TONAL VARIATION IN PYEN
Several studies on the Tibeto-Burman Ngwi (Lolo) language family describe tone behavior in the framework of tonogenesis/historical reconstruction among the different languages, but synchronic tonal analyses are rare or are lacking in specifics. After laying out the phoneme inventory, this paper pres...
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description | Several studies on the Tibeto-Burman Ngwi (Lolo) language family describe tone behavior in the framework of tonogenesis/historical reconstruction among the different languages, but synchronic tonal analyses are rare or are lacking in specifics. After laying out the phoneme inventory, this paper presents a look at the tone of Pyen, belonging to the Bisoid subgroup of Southern Ngwi, spoken in Myanmar. We focus especially on tone sandhi and phrase-final intonation. Its three contrastive tones, high, mid, and low, occur on every word type. Verbal suffixes differ from this pattern; they carry only the high or low tone, depending on the tone of either the preceding verb stem or any preceding tone-bearing suffix. A non-lexical intonational-phrase-final boundary tone is frequently used to express exclamation or emphasis, and is often found in conjunction with phrasal affixes indicating grammatical mood. This falling boundary tone is associated with a greater excursion of pitch than the low boundary tone found in neutral expressions. Keywords: Tibeto-Burman, Southern Ngwi, phonology, tone, intonation ISO 639-3 codes: pyy, bzi, lwm, pho |
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After laying out the phoneme inventory, this paper presents a look at the tone of Pyen, belonging to the Bisoid subgroup of Southern Ngwi, spoken in Myanmar. We focus especially on tone sandhi and phrase-final intonation. Its three contrastive tones, high, mid, and low, occur on every word type. Verbal suffixes differ from this pattern; they carry only the high or low tone, depending on the tone of either the preceding verb stem or any preceding tone-bearing suffix. A non-lexical intonational-phrase-final boundary tone is frequently used to express exclamation or emphasis, and is often found in conjunction with phrasal affixes indicating grammatical mood. This falling boundary tone is associated with a greater excursion of pitch than the low boundary tone found in neutral expressions. 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After laying out the phoneme inventory, this paper presents a look at the tone of Pyen, belonging to the Bisoid subgroup of Southern Ngwi, spoken in Myanmar. We focus especially on tone sandhi and phrase-final intonation. Its three contrastive tones, high, mid, and low, occur on every word type. Verbal suffixes differ from this pattern; they carry only the high or low tone, depending on the tone of either the preceding verb stem or any preceding tone-bearing suffix. A non-lexical intonational-phrase-final boundary tone is frequently used to express exclamation or emphasis, and is often found in conjunction with phrasal affixes indicating grammatical mood. This falling boundary tone is associated with a greater excursion of pitch than the low boundary tone found in neutral expressions. 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After laying out the phoneme inventory, this paper presents a look at the tone of Pyen, belonging to the Bisoid subgroup of Southern Ngwi, spoken in Myanmar. We focus especially on tone sandhi and phrase-final intonation. Its three contrastive tones, high, mid, and low, occur on every word type. Verbal suffixes differ from this pattern; they carry only the high or low tone, depending on the tone of either the preceding verb stem or any preceding tone-bearing suffix. A non-lexical intonational-phrase-final boundary tone is frequently used to express exclamation or emphasis, and is often found in conjunction with phrasal affixes indicating grammatical mood. This falling boundary tone is associated with a greater excursion of pitch than the low boundary tone found in neutral expressions. Keywords: Tibeto-Burman, Southern Ngwi, phonology, tone, intonation ISO 639-3 codes: pyy, bzi, lwm, pho</abstract><pub>University of Hawaii Press</pub></addata></record> |
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subjects | Analysis Domestic relations Nishida Tatsuo |
title | TONAL VARIATION IN PYEN |
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