Generic passive-guaranteed nonlinear interaction model and structure-preserving spatial discretization procedure with applications in musical acoustics

In musical acoustics, the production of sound is usually described by the nonlinear interaction of the musician with a resonator (the instrument). For example a string (resonator) can be bowed or hit by a piano hammer (nonlinear interactions). The aim of this paper is to provide a stable (passive-gu...

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Veröffentlicht in:Nonlinear dynamics 2025-02, Vol.113 (4), p.3249-3275
Hauptverfasser: Falaize, Antoine, Roze, David
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description In musical acoustics, the production of sound is usually described by the nonlinear interaction of the musician with a resonator (the instrument). For example a string (resonator) can be bowed or hit by a piano hammer (nonlinear interactions). The aim of this paper is to provide a stable (passive-guaranteed) simulation of such interaction systems. Our approach consists in first defining a generic passive-guaranteed structure for the interaction (finite dimensional) and for the resonator (infinite dimensional) and second constructing a generic procedure for the discretization of the resonator. This is achieved in the Port-Hamiltonian systems framework that decomposes a physical model into a network of energy-storing components, dissipative components and inputs-outputs, thus guaranteeing the passivity of the proposed models. Finally, a well established structure preserving time discretization method is used to provide numerical models which prove to fulfill a discrete power balance, hence the numerical stability. This generic procedure is applied to the sound synthesis of a bowed string and of a string hit by a piano hammer.
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subjects Acoustics
Bowing
Discretization
Hamiltonian functions
Hammers
Interaction models
Mechanics
Numerical models
Numerical stability
Physics
Pianos
Resonators
Solid mechanics
Strings
Vibrations
title Generic passive-guaranteed nonlinear interaction model and structure-preserving spatial discretization procedure with applications in musical acoustics
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