La médiatisation d’un film anticolonial par deux fédérations de ciné-clubs chrétienne et laïque : "Bel Ami" (Louis Daquin, 1954) dans Écrans de France et Image et Son

In the midst of decolonization, film critics and thematic articles published in the film clubs federations magazines faith-based and secular show divergent political positions. How were colonial and anticolonial films perceived by popular education magazines by and to the cinema? How was the censors...

Ausführliche Beschreibung

Bibliographische Detailangaben

Veröffentlicht in:	Cahiers de la SFSIC, Les Les, 2020-04 (16)
1. Verfasser:	Soldé, Vivien
Format:	Artikel
Sprache:	fre
Schlagworte:	Art and art history Humanities and Social Sciences Library and information sciences
Online-Zugang:	Volltext
Tags:	Tag hinzufügen Keine Tags, Fügen Sie den ersten Tag hinzu!