The impact of the sonic logo’s acoustic features on orienting responses, emotions and brand personality transmission
Purpose The purpose of this study is to determine how sonic logo’s acoustic features (intensity, pitch and pace) based on melodic tunes with no voice orient the response of consumers, attract attention, elicit levels of pleasantness and calmness and transmit brand personality traits. Design/methodol...
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Veröffentlicht in: | The journal of product & brand management 2021-05, Vol.30 (5), p.740-753 |
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creator | Mas, Lluis Bolls, Paul Rodero, Emma Barreda-Ángeles, Miguel Churchill, Ashley |
description | Purpose
The purpose of this study is to determine how sonic logo’s acoustic features (intensity, pitch and pace) based on melodic tunes with no voice orient the response of consumers, attract attention, elicit levels of pleasantness and calmness and transmit brand personality traits.
Design/methodology/approach
A within-subject experimental factorial design is applied to measure emotional arousal (indexed as electrodermal activity) and enhancement on perceptual processing (indexed as heart rate), as well as self-reported factors, namely, calmness/excitement, pleasantness and brand personality scales.
Findings
Results show a significant increase on electrodermal activity associated with fast-paced sonic logos and a decrease in heart rate in slow-paced long sonic logos. Also, fade-up, pitch-ascending fast sonic logos are defined as more exciting and descending-pitch sonic logos as more pleasant.
Research limitations/implications
The use of sonic logos with no voice does limit its implications. Besides, the use of three variables simultaneously with 18 versions of sonic logos in a laboratory setting may have driven participants to fatigue; hence, findings should be cautiously applied.
Practical implications
First, sonic logos are best processed in a fade-up form. Second, fast pace is recommended to orient response, whereas slow pace is recommended to transmit calmness. Practitioners may opt for fast-paced sonic logos if the design is new or played in a noisy environment and opt for slow-paced sonic logos in already highly recognized sound designs.
Originality/value
To the best of authors’ knowledge, this study is the first to combine psychophysiological measures and self-reported scales in a laboratory experiment on how sonic logo’s acoustic features orient response, transmit emotions and personality traits. |
doi_str_mv | 10.1108/JPBM-05-2019-2370 |
format | Article |
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The purpose of this study is to determine how sonic logo’s acoustic features (intensity, pitch and pace) based on melodic tunes with no voice orient the response of consumers, attract attention, elicit levels of pleasantness and calmness and transmit brand personality traits.
Design/methodology/approach
A within-subject experimental factorial design is applied to measure emotional arousal (indexed as electrodermal activity) and enhancement on perceptual processing (indexed as heart rate), as well as self-reported factors, namely, calmness/excitement, pleasantness and brand personality scales.
Findings
Results show a significant increase on electrodermal activity associated with fast-paced sonic logos and a decrease in heart rate in slow-paced long sonic logos. Also, fade-up, pitch-ascending fast sonic logos are defined as more exciting and descending-pitch sonic logos as more pleasant.
Research limitations/implications
The use of sonic logos with no voice does limit its implications. Besides, the use of three variables simultaneously with 18 versions of sonic logos in a laboratory setting may have driven participants to fatigue; hence, findings should be cautiously applied.
Practical implications
First, sonic logos are best processed in a fade-up form. Second, fast pace is recommended to orient response, whereas slow pace is recommended to transmit calmness. Practitioners may opt for fast-paced sonic logos if the design is new or played in a noisy environment and opt for slow-paced sonic logos in already highly recognized sound designs.
Originality/value
To the best of authors’ knowledge, this study is the first to combine psychophysiological measures and self-reported scales in a laboratory experiment on how sonic logo’s acoustic features orient response, transmit emotions and personality traits.</description><identifier>ISSN: 1061-0421</identifier><identifier>EISSN: 2054-1643</identifier><identifier>DOI: 10.1108/JPBM-05-2019-2370</identifier><language>eng</language><publisher>Santa Barbara: Emerald Publishing Limited</publisher><subject>Acoustics ; Brand identification ; Brands ; Emotions ; Logos ; Music ; Perceptions ; Personality traits ; Physiology ; Sound</subject><ispartof>The journal of product & brand management, 2021-05, Vol.30 (5), p.740-753</ispartof><rights>Lluis Mas, Paul Bolls, Emma Rodero, Miguel Barreda-Ángeles and Ashley Churchill.</rights><rights>Lluis Mas, Paul Bolls, Emma Rodero, Miguel Barreda-Ángeles and Ashley Churchill. This work is published under https://creativecommons.org/licenses/by-nc/3.0/legalcode (the “License”). Notwithstanding the ProQuest Terms and Conditions, you may use this content in accordance with the terms of the License.</rights><lds50>peer_reviewed</lds50><oa>free_for_read</oa><woscitedreferencessubscribed>false</woscitedreferencessubscribed><citedby>FETCH-LOGICAL-c357t-d691deb2c4779a3db1c93c8ea4f447fae27e571b039c54bbe4fd7e730ca16c843</citedby><cites>FETCH-LOGICAL-c357t-d691deb2c4779a3db1c93c8ea4f447fae27e571b039c54bbe4fd7e730ca16c843</cites></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><linktohtml>$$Uhttps://www.emerald.com/insight/content/doi/10.1108/JPBM-05-2019-2370/full/html$$EHTML$$P50$$Gemerald$$Hfree_for_read</linktohtml><link.rule.ids>314,780,784,967,11635,27924,27925,52689</link.rule.ids></links><search><creatorcontrib>Mas, Lluis</creatorcontrib><creatorcontrib>Bolls, Paul</creatorcontrib><creatorcontrib>Rodero, Emma</creatorcontrib><creatorcontrib>Barreda-Ángeles, Miguel</creatorcontrib><creatorcontrib>Churchill, Ashley</creatorcontrib><title>The impact of the sonic logo’s acoustic features on orienting responses, emotions and brand personality transmission</title><title>The journal of product & brand management</title><description>Purpose
The purpose of this study is to determine how sonic logo’s acoustic features (intensity, pitch and pace) based on melodic tunes with no voice orient the response of consumers, attract attention, elicit levels of pleasantness and calmness and transmit brand personality traits.
Design/methodology/approach
A within-subject experimental factorial design is applied to measure emotional arousal (indexed as electrodermal activity) and enhancement on perceptual processing (indexed as heart rate), as well as self-reported factors, namely, calmness/excitement, pleasantness and brand personality scales.
Findings
Results show a significant increase on electrodermal activity associated with fast-paced sonic logos and a decrease in heart rate in slow-paced long sonic logos. Also, fade-up, pitch-ascending fast sonic logos are defined as more exciting and descending-pitch sonic logos as more pleasant.
Research limitations/implications
The use of sonic logos with no voice does limit its implications. Besides, the use of three variables simultaneously with 18 versions of sonic logos in a laboratory setting may have driven participants to fatigue; hence, findings should be cautiously applied.
Practical implications
First, sonic logos are best processed in a fade-up form. Second, fast pace is recommended to orient response, whereas slow pace is recommended to transmit calmness. Practitioners may opt for fast-paced sonic logos if the design is new or played in a noisy environment and opt for slow-paced sonic logos in already highly recognized sound designs.
Originality/value
To the best of authors’ knowledge, this study is the first to combine psychophysiological measures and self-reported scales in a laboratory experiment on how sonic logo’s acoustic features orient response, transmit emotions and personality traits.</description><subject>Acoustics</subject><subject>Brand identification</subject><subject>Brands</subject><subject>Emotions</subject><subject>Logos</subject><subject>Music</subject><subject>Perceptions</subject><subject>Personality traits</subject><subject>Physiology</subject><subject>Sound</subject><issn>1061-0421</issn><issn>2054-1643</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2021</creationdate><recordtype>article</recordtype><sourceid>XDTOA</sourceid><sourceid>AFKRA</sourceid><sourceid>BENPR</sourceid><sourceid>CCPQU</sourceid><sourceid>DWQXO</sourceid><recordid>eNptUc1O3jAQtBCV-KA8ADdLXGu6_ouTI0VtaUVVDvRsOc4GgpI42E4lbrxGX48nwdHXS6Ve9mc0M1rNEnLG4YJzqD9-v_30g4FmAnjDhDRwQHYCtGK8UvKQ7DhUnIES_Igcp_QIAELLekd-3z0gHabF-UxDT3PZUpgHT8dwH15f_iTqfFhTLkiPLq8REw0zDXHAOQ_zPS3AEuaE6QPFKeShzNTNHW3jVheMxc6NQ36muSBpGlIqnPfkXe_GhKd_-wn59eXz3dU1u_n59dvV5Q3zUpvMuqrhHbbCK2MaJ7uW-0b6Gp3qlTK9Q2FQG96CbLxWbYuq7wwaCd7xytdKnpDzve8Sw9OKKdvHsMZyULJCK6iE5rUoLL5n-RhSitjbJQ6Ti8-Wg93itVu8FrTd4rVbvEUDew1OGN3Y_Vfyz0fkG3m1f7E</recordid><startdate>20210521</startdate><enddate>20210521</enddate><creator>Mas, Lluis</creator><creator>Bolls, Paul</creator><creator>Rodero, Emma</creator><creator>Barreda-Ángeles, Miguel</creator><creator>Churchill, Ashley</creator><general>Emerald Publishing Limited</general><general>Emerald Group Publishing Limited</general><scope>XDTOA</scope><scope>AAYXX</scope><scope>CITATION</scope><scope>0U~</scope><scope>1-H</scope><scope>7WY</scope><scope>7WZ</scope><scope>7X5</scope><scope>7XB</scope><scope>8AO</scope><scope>AFKRA</scope><scope>BENPR</scope><scope>BEZIV</scope><scope>CCPQU</scope><scope>DWQXO</scope><scope>F~G</scope><scope>K6~</scope><scope>L.-</scope><scope>L.0</scope><scope>M0C</scope><scope>PQBIZ</scope><scope>PQEST</scope><scope>PQQKQ</scope><scope>PQUKI</scope><scope>PRINS</scope><scope>Q9U</scope></search><sort><creationdate>20210521</creationdate><title>The impact of the sonic logo’s acoustic features on orienting responses, emotions and brand personality transmission</title><author>Mas, Lluis ; Bolls, Paul ; Rodero, Emma ; Barreda-Ángeles, Miguel ; Churchill, Ashley</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-c357t-d691deb2c4779a3db1c93c8ea4f447fae27e571b039c54bbe4fd7e730ca16c843</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>2021</creationdate><topic>Acoustics</topic><topic>Brand identification</topic><topic>Brands</topic><topic>Emotions</topic><topic>Logos</topic><topic>Music</topic><topic>Perceptions</topic><topic>Personality traits</topic><topic>Physiology</topic><topic>Sound</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>Mas, Lluis</creatorcontrib><creatorcontrib>Bolls, Paul</creatorcontrib><creatorcontrib>Rodero, Emma</creatorcontrib><creatorcontrib>Barreda-Ángeles, Miguel</creatorcontrib><creatorcontrib>Churchill, Ashley</creatorcontrib><collection>Emerald Open Access</collection><collection>CrossRef</collection><collection>Global News & ABI/Inform Professional</collection><collection>Trade PRO</collection><collection>Access via ABI/INFORM (ProQuest)</collection><collection>ABI/INFORM Global (PDF only)</collection><collection>Entrepreneurship Database</collection><collection>ProQuest Central (purchase pre-March 2016)</collection><collection>ProQuest Pharma Collection</collection><collection>ProQuest Central UK/Ireland</collection><collection>Proquest Central</collection><collection>Business Premium Collection</collection><collection>ProQuest One Community College</collection><collection>ProQuest Central Korea</collection><collection>ABI/INFORM Global (Corporate)</collection><collection>ProQuest Business Collection</collection><collection>ABI/INFORM Professional Advanced</collection><collection>ABI/INFORM Professional Standard</collection><collection>ABI/INFORM Global</collection><collection>ProQuest One Business</collection><collection>ProQuest One Academic Eastern Edition (DO NOT USE)</collection><collection>ProQuest One Academic</collection><collection>ProQuest One Academic UKI Edition</collection><collection>ProQuest Central China</collection><collection>ProQuest Central Basic</collection><jtitle>The journal of product & brand management</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Mas, Lluis</au><au>Bolls, Paul</au><au>Rodero, Emma</au><au>Barreda-Ángeles, Miguel</au><au>Churchill, Ashley</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>The impact of the sonic logo’s acoustic features on orienting responses, emotions and brand personality transmission</atitle><jtitle>The journal of product & brand management</jtitle><date>2021-05-21</date><risdate>2021</risdate><volume>30</volume><issue>5</issue><spage>740</spage><epage>753</epage><pages>740-753</pages><issn>1061-0421</issn><eissn>2054-1643</eissn><abstract>Purpose
The purpose of this study is to determine how sonic logo’s acoustic features (intensity, pitch and pace) based on melodic tunes with no voice orient the response of consumers, attract attention, elicit levels of pleasantness and calmness and transmit brand personality traits.
Design/methodology/approach
A within-subject experimental factorial design is applied to measure emotional arousal (indexed as electrodermal activity) and enhancement on perceptual processing (indexed as heart rate), as well as self-reported factors, namely, calmness/excitement, pleasantness and brand personality scales.
Findings
Results show a significant increase on electrodermal activity associated with fast-paced sonic logos and a decrease in heart rate in slow-paced long sonic logos. Also, fade-up, pitch-ascending fast sonic logos are defined as more exciting and descending-pitch sonic logos as more pleasant.
Research limitations/implications
The use of sonic logos with no voice does limit its implications. Besides, the use of three variables simultaneously with 18 versions of sonic logos in a laboratory setting may have driven participants to fatigue; hence, findings should be cautiously applied.
Practical implications
First, sonic logos are best processed in a fade-up form. Second, fast pace is recommended to orient response, whereas slow pace is recommended to transmit calmness. Practitioners may opt for fast-paced sonic logos if the design is new or played in a noisy environment and opt for slow-paced sonic logos in already highly recognized sound designs.
Originality/value
To the best of authors’ knowledge, this study is the first to combine psychophysiological measures and self-reported scales in a laboratory experiment on how sonic logo’s acoustic features orient response, transmit emotions and personality traits.</abstract><cop>Santa Barbara</cop><pub>Emerald Publishing Limited</pub><doi>10.1108/JPBM-05-2019-2370</doi><tpages>14</tpages><oa>free_for_read</oa></addata></record> |
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source | Emerald Complete Journals |
subjects | Acoustics Brand identification Brands Emotions Logos Music Perceptions Personality traits Physiology Sound |
title | The impact of the sonic logo’s acoustic features on orienting responses, emotions and brand personality transmission |
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