Harwood's Monster: “Walter Lehmann” and the Embodied Subject

Dray talks about Gwen Hardwood's poetry. To say that the poet Gwen Hardwood was a prolific writer early in her career would be a vast understatement; in truth she was several. Employing a number of artfully crafted personas, all with his or her own distinct style and agenda, Harwood became so d...

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Veröffentlicht in:	Antipodes (Brooklyn, New York, N.Y.) New York, N.Y.), 2013-06, Vol.27 (1), p.61-68
1. Verfasser:	Dray, Colin
Format:	Artikel
Sprache:	eng
Schlagworte:	Acrostics Art and life Australian literature Criticism and interpretation Essays Female identity Fraud Hardwood, Gwen Harwood, Gwen Literary criticism Love poetry Metaphysical poetry Metaphysics Narrative poetry Pastoral poetry Persona Poetry Poets Political aspects Pseudonyms Reading Sex factors Sexual politics Social aspects Truth Women writers
Online-Zugang:	Volltext
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