The impact of the sonic logo’s acoustic features on orienting responses, emotions and brand personality transmission

Purpose The purpose of this study is to determine how sonic logo’s acoustic features (intensity, pitch and pace) based on melodic tunes with no voice orient the response of consumers, attract attention, elicit levels of pleasantness and calmness and transmit brand personality traits. Design/methodol...

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Veröffentlicht in:The journal of product & brand management 2021-05, Vol.30 (5), p.740-753
Hauptverfasser: Mas, Lluis, Bolls, Paul, Rodero, Emma, Barreda-Ángeles, Miguel, Churchill, Ashley
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container_issue 5
container_start_page 740
container_title The journal of product & brand management
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creator Mas, Lluis
Bolls, Paul
Rodero, Emma
Barreda-Ángeles, Miguel
Churchill, Ashley
description Purpose The purpose of this study is to determine how sonic logo’s acoustic features (intensity, pitch and pace) based on melodic tunes with no voice orient the response of consumers, attract attention, elicit levels of pleasantness and calmness and transmit brand personality traits. Design/methodology/approach A within-subject experimental factorial design is applied to measure emotional arousal (indexed as electrodermal activity) and enhancement on perceptual processing (indexed as heart rate), as well as self-reported factors, namely, calmness/excitement, pleasantness and brand personality scales. Findings Results show a significant increase on electrodermal activity associated with fast-paced sonic logos and a decrease in heart rate in slow-paced long sonic logos. Also, fade-up, pitch-ascending fast sonic logos are defined as more exciting and descending-pitch sonic logos as more pleasant. Research limitations/implications The use of sonic logos with no voice does limit its implications. Besides, the use of three variables simultaneously with 18 versions of sonic logos in a laboratory setting may have driven participants to fatigue; hence, findings should be cautiously applied. Practical implications First, sonic logos are best processed in a fade-up form. Second, fast pace is recommended to orient response, whereas slow pace is recommended to transmit calmness. Practitioners may opt for fast-paced sonic logos if the design is new or played in a noisy environment and opt for slow-paced sonic logos in already highly recognized sound designs. Originality/value To the best of authors’ knowledge, this study is the first to combine psychophysiological measures and self-reported scales in a laboratory experiment on how sonic logo’s acoustic features orient response, transmit emotions and personality traits.
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subjects Acoustics
Brand identification
Brands
Emotions
Logos
Music
Perceptions
Personality traits
Physiology
Sound
title The impact of the sonic logo’s acoustic features on orienting responses, emotions and brand personality transmission
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