Presència de la fotografia i reflexió sobre la imatge en el cinema d’Agnès Varda = The presence of both photography Andrés musings about the image in Agnes Varda’s cinema

The filmmaker Agnès Varda (Brussels, 1928) began creating images as a photographer in the 1950s. Despite abandoning the profession, photography has often been present in her cinema as a reference point and inspiration, but also to reflect on the image itself and consider its testimonial value, its a...

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Veröffentlicht in:	Communication papers 2017
1. Verfasser:	Merino, Imma
Format:	Artikel
Sprache:	cat
Schlagworte:	Art and photography Art i fotografia Cinematografia Motion pictures Subjectivitat en l'art Subjectivity in art Varda, Agnès, 1928
Online-Zugang:	Volltext
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