Towards an Embodied Understanding of Performing Practices. A Gestural Analysis of Debussy’s “Minstrels” According to the 1912 Piano Rolls
Claude Debussy’s performance of “Minstrels” from Preludes, Book I, in the 1912 piano rolls contains expressive techniques that are not often heard today: random pushes and pulls of tempi, flippant rhythmic alterations, frequent inégale, and tempo rubato. These performing practices, although odd-soun...
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| Veröffentlicht in: | Revue musicale OICRM 2014, Vol.2 (1), p.40-58 |
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| Format: | Artikel |
| Sprache: | eng |
| Online-Zugang: | Volltext |
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