Focus on practice-relationships between lessons on the primary instrument and individual practice in conservatoire education

This article presents the results of research into the relationships between lessons on the primary instrument and individual practice in conservatoire education. Six cases were extensively investigated through observation, questionnaires, logbooks, and interviews. Regarding the lessons on the prima...

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Veröffentlicht in:Music education research 2007-11, Vol.9 (3), p.373-397
Hauptverfasser: Koopman, Constantijn, Smit, Nico, de Vugt, Adri, Deneer, Paul, den Ouden, Jeannette
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container_end_page 397
container_issue 3
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container_title Music education research
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creator Koopman, Constantijn
Smit, Nico
de Vugt, Adri
Deneer, Paul
den Ouden, Jeannette
description This article presents the results of research into the relationships between lessons on the primary instrument and individual practice in conservatoire education. Six cases were extensively investigated through observation, questionnaires, logbooks, and interviews. Regarding the lessons on the primary instrument, we examined aims, topics, structure, homework feedback, and homework instruction; regarding the individual practice, we studied content, strategies, and direct relationships with the homework instruction. Our discussion of the results includes such issues as implicit versus explicit communication about aims, result-directed versus process-directed feedback, as well as ad hoc versus systematic approaches to teaching and individual practice. The results of our research are interpreted as marking a shift from traditional music education according to master-apprentice model, to a more reflective and methodical approach informed by educational theory.
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subjects Educational Theories
Feedback (Response)
Foreign Countries
Homework
Interviews
Music Education
Musical Instruments
Netherlands
Qualitative Research
Questionnaires
Reflective Teaching
Skill Development
Student Attitudes
Teacher Attitudes
Teaching Methods
title Focus on practice-relationships between lessons on the primary instrument and individual practice in conservatoire education
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