Zhao Xiaosheng’s Tai Chi: Re-visiting the Meaning and Accretion of I Ching in the Contemporaneity of Chinese Music Semantics
The implementation of China Reform and Opening-up policy in 1978 gave birth to the Chinese new wave music, with an idiosyncratic manner of rebelliousness, individuality and innovation that brought a break-through in Chinese new music of the past. In this paper, we focused on a representative piano s...
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| Veröffentlicht in: | Música hodie 2023-01, Vol.23 |
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| Hauptverfasser: | , , , |
| Format: | Artikel |
| Sprache: | eng |
| Online-Zugang: | Volltext |
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