Articular mobility in ballet dancers
A follow-up study of ballet dancers was conducted to determine the influence of 4 years additional training on articular mobility using Beighton's method. The score increased in 25 (45.5%) of the 55 dancers reexamined. Acquired forward flexion accounted for this increase in 21 (84%) of the 25 d...
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Veröffentlicht in: | The American journal of sports medicine 1989-01, Vol.17 (1), p.72 |
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description | A follow-up study of ballet dancers was conducted to determine the influence of 4 years additional training on articular mobility
using Beighton's method. The score increased in 25 (45.5%) of the 55 dancers reexamined. Acquired forward flexion accounted
for this increase in 21 (84%) of the 25 dancers. These 21 dancers had had significantly less training than had the 30 dancers
who could forward flex when examined initially (P < 0.0001), showing that forward flexion is acquired through train ing. There
were significantly more hypermobile individ uals among dancers who had continued dancing than among those who had stopped
(P < 0.03). However, only 2 (16.7%) of 12 dancers who had progressed in their careers were hypermobile. We conclude that 1)
most ballet dancers are able to forward flex, 2) forward flexion is usually acquired and develops after 4 or more years of
training, 3) the mobility score may assist in predicting who will continue dancing, but that 4) there is no association between
hypermobility and dancing excellence. |
doi_str_mv | 10.1177/036354658901700112 |
format | Article |
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using Beighton's method. The score increased in 25 (45.5%) of the 55 dancers reexamined. Acquired forward flexion accounted
for this increase in 21 (84%) of the 25 dancers. These 21 dancers had had significantly less training than had the 30 dancers
who could forward flex when examined initially (P < 0.0001), showing that forward flexion is acquired through train ing. There
were significantly more hypermobile individ uals among dancers who had continued dancing than among those who had stopped
(P < 0.03). However, only 2 (16.7%) of 12 dancers who had progressed in their careers were hypermobile. We conclude that 1)
most ballet dancers are able to forward flex, 2) forward flexion is usually acquired and develops after 4 or more years of
training, 3) the mobility score may assist in predicting who will continue dancing, but that 4) there is no association between
hypermobility and dancing excellence.</description><identifier>ISSN: 0363-5465</identifier><identifier>EISSN: 1552-3365</identifier><identifier>DOI: 10.1177/036354658901700112</identifier><language>eng</language><publisher>American Orthopaedic Society for Sports Medicine</publisher><ispartof>The American journal of sports medicine, 1989-01, Vol.17 (1), p.72</ispartof><lds50>peer_reviewed</lds50><woscitedreferencessubscribed>false</woscitedreferencessubscribed><citedby>FETCH-LOGICAL-c782-1bc09f88f885be10ecc978a11dfebdabae95460e6743db5e6bc5acc6185784f03</citedby></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><link.rule.ids>314,780,784,27924,27925</link.rule.ids></links><search><creatorcontrib>Patrick Klemp Derek Chalton</creatorcontrib><title>Articular mobility in ballet dancers</title><title>The American journal of sports medicine</title><description>A follow-up study of ballet dancers was conducted to determine the influence of 4 years additional training on articular mobility
using Beighton's method. The score increased in 25 (45.5%) of the 55 dancers reexamined. Acquired forward flexion accounted
for this increase in 21 (84%) of the 25 dancers. These 21 dancers had had significantly less training than had the 30 dancers
who could forward flex when examined initially (P < 0.0001), showing that forward flexion is acquired through train ing. There
were significantly more hypermobile individ uals among dancers who had continued dancing than among those who had stopped
(P < 0.03). However, only 2 (16.7%) of 12 dancers who had progressed in their careers were hypermobile. We conclude that 1)
most ballet dancers are able to forward flex, 2) forward flexion is usually acquired and develops after 4 or more years of
training, 3) the mobility score may assist in predicting who will continue dancing, but that 4) there is no association between
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using Beighton's method. The score increased in 25 (45.5%) of the 55 dancers reexamined. Acquired forward flexion accounted
for this increase in 21 (84%) of the 25 dancers. These 21 dancers had had significantly less training than had the 30 dancers
who could forward flex when examined initially (P < 0.0001), showing that forward flexion is acquired through train ing. There
were significantly more hypermobile individ uals among dancers who had continued dancing than among those who had stopped
(P < 0.03). However, only 2 (16.7%) of 12 dancers who had progressed in their careers were hypermobile. We conclude that 1)
most ballet dancers are able to forward flex, 2) forward flexion is usually acquired and develops after 4 or more years of
training, 3) the mobility score may assist in predicting who will continue dancing, but that 4) there is no association between
hypermobility and dancing excellence.</abstract><pub>American Orthopaedic Society for Sports Medicine</pub><doi>10.1177/036354658901700112</doi></addata></record> |
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title | Articular mobility in ballet dancers |
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