with the aesthetic presentation of ideas, whose function is the creation of a world in which “the absolute” can be accessed directly. Kant’s core epistemological concept is that the world’s rational order is the product of the rule-based activity of “synthesis.” While Kant believes that the world</description><subject>aesthetic idealism</subject><subject>Coleridge</subject><subject>Kant</subject><subject>THCI</subject><subject>the Literary Absolute</subject><subject>TSSCI</subject><subject>Wordsworth</subject><subject>康德</subject><subject>文學絕對性</subject><subject>柯爾律治</subject><subject>美學創作</subject><subject>華茲華斯</subject><issn>1021-3058</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2019</creationdate><recordtype>article</recordtype><recordid>eNpjYeA0NDAy1DU2MLXgYOAtLs4yAAJLQyNjI1NOhqjn_fuerl_2oqP92bT2p2t3PJ3YARR5srP75bTJ7_fMetG__kXPJiD5bNr6xw2NT3dtf7pvO0jx_PXPO_Y93df9bNPuJ3vnPJ3c-GTH2uezWp5Pa3s-tefF9hUvtnXxMLCmJeYUp_JCaW4GGTfXEGcP3YzK8tSk-IzKotTElHgDA1NjQ0tzM2MC0gBjAlwF</recordid><startdate>201906</startdate><enddate>201906</enddate><creator>李佳容(Chia-Jung Lee)</creator><general>中央研究院歐美研究所</general><scope>9RA</scope></search><sort><creationdate>201906</creationdate><title>現實與文學呈現之間：華茲華斯、康德與柯爾律治作品中的疆界跨越</title><author>李佳容(Chia-Jung Lee)</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-hyweb_hyread_005319763</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>chi</language><creationdate>2019</creationdate><topic>aesthetic idealism</topic><topic>Coleridge</topic><topic>Kant</topic><topic>THCI</topic><topic>the Literary Absolute</topic><topic>TSSCI</topic><topic>Wordsworth</topic><topic>康德</topic><topic>文學絕對性</topic><topic>柯爾律治</topic><topic>美學創作</topic><topic>華茲華斯</topic><toplevel>online_resources</toplevel><creatorcontrib>李佳容(Chia-Jung Lee)</creatorcontrib><collection>HyRead台灣全文資料庫</collection><jtitle>歐美研究</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>李佳容(Chia-Jung Lee)</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>現實與文學呈現之間：華茲華斯、康德與柯爾律治作品中的疆界跨越</atitle><jtitle>歐美研究</jtitle><date>2019-06</date><risdate>2019</risdate><volume>49</volume><issue>2</issue><spage>143</spage><epage>199</epage><pages>143-199</pages><issn>1021-3058</issn><abstract>此論文探討西方哲學史中深具影響力的人物——康德與柯爾律治——對華茲華斯的文學創作影響；德國理想主義至英國有機體論皆探討對於思想的美學呈現，美學創作旨在型塑一個「絕對」可被美學直接觸及的世界。康德認識論中的核心論點為世界的理性秩序是由以規則為本的「綜合」活動所創造，而此活動源自人心；相對地，柯爾律治認為在自然中存有「以經驗為根據」的法則，其有機整體論中存有不同片斷力量，而正是此整體與不完整的組合構成其創造哲學，此研究將嘗試揭露出華茲華斯的自然文學呈現中更複雜的交織點——整體中不完整性同時「複製」了整體性——以深入研究華茲華斯文學創作歷程中，受到西方哲學影響的同時，如何亦帶入其深藏的失落感</abstract><abstract>This paper will explore the impact of Immanuel Kant and Samuel Taylor Coleridge, two influential figures in Western philosophy, on William Wordsworth’s writing to arrive at a finer understanding of this poet’s use of language that includes the intellectual and artistic landscape of his poetry as a function of 18th-century aesthetics. A dominant train of thought extending from German Idealism to British Organicism is concerned with the aesthetic presentation of ideas, whose function is the creation of a world in which “the absolute” can be accessed directly. Kant’s core epistemological concept is that the world’s rational order is the product of the rule-based activity of “synthesis.” While Kant believes that the world</abstract><cop>台灣</cop><pub>中央研究院歐美研究所</pub></addata></record> |
| fulltext | fulltext |
| identifier | ISSN: 1021-3058 |
| ispartof | 歐美研究, 2019-06, Vol.49 (2), p.143-199 |
| issn | 1021-3058 |
| language | chi |
| recordid | cdi_hyweb_hyread_00531976 |
| source | Elektronische Zeitschriftenbibliothek - Frei zugängliche E-Journals; Political Science Complete |
| subjects | aesthetic idealism Coleridge Kant THCI the Literary Absolute TSSCI Wordsworth 康德 文學絕對性 柯爾律治 美學創作 華茲華斯 |
| title | 現實與文學呈現之間：華茲華斯、康德與柯爾律治作品中的疆界跨越 |
| url | https://sfx.bib-bvb.de/sfx_tum?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2025-01-11T22%3A14%3A45IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-hyweb&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=%E7%8F%BE%E5%AF%A6%E8%88%87%E6%96%87%E5%AD%B8%E5%91%88%E7%8F%BE%E4%B9%8B%E9%96%93%EF%BC%9A%E8%8F%AF%E8%8C%B2%E8%8F%AF%E6%96%AF%E3%80%81%E5%BA%B7%E5%BE%B7%E8%88%87%E6%9F%AF%E7%88%BE%E5%BE%8B%E6%B2%BB%E4%BD%9C%E5%93%81%E4%B8%AD%E7%9A%84%E7%96%86%E7%95%8C%E8%B7%A8%E8%B6%8A&rft.jtitle=%E6%AD%90%E7%BE%8E%E7%A0%94%E7%A9%B6&rft.au=%E6%9D%8E%E4%BD%B3%E5%AE%B9(Chia-Jung%20Lee)&rft.date=2019-06&rft.volume=49&rft.issue=2&rft.spage=143&rft.epage=199&rft.pages=143-199&rft.issn=1021-3058&rft_id=info:doi/&rft_dat=%3Chyweb%3E00531976%3C/hyweb%3E%3Curl%3E%3C/url%3E&disable_directlink=true&sfx.directlink=off&sfx.report_link=0&rft_id=info:oai/&rft_id=info:pmid/&rfr_iscdi=true |