Women in cinema: an analysis of the cinetographic narratives of Laís Bodanzky

he proposal of this paper is to observe how the Brazilian cinematographic narratives have been dedicated to depicting the issue of the feminine. The objective is to comprehend the specificities of the feminine representations from the work of the filmmaker Laís Bodanzky (1969). In order to achieve this objective, this paper uses the narrative analysis (GANCHO, 1991) and the filmic analysis (VANOYE and GOLIOT-LÉTÉ, 2012), with theoretical support from Flusser (2007) about communication and culture; Benjamin (1994) and Silva and Santos (2015) about narratives; Silva (2009) to understand poetical narratives; and Beauvoir (2009) and Butler (2017) with contributions regarding gender. The results point to poetical narratives that approach possible feminine.