Des “Bandeaux d’or” à la postface de “Noces” La “vita nuova” de Pierre Jean Jouve: vers un imaginaire de l’imprésentable?
In 1925, the rupture which appeared in the career of Pierre Jean Jouve led him to divide his work into two sides of which the first is denied. Through an analysis of the literary work, as well as its reflexive comments including the postface of Noces (1928), this article seeks to understand the rupt...
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| Veröffentlicht in: | Studi francesi 2022-12 (198 (LXVI | III)), p.650-660 |
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| Format: | Artikel |
| Sprache: | eng ; fre |
| Online-Zugang: | Volltext |
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