The State of the Art Films in Instruction, 1972: A Second Look

Film instruction has been distinctly marked by three major developments that have evolved over the past decade. First of all, a film genre has emerged which is relatively free of the old pedagogical emphasis. The attributes of film form and content that were once rejected by classroom teachers now h...

Ausführliche Beschreibung

Gespeichert in:
Bibliographische Detailangaben
1. Verfasser: Hoban, Charles F
Format: Text Resource
Sprache:eng
Schlagworte:
Online-Zugang:Volltext bestellen
Tags: Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
container_end_page
container_issue
container_start_page
container_title
container_volume
creator Hoban, Charles F
description Film instruction has been distinctly marked by three major developments that have evolved over the past decade. First of all, a film genre has emerged which is relatively free of the old pedagogical emphasis. The attributes of film form and content that were once rejected by classroom teachers now have become the legitimate raw material for film instruction. Secondly, the motion picture as an art form has become an object of study in the high school curriculum. Though film does not supplant the standard English literature courses, it has been offered as a viable option in the requirements for high school graduation. And finally, filmmaking itself has been incorporated into the curricula of both high schools and elementary schools. The implications of these developments are wide ranging. Primarily, they force higher educational functions upon the teachers and students. (MC)
format Text Resource
fullrecord <record><control><sourceid>eric_GA5</sourceid><recordid>TN_cdi_eric_primary_ED074753</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><ericid>ED074753</ericid><sourcerecordid>ED074753</sourcerecordid><originalsourceid>FETCH-eric_primary_ED0747533</originalsourceid><addsrcrecordid>eNrjZLALyUhVCC5JLElVyE9TKAFyHItKFNwyc3KLFTLzFDzzikuKSpNLMvPzdBQMLc2NrBQcFYJTk_PzUhR88vOzeRhY0xJzilN5oTQ3g4yba4izh25qUWZyfEFRZm5iUWW8q4uBuYm5qbExAWkAXTArUQ</addsrcrecordid><sourcetype>Open Access Repository</sourcetype><iscdi>true</iscdi><recordtype>text_resource</recordtype></control><display><type>text_resource</type><title>The State of the Art Films in Instruction, 1972: A Second Look</title><source>ERIC - Full Text Only (Discovery)</source><creator>Hoban, Charles F</creator><creatorcontrib>Hoban, Charles F ; Pennsylvania Univ., Philadelphia. Annenberg School of Communications</creatorcontrib><description>Film instruction has been distinctly marked by three major developments that have evolved over the past decade. First of all, a film genre has emerged which is relatively free of the old pedagogical emphasis. The attributes of film form and content that were once rejected by classroom teachers now have become the legitimate raw material for film instruction. Secondly, the motion picture as an art form has become an object of study in the high school curriculum. Though film does not supplant the standard English literature courses, it has been offered as a viable option in the requirements for high school graduation. And finally, filmmaking itself has been incorporated into the curricula of both high schools and elementary schools. The implications of these developments are wide ranging. Primarily, they force higher educational functions upon the teachers and students. (MC)</description><language>eng</language><subject>Audiovisual Aids ; Audiovisual Communications ; Audiovisual Instruction ; Film Production ; Film Study ; Instructional Films</subject><creationdate>1972</creationdate><tpages>13</tpages><format>13</format><oa>free_for_read</oa><woscitedreferencessubscribed>false</woscitedreferencessubscribed></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><link.rule.ids>230,687,776,881</link.rule.ids><linktorsrc>$$Uhttp://eric.ed.gov/ERICWebPortal/detail?accno=ED074753$$EView_record_in_ERIC_Clearinghouse_on_Information_&amp;_Technology$$FView_record_in_$$GERIC_Clearinghouse_on_Information_&amp;_Technology$$Hfree_for_read</linktorsrc><backlink>$$Uhttp://eric.ed.gov/ERICWebPortal/detail?accno=ED074753$$DView record in ERIC$$Hfree_for_read</backlink></links><search><creatorcontrib>Hoban, Charles F</creatorcontrib><creatorcontrib>Pennsylvania Univ., Philadelphia. Annenberg School of Communications</creatorcontrib><title>The State of the Art Films in Instruction, 1972: A Second Look</title><description>Film instruction has been distinctly marked by three major developments that have evolved over the past decade. First of all, a film genre has emerged which is relatively free of the old pedagogical emphasis. The attributes of film form and content that were once rejected by classroom teachers now have become the legitimate raw material for film instruction. Secondly, the motion picture as an art form has become an object of study in the high school curriculum. Though film does not supplant the standard English literature courses, it has been offered as a viable option in the requirements for high school graduation. And finally, filmmaking itself has been incorporated into the curricula of both high schools and elementary schools. The implications of these developments are wide ranging. Primarily, they force higher educational functions upon the teachers and students. (MC)</description><subject>Audiovisual Aids</subject><subject>Audiovisual Communications</subject><subject>Audiovisual Instruction</subject><subject>Film Production</subject><subject>Film Study</subject><subject>Instructional Films</subject><fulltext>true</fulltext><rsrctype>text_resource</rsrctype><creationdate>1972</creationdate><recordtype>text_resource</recordtype><sourceid>GA5</sourceid><recordid>eNrjZLALyUhVCC5JLElVyE9TKAFyHItKFNwyc3KLFTLzFDzzikuKSpNLMvPzdBQMLc2NrBQcFYJTk_PzUhR88vOzeRhY0xJzilN5oTQ3g4yba4izh25qUWZyfEFRZm5iUWW8q4uBuYm5qbExAWkAXTArUQ</recordid><startdate>197211</startdate><enddate>197211</enddate><creator>Hoban, Charles F</creator><scope>ERI</scope><scope>GA5</scope></search><sort><creationdate>197211</creationdate><title>The State of the Art Films in Instruction, 1972: A Second Look</title><author>Hoban, Charles F</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-eric_primary_ED0747533</frbrgroupid><rsrctype>text_resources</rsrctype><prefilter>text_resources</prefilter><language>eng</language><creationdate>1972</creationdate><topic>Audiovisual Aids</topic><topic>Audiovisual Communications</topic><topic>Audiovisual Instruction</topic><topic>Film Production</topic><topic>Film Study</topic><topic>Instructional Films</topic><toplevel>online_resources</toplevel><creatorcontrib>Hoban, Charles F</creatorcontrib><creatorcontrib>Pennsylvania Univ., Philadelphia. Annenberg School of Communications</creatorcontrib><collection>ERIC</collection><collection>ERIC - Full Text Only (Discovery)</collection></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext_linktorsrc</fulltext></delivery><addata><au>Hoban, Charles F</au><aucorp>Pennsylvania Univ., Philadelphia. Annenberg School of Communications</aucorp><format>book</format><genre>document</genre><ristype>GEN</ristype><ericid>ED074753</ericid><btitle>The State of the Art Films in Instruction, 1972: A Second Look</btitle><date>1972-11</date><risdate>1972</risdate><abstract>Film instruction has been distinctly marked by three major developments that have evolved over the past decade. First of all, a film genre has emerged which is relatively free of the old pedagogical emphasis. The attributes of film form and content that were once rejected by classroom teachers now have become the legitimate raw material for film instruction. Secondly, the motion picture as an art form has become an object of study in the high school curriculum. Though film does not supplant the standard English literature courses, it has been offered as a viable option in the requirements for high school graduation. And finally, filmmaking itself has been incorporated into the curricula of both high schools and elementary schools. The implications of these developments are wide ranging. Primarily, they force higher educational functions upon the teachers and students. (MC)</abstract><tpages>13</tpages><oa>free_for_read</oa></addata></record>
fulltext fulltext_linktorsrc
identifier
ispartof
issn
language eng
recordid cdi_eric_primary_ED074753
source ERIC - Full Text Only (Discovery)
subjects Audiovisual Aids
Audiovisual Communications
Audiovisual Instruction
Film Production
Film Study
Instructional Films
title The State of the Art Films in Instruction, 1972: A Second Look
url https://sfx.bib-bvb.de/sfx_tum?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2025-02-02T09%3A35%3A35IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-eric_GA5&rft_val_fmt=info:ofi/fmt:kev:mtx:book&rft.genre=document&rft.btitle=The%20State%20of%20the%20Art%20Films%20in%20Instruction,%201972:%20A%20Second%20Look&rft.au=Hoban,%20Charles%20F&rft.aucorp=Pennsylvania%20Univ.,%20Philadelphia.%20Annenberg%20School%20of%20Communications&rft.date=1972-11&rft_id=info:doi/&rft_dat=%3Ceric_GA5%3EED074753%3C/eric_GA5%3E%3Curl%3E%3C/url%3E&disable_directlink=true&sfx.directlink=off&sfx.report_link=0&rft_id=info:oai/&rft_id=info:pmid/&rft_ericid=ED074753&rfr_iscdi=true