Sound Playback and Editing Through Physical Interaction
The disclosure relates to sound playback and editing apparatus. The editing apparatus uses user interaction to allow the user to instinctively modify recorded sound. This can be achieved by converting a quality of the user's physical interactions with the editing apparatus into instructions for...
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creator | SELLEN ABIGAIL WILLIAMSON JOHN LINDLEY SIAN RUMSEY FRANCIS ROBSON DOMINIC OLEKSIK GERARD BROWN LORNA FROHLICH DAVID DURRANT ABIGAIL |
description | The disclosure relates to sound playback and editing apparatus. The editing apparatus uses user interaction to allow the user to instinctively modify recorded sound. This can be achieved by converting a quality of the user's physical interactions with the editing apparatus into instructions for processing the sound. For example, in one embodiment the user can mix sound files by 'mixing', i.e. shaking, physical representations of those sound files (such as the recording medium on which the files are stored) alone or together. |
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The editing apparatus uses user interaction to allow the user to instinctively modify recorded sound. This can be achieved by converting a quality of the user's physical interactions with the editing apparatus into instructions for processing the sound. For example, in one embodiment the user can mix sound files by 'mixing', i.e. shaking, physical representations of those sound files (such as the recording medium on which the files are stored) alone or together.</description><language>eng</language><subject>INFORMATION STORAGE ; INFORMATION STORAGE BASED ON RELATIVE MOVEMENT BETWEEN RECORDCARRIER AND TRANSDUCER ; PHYSICS</subject><creationdate>2009</creationdate><oa>free_for_read</oa><woscitedreferencessubscribed>false</woscitedreferencessubscribed></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><linktohtml>$$Uhttps://worldwide.espacenet.com/publicationDetails/biblio?FT=D&date=20090611&DB=EPODOC&CC=US&NR=2009147649A1$$EHTML$$P50$$Gepo$$Hfree_for_read</linktohtml><link.rule.ids>230,308,780,885,25564,76547</link.rule.ids><linktorsrc>$$Uhttps://worldwide.espacenet.com/publicationDetails/biblio?FT=D&date=20090611&DB=EPODOC&CC=US&NR=2009147649A1$$EView_record_in_European_Patent_Office$$FView_record_in_$$GEuropean_Patent_Office$$Hfree_for_read</linktorsrc></links><search><creatorcontrib>SELLEN ABIGAIL</creatorcontrib><creatorcontrib>WILLIAMSON JOHN</creatorcontrib><creatorcontrib>LINDLEY SIAN</creatorcontrib><creatorcontrib>RUMSEY FRANCIS</creatorcontrib><creatorcontrib>ROBSON DOMINIC</creatorcontrib><creatorcontrib>OLEKSIK GERARD</creatorcontrib><creatorcontrib>BROWN LORNA</creatorcontrib><creatorcontrib>FROHLICH DAVID</creatorcontrib><creatorcontrib>DURRANT ABIGAIL</creatorcontrib><title>Sound Playback and Editing Through Physical Interaction</title><description>The disclosure relates to sound playback and editing apparatus. The editing apparatus uses user interaction to allow the user to instinctively modify recorded sound. This can be achieved by converting a quality of the user's physical interactions with the editing apparatus into instructions for processing the sound. For example, in one embodiment the user can mix sound files by 'mixing', i.e. shaking, physical representations of those sound files (such as the recording medium on which the files are stored) alone or together.</description><subject>INFORMATION STORAGE</subject><subject>INFORMATION STORAGE BASED ON RELATIVE MOVEMENT BETWEEN RECORDCARRIER AND TRANSDUCER</subject><subject>PHYSICS</subject><fulltext>true</fulltext><rsrctype>patent</rsrctype><creationdate>2009</creationdate><recordtype>patent</recordtype><sourceid>EVB</sourceid><recordid>eNrjZDAPzi_NS1EIyEmsTEpMzlZIBHJcUzJLMvPSFUIyivJL0zMUAjIqizOTE3MUPPNKUosSk0sy8_N4GFjTEnOKU3mhNDeDsptriLOHbmpBfnxqcUFicmpeakl8aLCRgYGloYm5mYmlo6ExcaoAY3Uuqw</recordid><startdate>20090611</startdate><enddate>20090611</enddate><creator>SELLEN ABIGAIL</creator><creator>WILLIAMSON JOHN</creator><creator>LINDLEY SIAN</creator><creator>RUMSEY FRANCIS</creator><creator>ROBSON DOMINIC</creator><creator>OLEKSIK GERARD</creator><creator>BROWN LORNA</creator><creator>FROHLICH DAVID</creator><creator>DURRANT ABIGAIL</creator><scope>EVB</scope></search><sort><creationdate>20090611</creationdate><title>Sound Playback and Editing Through Physical Interaction</title><author>SELLEN ABIGAIL ; WILLIAMSON JOHN ; LINDLEY SIAN ; RUMSEY FRANCIS ; ROBSON DOMINIC ; OLEKSIK GERARD ; BROWN LORNA ; FROHLICH DAVID ; DURRANT ABIGAIL</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-epo_espacenet_US2009147649A13</frbrgroupid><rsrctype>patents</rsrctype><prefilter>patents</prefilter><language>eng</language><creationdate>2009</creationdate><topic>INFORMATION STORAGE</topic><topic>INFORMATION STORAGE BASED ON RELATIVE MOVEMENT BETWEEN RECORDCARRIER AND TRANSDUCER</topic><topic>PHYSICS</topic><toplevel>online_resources</toplevel><creatorcontrib>SELLEN ABIGAIL</creatorcontrib><creatorcontrib>WILLIAMSON JOHN</creatorcontrib><creatorcontrib>LINDLEY SIAN</creatorcontrib><creatorcontrib>RUMSEY FRANCIS</creatorcontrib><creatorcontrib>ROBSON DOMINIC</creatorcontrib><creatorcontrib>OLEKSIK GERARD</creatorcontrib><creatorcontrib>BROWN LORNA</creatorcontrib><creatorcontrib>FROHLICH DAVID</creatorcontrib><creatorcontrib>DURRANT ABIGAIL</creatorcontrib><collection>esp@cenet</collection></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext_linktorsrc</fulltext></delivery><addata><au>SELLEN ABIGAIL</au><au>WILLIAMSON JOHN</au><au>LINDLEY SIAN</au><au>RUMSEY FRANCIS</au><au>ROBSON DOMINIC</au><au>OLEKSIK GERARD</au><au>BROWN LORNA</au><au>FROHLICH DAVID</au><au>DURRANT ABIGAIL</au><format>patent</format><genre>patent</genre><ristype>GEN</ristype><title>Sound Playback and Editing Through Physical Interaction</title><date>2009-06-11</date><risdate>2009</risdate><abstract>The disclosure relates to sound playback and editing apparatus. The editing apparatus uses user interaction to allow the user to instinctively modify recorded sound. This can be achieved by converting a quality of the user's physical interactions with the editing apparatus into instructions for processing the sound. For example, in one embodiment the user can mix sound files by 'mixing', i.e. shaking, physical representations of those sound files (such as the recording medium on which the files are stored) alone or together.</abstract><oa>free_for_read</oa></addata></record> |
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subjects | INFORMATION STORAGE INFORMATION STORAGE BASED ON RELATIVE MOVEMENT BETWEEN RECORDCARRIER AND TRANSDUCER PHYSICS |
title | Sound Playback and Editing Through Physical Interaction |
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