Alfred Keller's architectural works in Kvarner/Arhitektonski opus Alfreda Kellera na Kvarneru
At the end of the 19th and the beginning of the 20th century, the Croatian coast of the Adriatic Sea turned into a huge construction site for the purposes of tourism development. Since there were no Croatian experts for hotel and resort architecture, it was mostly foreign architects who designed and...
Gespeichert in:
Veröffentlicht in: | Prostor (Zagreb, Croatia) Croatia), 2013-01, Vol.21 (1), p.159 |
---|---|
1. Verfasser: | |
Format: | Artikel |
Sprache: | eng |
Schlagworte: | |
Online-Zugang: | Volltext |
Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
container_end_page | |
---|---|
container_issue | 1 |
container_start_page | 159 |
container_title | Prostor (Zagreb, Croatia) |
container_volume | 21 |
creator | Kranjcevic, Jasenka |
description | At the end of the 19th and the beginning of the 20th century, the Croatian coast of the Adriatic Sea turned into a huge construction site for the purposes of tourism development. Since there were no Croatian experts for hotel and resort architecture, it was mostly foreign architects who designed and built tourist buildings whose constructions required particular knowledge of specific functional and technological processes. Numerous foreigners working on the Adriatic coast in Croatia also included architect Alfred Keller. The Austrian architect Alfred Keller (Graz, 17 Jun 1875--Vienna, 8 Mar 1945) started working in Croatia after the First World War and made his first architectural accomplishments in Kvarner, the area which represents the cradle of Croatian tourism. Keller arrived in Croatia as a 35-year-old architect with mature experience and he worked there from 1910 to 1936 on approximately 30 projects which were almost exclusively related to the Adriatic region, with the exception of the Kastner & Ohler department store (today's NAMA) in Zagreb for which he designed the front facade. Various building projects on which Keller worked in Croatia include villas, hotels, pensions, health resorts, hospitals and the department store. He also participated in several architectural and urban design competitions (Opatija, Vis, Split and Dubrovnik). In addition to Austria, Keller worked in the present territories of Croatia, Slovenia, Montenegro, the Czech Republic, Canada, USA etc., which suggests that borders were not an obstacle to his architectural endeavours. Regardless of his educational background in the traditional historicism, the new movements in the architecture of Vienna, where he was employed upon completing his studies in Graz, represented a great influence, which is discernible in his 1906 designs for the Hansa sanatorium in Graz. Two of his numerous projects that clearly stand out are the International Trade Academy (1914-16) and the David-hof residential estate built in cooperation with Walter Brossman (1926-1927). Despite the fact that Keller's most famous projects in Croatia are the houses along the south facade of Diocletian's Palace in Split (1922-27) and the Scheherazade Villa in Dubrovnik (1928), numerous hotel building that he designed before the First World War in Mali Losinj, Susak, Trogir, Split, Trsteno and Dubrovnik most certainly represent a contribution to the development of hotel architecture. Even in the period between the two worl |
format | Article |
fullrecord | <record><control><sourceid>gale</sourceid><recordid>TN_cdi_gale_infotracacademiconefile_A346627510</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><galeid>A346627510</galeid><sourcerecordid>A346627510</sourcerecordid><originalsourceid>FETCH-gale_infotracacademiconefile_A3466275103</originalsourceid><addsrcrecordid>eNqVjL0KwjAUhTMoWH_eIZtTNW1snIsoQldXkUt6q7ExkZtUX9-K-gByhgPf-RmwJJNSpEIV-YiNQ7gKoURPEnYsbUNY8wqtRZoHDqQvJqKOHYHlT09t4Mbx6gHkkJYlvdM2ehdaw_29C_zzAN8L4A5-7W7Khg3YgLOvT9hitz1s9ukZLJ6Ma3wk0L1qvBntHTam56VcKZWvi0zIvwcv9W5Lfg</addsrcrecordid><sourcetype>Aggregation Database</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype></control><display><type>article</type><title>Alfred Keller's architectural works in Kvarner/Arhitektonski opus Alfreda Kellera na Kvarneru</title><source>DOAJ Directory of Open Access Journals</source><source>EZB-FREE-00999 freely available EZB journals</source><creator>Kranjcevic, Jasenka</creator><creatorcontrib>Kranjcevic, Jasenka</creatorcontrib><description>At the end of the 19th and the beginning of the 20th century, the Croatian coast of the Adriatic Sea turned into a huge construction site for the purposes of tourism development. Since there were no Croatian experts for hotel and resort architecture, it was mostly foreign architects who designed and built tourist buildings whose constructions required particular knowledge of specific functional and technological processes. Numerous foreigners working on the Adriatic coast in Croatia also included architect Alfred Keller. The Austrian architect Alfred Keller (Graz, 17 Jun 1875--Vienna, 8 Mar 1945) started working in Croatia after the First World War and made his first architectural accomplishments in Kvarner, the area which represents the cradle of Croatian tourism. Keller arrived in Croatia as a 35-year-old architect with mature experience and he worked there from 1910 to 1936 on approximately 30 projects which were almost exclusively related to the Adriatic region, with the exception of the Kastner & Ohler department store (today's NAMA) in Zagreb for which he designed the front facade. Various building projects on which Keller worked in Croatia include villas, hotels, pensions, health resorts, hospitals and the department store. He also participated in several architectural and urban design competitions (Opatija, Vis, Split and Dubrovnik). In addition to Austria, Keller worked in the present territories of Croatia, Slovenia, Montenegro, the Czech Republic, Canada, USA etc., which suggests that borders were not an obstacle to his architectural endeavours. Regardless of his educational background in the traditional historicism, the new movements in the architecture of Vienna, where he was employed upon completing his studies in Graz, represented a great influence, which is discernible in his 1906 designs for the Hansa sanatorium in Graz. Two of his numerous projects that clearly stand out are the International Trade Academy (1914-16) and the David-hof residential estate built in cooperation with Walter Brossman (1926-1927). Despite the fact that Keller's most famous projects in Croatia are the houses along the south facade of Diocletian's Palace in Split (1922-27) and the Scheherazade Villa in Dubrovnik (1928), numerous hotel building that he designed before the First World War in Mali Losinj, Susak, Trogir, Split, Trsteno and Dubrovnik most certainly represent a contribution to the development of hotel architecture. Even in the period between the two world wars Keller designed hotels in Hvar, Split and Dubrovnik but none of them was ever built. Such a great number of designs for hotels of various sorts and capacities enticed Keller to publish in 1937 the book entitled Hotel und Gaststatte von Heute--neubau, umbau und zeitgemasse Ausstattung in collaboration with Otto R. Hellwig, which was an overview of hotel technology and the necessary steps for their technical advancement. Almost all of Keller's projects in Kvarner were directly or indirectly related to tourism. In only three years, the period of his known activities in Kvarner, Keller designed eight buildings and participated in one design competition. The projects include the designs for the buildings in the village of Veli Losinj on the island of Losinj (reconstruction of the Graf and Geutebruck Villas, extension of the Bethania sanatorium, a gallery and the port building), the town of Mali Losinj on Losinj (Alhambra Hotel, reconstruction of the Dr. Hajos Sanatorium), the island of Susak (hotel and resort buildings and the accompanying beach) and Opatija (architectural design competition for a parish church and rectory, which won him the first award). Among all accomplished tourism related projects in Kvarner prominence should be given to the Alhambra Hotel (which still exists), the extension of the Dr. Hajos Sanatorium in Mali Losinj and the gallery in Veli Losinj, while among the unexecuted designs, emphasis should be placed on the hotel and bathing resort on the island of Susak and the port building in Veli Losinj. Seen in the context of architecture and the period in which he was active, Keller's projects in Kvarner respected the spatial and the existing social and economic circumstances of the area. In the formal treatment of his buildings he used regional characteristics. None of his projects was envisaged to dominate the space around it but rather to adapt to it. In this way Keller contributed to the preservation of the Mediterranean picturesqueness. His decisions, and consequently designs, were most likely influenced by his numerous travels, even in his student days, which helped him develop the feeling for the architecture of tourism and recognition of spatial differences of various regions. In following the Mediterranean architectural principles related to the disposition of forms Keller did not use symmetry but fragmentation into smaller masses. It could be said that he used elements of historicism in the proportions of volumes, while making the influence of approaching modernism evident in the exterior treatment of forms. He designed roof as having a dynamic rhythm of sloping planes, and he used various shapes of windows and specific Mediterranean openings, such as balconies, terraces, loggias and porches, opening thereby, his buildings to the sunlight. He paid a great attention to green areas and with the use of shaded pergolas and porches he ensured comfortable stay in the open space during hot days. Keller's openness to new ideas is also evident in the fact that, despite his educational background in traditional historicism, he imbued his projects with modern interpretation of traditional Mediterranean forms. In each case Keller presented regional formal elements in his particular way. Although his work has been neglected, and often discredited by some professionals in Croatia (especially in the period between the two world wars and after the Second World War) Keller undoubtedly made a contribution to the development of hotel architecture since he created more than ten designs for various sorts of hotels in Croatia. It should be noted that he was active in the period in which the transition of styles made him decide to reconcile in his projects tradition and modernity in the Mediterranean space. With an entire century distance between today and Keller's work in Kvarner, it could be said that he chose his own architectural expression, and his projects in the island of Losinj left a specific mark on the area due to their uniqueness and recognisability.</description><identifier>ISSN: 1330-0652</identifier><language>eng</language><publisher>Sveuciliste U Zagrebu</publisher><subject>Alien labor ; Architects ; Architecture ; Austria ; Croatia ; Hotels and motels ; Resorts</subject><ispartof>Prostor (Zagreb, Croatia), 2013-01, Vol.21 (1), p.159</ispartof><rights>COPYRIGHT 2013 Sveuciliste U Zagrebu</rights><lds50>peer_reviewed</lds50><woscitedreferencessubscribed>false</woscitedreferencessubscribed></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><link.rule.ids>314,776,780</link.rule.ids></links><search><creatorcontrib>Kranjcevic, Jasenka</creatorcontrib><title>Alfred Keller's architectural works in Kvarner/Arhitektonski opus Alfreda Kellera na Kvarneru</title><title>Prostor (Zagreb, Croatia)</title><description>At the end of the 19th and the beginning of the 20th century, the Croatian coast of the Adriatic Sea turned into a huge construction site for the purposes of tourism development. Since there were no Croatian experts for hotel and resort architecture, it was mostly foreign architects who designed and built tourist buildings whose constructions required particular knowledge of specific functional and technological processes. Numerous foreigners working on the Adriatic coast in Croatia also included architect Alfred Keller. The Austrian architect Alfred Keller (Graz, 17 Jun 1875--Vienna, 8 Mar 1945) started working in Croatia after the First World War and made his first architectural accomplishments in Kvarner, the area which represents the cradle of Croatian tourism. Keller arrived in Croatia as a 35-year-old architect with mature experience and he worked there from 1910 to 1936 on approximately 30 projects which were almost exclusively related to the Adriatic region, with the exception of the Kastner & Ohler department store (today's NAMA) in Zagreb for which he designed the front facade. Various building projects on which Keller worked in Croatia include villas, hotels, pensions, health resorts, hospitals and the department store. He also participated in several architectural and urban design competitions (Opatija, Vis, Split and Dubrovnik). In addition to Austria, Keller worked in the present territories of Croatia, Slovenia, Montenegro, the Czech Republic, Canada, USA etc., which suggests that borders were not an obstacle to his architectural endeavours. Regardless of his educational background in the traditional historicism, the new movements in the architecture of Vienna, where he was employed upon completing his studies in Graz, represented a great influence, which is discernible in his 1906 designs for the Hansa sanatorium in Graz. Two of his numerous projects that clearly stand out are the International Trade Academy (1914-16) and the David-hof residential estate built in cooperation with Walter Brossman (1926-1927). Despite the fact that Keller's most famous projects in Croatia are the houses along the south facade of Diocletian's Palace in Split (1922-27) and the Scheherazade Villa in Dubrovnik (1928), numerous hotel building that he designed before the First World War in Mali Losinj, Susak, Trogir, Split, Trsteno and Dubrovnik most certainly represent a contribution to the development of hotel architecture. Even in the period between the two world wars Keller designed hotels in Hvar, Split and Dubrovnik but none of them was ever built. Such a great number of designs for hotels of various sorts and capacities enticed Keller to publish in 1937 the book entitled Hotel und Gaststatte von Heute--neubau, umbau und zeitgemasse Ausstattung in collaboration with Otto R. Hellwig, which was an overview of hotel technology and the necessary steps for their technical advancement. Almost all of Keller's projects in Kvarner were directly or indirectly related to tourism. In only three years, the period of his known activities in Kvarner, Keller designed eight buildings and participated in one design competition. The projects include the designs for the buildings in the village of Veli Losinj on the island of Losinj (reconstruction of the Graf and Geutebruck Villas, extension of the Bethania sanatorium, a gallery and the port building), the town of Mali Losinj on Losinj (Alhambra Hotel, reconstruction of the Dr. Hajos Sanatorium), the island of Susak (hotel and resort buildings and the accompanying beach) and Opatija (architectural design competition for a parish church and rectory, which won him the first award). Among all accomplished tourism related projects in Kvarner prominence should be given to the Alhambra Hotel (which still exists), the extension of the Dr. Hajos Sanatorium in Mali Losinj and the gallery in Veli Losinj, while among the unexecuted designs, emphasis should be placed on the hotel and bathing resort on the island of Susak and the port building in Veli Losinj. Seen in the context of architecture and the period in which he was active, Keller's projects in Kvarner respected the spatial and the existing social and economic circumstances of the area. In the formal treatment of his buildings he used regional characteristics. None of his projects was envisaged to dominate the space around it but rather to adapt to it. In this way Keller contributed to the preservation of the Mediterranean picturesqueness. His decisions, and consequently designs, were most likely influenced by his numerous travels, even in his student days, which helped him develop the feeling for the architecture of tourism and recognition of spatial differences of various regions. In following the Mediterranean architectural principles related to the disposition of forms Keller did not use symmetry but fragmentation into smaller masses. It could be said that he used elements of historicism in the proportions of volumes, while making the influence of approaching modernism evident in the exterior treatment of forms. He designed roof as having a dynamic rhythm of sloping planes, and he used various shapes of windows and specific Mediterranean openings, such as balconies, terraces, loggias and porches, opening thereby, his buildings to the sunlight. He paid a great attention to green areas and with the use of shaded pergolas and porches he ensured comfortable stay in the open space during hot days. Keller's openness to new ideas is also evident in the fact that, despite his educational background in traditional historicism, he imbued his projects with modern interpretation of traditional Mediterranean forms. In each case Keller presented regional formal elements in his particular way. Although his work has been neglected, and often discredited by some professionals in Croatia (especially in the period between the two world wars and after the Second World War) Keller undoubtedly made a contribution to the development of hotel architecture since he created more than ten designs for various sorts of hotels in Croatia. It should be noted that he was active in the period in which the transition of styles made him decide to reconcile in his projects tradition and modernity in the Mediterranean space. With an entire century distance between today and Keller's work in Kvarner, it could be said that he chose his own architectural expression, and his projects in the island of Losinj left a specific mark on the area due to their uniqueness and recognisability.</description><subject>Alien labor</subject><subject>Architects</subject><subject>Architecture</subject><subject>Austria</subject><subject>Croatia</subject><subject>Hotels and motels</subject><subject>Resorts</subject><issn>1330-0652</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2013</creationdate><recordtype>article</recordtype><sourceid/><recordid>eNqVjL0KwjAUhTMoWH_eIZtTNW1snIsoQldXkUt6q7ExkZtUX9-K-gByhgPf-RmwJJNSpEIV-YiNQ7gKoURPEnYsbUNY8wqtRZoHDqQvJqKOHYHlT09t4Mbx6gHkkJYlvdM2ehdaw_29C_zzAN8L4A5-7W7Khg3YgLOvT9hitz1s9ukZLJ6Ma3wk0L1qvBntHTam56VcKZWvi0zIvwcv9W5Lfg</recordid><startdate>20130101</startdate><enddate>20130101</enddate><creator>Kranjcevic, Jasenka</creator><general>Sveuciliste U Zagrebu</general><scope/></search><sort><creationdate>20130101</creationdate><title>Alfred Keller's architectural works in Kvarner/Arhitektonski opus Alfreda Kellera na Kvarneru</title><author>Kranjcevic, Jasenka</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-gale_infotracacademiconefile_A3466275103</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>2013</creationdate><topic>Alien labor</topic><topic>Architects</topic><topic>Architecture</topic><topic>Austria</topic><topic>Croatia</topic><topic>Hotels and motels</topic><topic>Resorts</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>Kranjcevic, Jasenka</creatorcontrib><jtitle>Prostor (Zagreb, Croatia)</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Kranjcevic, Jasenka</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>Alfred Keller's architectural works in Kvarner/Arhitektonski opus Alfreda Kellera na Kvarneru</atitle><jtitle>Prostor (Zagreb, Croatia)</jtitle><date>2013-01-01</date><risdate>2013</risdate><volume>21</volume><issue>1</issue><spage>159</spage><pages>159-</pages><issn>1330-0652</issn><abstract>At the end of the 19th and the beginning of the 20th century, the Croatian coast of the Adriatic Sea turned into a huge construction site for the purposes of tourism development. Since there were no Croatian experts for hotel and resort architecture, it was mostly foreign architects who designed and built tourist buildings whose constructions required particular knowledge of specific functional and technological processes. Numerous foreigners working on the Adriatic coast in Croatia also included architect Alfred Keller. The Austrian architect Alfred Keller (Graz, 17 Jun 1875--Vienna, 8 Mar 1945) started working in Croatia after the First World War and made his first architectural accomplishments in Kvarner, the area which represents the cradle of Croatian tourism. Keller arrived in Croatia as a 35-year-old architect with mature experience and he worked there from 1910 to 1936 on approximately 30 projects which were almost exclusively related to the Adriatic region, with the exception of the Kastner & Ohler department store (today's NAMA) in Zagreb for which he designed the front facade. Various building projects on which Keller worked in Croatia include villas, hotels, pensions, health resorts, hospitals and the department store. He also participated in several architectural and urban design competitions (Opatija, Vis, Split and Dubrovnik). In addition to Austria, Keller worked in the present territories of Croatia, Slovenia, Montenegro, the Czech Republic, Canada, USA etc., which suggests that borders were not an obstacle to his architectural endeavours. Regardless of his educational background in the traditional historicism, the new movements in the architecture of Vienna, where he was employed upon completing his studies in Graz, represented a great influence, which is discernible in his 1906 designs for the Hansa sanatorium in Graz. Two of his numerous projects that clearly stand out are the International Trade Academy (1914-16) and the David-hof residential estate built in cooperation with Walter Brossman (1926-1927). Despite the fact that Keller's most famous projects in Croatia are the houses along the south facade of Diocletian's Palace in Split (1922-27) and the Scheherazade Villa in Dubrovnik (1928), numerous hotel building that he designed before the First World War in Mali Losinj, Susak, Trogir, Split, Trsteno and Dubrovnik most certainly represent a contribution to the development of hotel architecture. Even in the period between the two world wars Keller designed hotels in Hvar, Split and Dubrovnik but none of them was ever built. Such a great number of designs for hotels of various sorts and capacities enticed Keller to publish in 1937 the book entitled Hotel und Gaststatte von Heute--neubau, umbau und zeitgemasse Ausstattung in collaboration with Otto R. Hellwig, which was an overview of hotel technology and the necessary steps for their technical advancement. Almost all of Keller's projects in Kvarner were directly or indirectly related to tourism. In only three years, the period of his known activities in Kvarner, Keller designed eight buildings and participated in one design competition. The projects include the designs for the buildings in the village of Veli Losinj on the island of Losinj (reconstruction of the Graf and Geutebruck Villas, extension of the Bethania sanatorium, a gallery and the port building), the town of Mali Losinj on Losinj (Alhambra Hotel, reconstruction of the Dr. Hajos Sanatorium), the island of Susak (hotel and resort buildings and the accompanying beach) and Opatija (architectural design competition for a parish church and rectory, which won him the first award). Among all accomplished tourism related projects in Kvarner prominence should be given to the Alhambra Hotel (which still exists), the extension of the Dr. Hajos Sanatorium in Mali Losinj and the gallery in Veli Losinj, while among the unexecuted designs, emphasis should be placed on the hotel and bathing resort on the island of Susak and the port building in Veli Losinj. Seen in the context of architecture and the period in which he was active, Keller's projects in Kvarner respected the spatial and the existing social and economic circumstances of the area. In the formal treatment of his buildings he used regional characteristics. None of his projects was envisaged to dominate the space around it but rather to adapt to it. In this way Keller contributed to the preservation of the Mediterranean picturesqueness. His decisions, and consequently designs, were most likely influenced by his numerous travels, even in his student days, which helped him develop the feeling for the architecture of tourism and recognition of spatial differences of various regions. In following the Mediterranean architectural principles related to the disposition of forms Keller did not use symmetry but fragmentation into smaller masses. It could be said that he used elements of historicism in the proportions of volumes, while making the influence of approaching modernism evident in the exterior treatment of forms. He designed roof as having a dynamic rhythm of sloping planes, and he used various shapes of windows and specific Mediterranean openings, such as balconies, terraces, loggias and porches, opening thereby, his buildings to the sunlight. He paid a great attention to green areas and with the use of shaded pergolas and porches he ensured comfortable stay in the open space during hot days. Keller's openness to new ideas is also evident in the fact that, despite his educational background in traditional historicism, he imbued his projects with modern interpretation of traditional Mediterranean forms. In each case Keller presented regional formal elements in his particular way. Although his work has been neglected, and often discredited by some professionals in Croatia (especially in the period between the two world wars and after the Second World War) Keller undoubtedly made a contribution to the development of hotel architecture since he created more than ten designs for various sorts of hotels in Croatia. It should be noted that he was active in the period in which the transition of styles made him decide to reconcile in his projects tradition and modernity in the Mediterranean space. With an entire century distance between today and Keller's work in Kvarner, it could be said that he chose his own architectural expression, and his projects in the island of Losinj left a specific mark on the area due to their uniqueness and recognisability.</abstract><pub>Sveuciliste U Zagrebu</pub></addata></record> |
fulltext | fulltext |
identifier | ISSN: 1330-0652 |
ispartof | Prostor (Zagreb, Croatia), 2013-01, Vol.21 (1), p.159 |
issn | 1330-0652 |
language | eng |
recordid | cdi_gale_infotracacademiconefile_A346627510 |
source | DOAJ Directory of Open Access Journals; EZB-FREE-00999 freely available EZB journals |
subjects | Alien labor Architects Architecture Austria Croatia Hotels and motels Resorts |
title | Alfred Keller's architectural works in Kvarner/Arhitektonski opus Alfreda Kellera na Kvarneru |
url | https://sfx.bib-bvb.de/sfx_tum?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2025-02-10T07%3A57%3A41IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-gale&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=Alfred%20Keller's%20architectural%20works%20in%20Kvarner/Arhitektonski%20opus%20Alfreda%20Kellera%20na%20Kvarneru&rft.jtitle=Prostor%20(Zagreb,%20Croatia)&rft.au=Kranjcevic,%20Jasenka&rft.date=2013-01-01&rft.volume=21&rft.issue=1&rft.spage=159&rft.pages=159-&rft.issn=1330-0652&rft_id=info:doi/&rft_dat=%3Cgale%3EA346627510%3C/gale%3E%3Curl%3E%3C/url%3E&disable_directlink=true&sfx.directlink=off&sfx.report_link=0&rft_id=info:oai/&rft_id=info:pmid/&rft_galeid=A346627510&rfr_iscdi=true |