Las puertas de la memoria: Concepción (Chile)
Concepción appears as a new city with few traces of its past, written by episodes of earthquake aftershocks. The Chilean city always appears as a new setting, with few allusions to a tormented past that rhymes with collective overcoming. Nevertheless, the doors and hallways of the houses represent a...
Gespeichert in:
Veröffentlicht in: | Architecture, city and environment city and environment, 2021-02, Vol.15 (45) |
---|---|
1. Verfasser: | |
Format: | Artikel |
Sprache: | eng |
Schlagworte: | |
Online-Zugang: | Volltext |
Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
container_end_page | |
---|---|
container_issue | 45 |
container_start_page | |
container_title | Architecture, city and environment |
container_volume | 15 |
creator | Capellà Miternique, Hugo |
description | Concepción appears as a new city with few traces of its past, written by episodes of earthquake aftershocks. The Chilean city always appears as a new setting, with few allusions to a tormented past that rhymes with collective overcoming. Nevertheless, the doors and hallways of the houses represent a declared exception, anonymous to the distracted passer-by. This article is one of the results of a scientific investigation, from the perspective of cultural geography and vernacular architecture, carried out, on the basis, of an urban ethnographic work. The interest is theoretical on a local scale, in the recovery of the Mapuche’s urban tradition, as well as on a more general scale, on the revaluation of the transmission of a vernacular heritage, as a form of collective resilience in the face of natural disasters. The custom of maintaining or recovering the doors of the houses over time is not only a fact that obeys a functionality, but it also contains an intentional testimony, with a meaning. Behind the conservation of the original door, there is the search for continuity, the feat of making visible a presence and an identity of one's own, worked out by overcoming. The door is the symbol, as we will see, of the permanence and collective transmission of an identity and at the same time a testimony of the reunion with the rich cultural past of rural, European and Mapuche’s roots. |
doi_str_mv | 10.5821/ace.15.45.9643 |
format | Article |
fullrecord | <record><control><sourceid>hal</sourceid><recordid>TN_cdi_hal_primary_oai_HAL_hal_03894489v1</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><sourcerecordid>oai_HAL_hal_03894489v1</sourcerecordid><originalsourceid>FETCH-hal_primary_oai_HAL_hal_03894489v13</originalsourceid><addsrcrecordid>eNpjYBAzNNAztTAy1E9MTtUzNNUzMdWzNDMxZmLgNLSwMNM1sTAwZUFiczBwFRdnGRiYGVqYWHIy6PkkFisUlKYWlQDplFSFnESF3NTc_KLMRCsF5_y85NSC5MzDm_MUNJwzMnNSNXkYWNMSc4pTeaE0N4Omm2uIs4duRmJOfEFRZm5iUWV8fmJmvIejTzxIzMDYwtLExMKyzNCYFLUAHXA8Kw</addsrcrecordid><sourcetype>Open Access Repository</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype></control><display><type>article</type><title>Las puertas de la memoria: Concepción (Chile)</title><source>DOAJ Directory of Open Access Journals</source><source>Revistes Catalanes amb Accés Obert (RACO)</source><source>EZB-FREE-00999 freely available EZB journals</source><creator>Capellà Miternique, Hugo</creator><creatorcontrib>Capellà Miternique, Hugo</creatorcontrib><description>Concepción appears as a new city with few traces of its past, written by episodes of earthquake aftershocks. The Chilean city always appears as a new setting, with few allusions to a tormented past that rhymes with collective overcoming. Nevertheless, the doors and hallways of the houses represent a declared exception, anonymous to the distracted passer-by. This article is one of the results of a scientific investigation, from the perspective of cultural geography and vernacular architecture, carried out, on the basis, of an urban ethnographic work. The interest is theoretical on a local scale, in the recovery of the Mapuche’s urban tradition, as well as on a more general scale, on the revaluation of the transmission of a vernacular heritage, as a form of collective resilience in the face of natural disasters. The custom of maintaining or recovering the doors of the houses over time is not only a fact that obeys a functionality, but it also contains an intentional testimony, with a meaning. Behind the conservation of the original door, there is the search for continuity, the feat of making visible a presence and an identity of one's own, worked out by overcoming. The door is the symbol, as we will see, of the permanence and collective transmission of an identity and at the same time a testimony of the reunion with the rich cultural past of rural, European and Mapuche’s roots.</description><identifier>ISSN: 1886-4805</identifier><identifier>EISSN: 1886-4805</identifier><identifier>DOI: 10.5821/ace.15.45.9643</identifier><language>eng</language><publisher>Universitat Politècnica de Catalunya</publisher><subject>Humanities and Social Sciences</subject><ispartof>Architecture, city and environment, 2021-02, Vol.15 (45)</ispartof><rights>Distributed under a Creative Commons Attribution 4.0 International License</rights><lds50>peer_reviewed</lds50><woscitedreferencessubscribed>false</woscitedreferencessubscribed></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><link.rule.ids>230,314,780,784,864,885,27922,27923</link.rule.ids><backlink>$$Uhttps://hal.science/hal-03894489$$DView record in HAL$$Hfree_for_read</backlink></links><search><creatorcontrib>Capellà Miternique, Hugo</creatorcontrib><title>Las puertas de la memoria: Concepción (Chile)</title><title>Architecture, city and environment</title><description>Concepción appears as a new city with few traces of its past, written by episodes of earthquake aftershocks. The Chilean city always appears as a new setting, with few allusions to a tormented past that rhymes with collective overcoming. Nevertheless, the doors and hallways of the houses represent a declared exception, anonymous to the distracted passer-by. This article is one of the results of a scientific investigation, from the perspective of cultural geography and vernacular architecture, carried out, on the basis, of an urban ethnographic work. The interest is theoretical on a local scale, in the recovery of the Mapuche’s urban tradition, as well as on a more general scale, on the revaluation of the transmission of a vernacular heritage, as a form of collective resilience in the face of natural disasters. The custom of maintaining or recovering the doors of the houses over time is not only a fact that obeys a functionality, but it also contains an intentional testimony, with a meaning. Behind the conservation of the original door, there is the search for continuity, the feat of making visible a presence and an identity of one's own, worked out by overcoming. The door is the symbol, as we will see, of the permanence and collective transmission of an identity and at the same time a testimony of the reunion with the rich cultural past of rural, European and Mapuche’s roots.</description><subject>Humanities and Social Sciences</subject><issn>1886-4805</issn><issn>1886-4805</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2021</creationdate><recordtype>article</recordtype><recordid>eNpjYBAzNNAztTAy1E9MTtUzNNUzMdWzNDMxZmLgNLSwMNM1sTAwZUFiczBwFRdnGRiYGVqYWHIy6PkkFisUlKYWlQDplFSFnESF3NTc_KLMRCsF5_y85NSC5MzDm_MUNJwzMnNSNXkYWNMSc4pTeaE0N4Omm2uIs4duRmJOfEFRZm5iUWV8fmJmvIejTzxIzMDYwtLExMKyzNCYFLUAHXA8Kw</recordid><startdate>202102</startdate><enddate>202102</enddate><creator>Capellà Miternique, Hugo</creator><general>Universitat Politècnica de Catalunya</general><scope>1XC</scope><scope>BXJBU</scope></search><sort><creationdate>202102</creationdate><title>Las puertas de la memoria: Concepción (Chile)</title><author>Capellà Miternique, Hugo</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-hal_primary_oai_HAL_hal_03894489v13</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>2021</creationdate><topic>Humanities and Social Sciences</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>Capellà Miternique, Hugo</creatorcontrib><collection>Hyper Article en Ligne (HAL)</collection><collection>HAL-SHS: Archive ouverte en Sciences de l'Homme et de la Société</collection><jtitle>Architecture, city and environment</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Capellà Miternique, Hugo</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>Las puertas de la memoria: Concepción (Chile)</atitle><jtitle>Architecture, city and environment</jtitle><date>2021-02</date><risdate>2021</risdate><volume>15</volume><issue>45</issue><issn>1886-4805</issn><eissn>1886-4805</eissn><abstract>Concepción appears as a new city with few traces of its past, written by episodes of earthquake aftershocks. The Chilean city always appears as a new setting, with few allusions to a tormented past that rhymes with collective overcoming. Nevertheless, the doors and hallways of the houses represent a declared exception, anonymous to the distracted passer-by. This article is one of the results of a scientific investigation, from the perspective of cultural geography and vernacular architecture, carried out, on the basis, of an urban ethnographic work. The interest is theoretical on a local scale, in the recovery of the Mapuche’s urban tradition, as well as on a more general scale, on the revaluation of the transmission of a vernacular heritage, as a form of collective resilience in the face of natural disasters. The custom of maintaining or recovering the doors of the houses over time is not only a fact that obeys a functionality, but it also contains an intentional testimony, with a meaning. Behind the conservation of the original door, there is the search for continuity, the feat of making visible a presence and an identity of one's own, worked out by overcoming. The door is the symbol, as we will see, of the permanence and collective transmission of an identity and at the same time a testimony of the reunion with the rich cultural past of rural, European and Mapuche’s roots.</abstract><pub>Universitat Politècnica de Catalunya</pub><doi>10.5821/ace.15.45.9643</doi></addata></record> |
fulltext | fulltext |
identifier | ISSN: 1886-4805 |
ispartof | Architecture, city and environment, 2021-02, Vol.15 (45) |
issn | 1886-4805 1886-4805 |
language | eng |
recordid | cdi_hal_primary_oai_HAL_hal_03894489v1 |
source | DOAJ Directory of Open Access Journals; Revistes Catalanes amb Accés Obert (RACO); EZB-FREE-00999 freely available EZB journals |
subjects | Humanities and Social Sciences |
title | Las puertas de la memoria: Concepción (Chile) |
url | https://sfx.bib-bvb.de/sfx_tum?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2025-01-10T06%3A49%3A13IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-hal&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=Las%20puertas%20de%20la%20memoria:%20Concepci%C3%B3n%20(Chile)&rft.jtitle=Architecture,%20city%20and%20environment&rft.au=Capell%C3%A0%20Miternique,%20Hugo&rft.date=2021-02&rft.volume=15&rft.issue=45&rft.issn=1886-4805&rft.eissn=1886-4805&rft_id=info:doi/10.5821/ace.15.45.9643&rft_dat=%3Chal%3Eoai_HAL_hal_03894489v1%3C/hal%3E%3Curl%3E%3C/url%3E&disable_directlink=true&sfx.directlink=off&sfx.report_link=0&rft_id=info:oai/&rft_id=info:pmid/&rfr_iscdi=true |