“Deux cents mots et un gros marteau.” Virginie Despentes’s Skillful Construction of an Authorial Posture

This essay identifies and analyses the specific ways in which this female French writer and film maker has created herself as an author out of a biographical focus on her life as a sex worker and rape victim. Relying on the notion of “posture” which I tie in with art sociology and discourse analysis...

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Veröffentlicht in:	Rocky Mountain Review 2018-03, Vol.72 (1), p.125-145
1. Verfasser:	Louar, Nadia
Format:	Artikel
Sprache:	eng
Schlagworte:	Censorship Feminism Feminists Fiction French realism (Literature) Movie directors
Online-Zugang:	Volltext
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