The Structure of Creative Revolutions

The Structure of Creative Revolutions

One of the more important questions about creativity is what makes a creative production a revolution? The present contribution follows the analysis of the development of scientific knowledge proposed by Kuhn (1962) in ‘ ,’ to propose a typology that may contribute to an answer. This typology, based...

Ausführliche Beschreibung

Gespeichert in:
Bibliographische Detailangaben
Veröffentlicht in:Creativity : theories - research - applications 2023-12, Vol.10 (1), p.41-49
Hauptverfasser: Bonetto, Eric, Pichot, Nicolas, Guiller, Théo, Arciszewski, Thomas
Format: Artikel
Sprache:eng
Schlagworte:
creative revolution
creativity
typology
Online-Zugang:Volltext
Tags: Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
container_end_page 49
container_issue 1
container_start_page 41
container_title Creativity : theories - research - applications
container_volume 10
creator Bonetto, Eric
Pichot, Nicolas
Guiller, Théo
Arciszewski, Thomas
description One of the more important questions about creativity is what makes a creative production a revolution? The present contribution follows the analysis of the development of scientific knowledge proposed by Kuhn (1962) in ‘ ,’ to propose a typology that may contribute to an answer. This typology, based on a retrospective analysis of a given domain of productions, distinguishes between two types of creativity: normal creativity and revolutionary creativity. Creative revolutions refer to ‘game changing’ productions in the domain, creating a turning point in the development of this domain. These creative revolutions constitute major disruptions within the domain, since they display both a high degree of novelty and sufficiently high value for future creative productions to take them as a new . The proposition to distinguish between normal and revolutionary creativity is explored as a complementary view to other typologies on creativity.
doi_str_mv 10.2478/ctra-2023-0003
format Article
fullrecord <record><control><sourceid>walterdegruyter_cross</sourceid><recordid>TN_cdi_crossref_primary_10_2478_ctra_2023_0003</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><sourcerecordid>10_2478_ctra_2023_0003101_241</sourcerecordid><originalsourceid>FETCH-LOGICAL-c2031-a491c79544d36d740d1b1c51fba07034afea1e0215e4dc8aa662ada86ff9d17e3</originalsourceid><addsrcrecordid>eNp1j01LAzEQhoMoWGqvnvficWsmyX4dPMjiFxQErecwTSa6Ze1Kkq3035ulHrx4mofhfYd5GLsEvhSqqq9N9JgLLmTOOZcnbCZkoRLL8vQPn7NFCNuUgBJAyXrGrtYflL1GP5o4esoGl7WeMHZ7yl5oP_Rj7IZduGBnDvtAi985Z2_3d-v2MV89Pzy1t6vcCC4hR9WAqZpCKStLWyluYQOmALdBXnGp0BECcQEFKWtqxLIUaLEunWssVCTnbHm8a_wQgienv3z3if6ggevJU0-eevLUk2cq3BwL39hH8pbe_XhIoLfD6Hfp1X-KwCGtQf4Aw1hZkA</addsrcrecordid><sourcetype>Aggregation Database</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype></control><display><type>article</type><title>The Structure of Creative Revolutions</title><source>Walter De Gruyter: Open Access Journals</source><source>EZB-FREE-00999 freely available EZB journals</source><creator>Bonetto, Eric ; Pichot, Nicolas ; Guiller, Théo ; Arciszewski, Thomas</creator><creatorcontrib>Bonetto, Eric ; Pichot, Nicolas ; Guiller, Théo ; Arciszewski, Thomas</creatorcontrib><description>One of the more important questions about creativity is what makes a creative production a revolution? The present contribution follows the analysis of the development of scientific knowledge proposed by Kuhn (1962) in ‘ ,’ to propose a typology that may contribute to an answer. This typology, based on a retrospective analysis of a given domain of productions, distinguishes between two types of creativity: normal creativity and revolutionary creativity. Creative revolutions refer to ‘game changing’ productions in the domain, creating a turning point in the development of this domain. These creative revolutions constitute major disruptions within the domain, since they display both a high degree of novelty and sufficiently high value for future creative productions to take them as a new . The proposition to distinguish between normal and revolutionary creativity is explored as a complementary view to other typologies on creativity.</description><identifier>ISSN: 2354-0036</identifier><identifier>EISSN: 2354-0036</identifier><identifier>DOI: 10.2478/ctra-2023-0003</identifier><language>eng</language><publisher>Sciendo</publisher><subject>creative revolution ; creativity ; typology</subject><ispartof>Creativity : theories - research - applications, 2023-12, Vol.10 (1), p.41-49</ispartof><lds50>peer_reviewed</lds50><oa>free_for_read</oa><woscitedreferencessubscribed>false</woscitedreferencessubscribed><cites>FETCH-LOGICAL-c2031-a491c79544d36d740d1b1c51fba07034afea1e0215e4dc8aa662ada86ff9d17e3</cites><orcidid>0000-0001-9131-706X ; 0000-0002-0824-1103 ; 0000-0002-7524-8911</orcidid></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><linktopdf>$$Uhttps://sciendo.com/pdf/10.2478/ctra-2023-0003$$EPDF$$P50$$Gwalterdegruyter$$Hfree_for_read</linktopdf><linktohtml>$$Uhttps://sciendo.com/article/10.2478/ctra-2023-0003$$EHTML$$P50$$Gwalterdegruyter$$Hfree_for_read</linktohtml><link.rule.ids>314,780,784,27924,27925,76164,76165</link.rule.ids></links><search><creatorcontrib>Bonetto, Eric</creatorcontrib><creatorcontrib>Pichot, Nicolas</creatorcontrib><creatorcontrib>Guiller, Théo</creatorcontrib><creatorcontrib>Arciszewski, Thomas</creatorcontrib><title>The Structure of Creative Revolutions</title><title>Creativity : theories - research - applications</title><description>One of the more important questions about creativity is what makes a creative production a revolution? The present contribution follows the analysis of the development of scientific knowledge proposed by Kuhn (1962) in ‘ ,’ to propose a typology that may contribute to an answer. This typology, based on a retrospective analysis of a given domain of productions, distinguishes between two types of creativity: normal creativity and revolutionary creativity. Creative revolutions refer to ‘game changing’ productions in the domain, creating a turning point in the development of this domain. These creative revolutions constitute major disruptions within the domain, since they display both a high degree of novelty and sufficiently high value for future creative productions to take them as a new . The proposition to distinguish between normal and revolutionary creativity is explored as a complementary view to other typologies on creativity.</description><subject>creative revolution</subject><subject>creativity</subject><subject>typology</subject><issn>2354-0036</issn><issn>2354-0036</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2023</creationdate><recordtype>article</recordtype><recordid>eNp1j01LAzEQhoMoWGqvnvficWsmyX4dPMjiFxQErecwTSa6Ze1Kkq3035ulHrx4mofhfYd5GLsEvhSqqq9N9JgLLmTOOZcnbCZkoRLL8vQPn7NFCNuUgBJAyXrGrtYflL1GP5o4esoGl7WeMHZ7yl5oP_Rj7IZduGBnDvtAi985Z2_3d-v2MV89Pzy1t6vcCC4hR9WAqZpCKStLWyluYQOmALdBXnGp0BECcQEFKWtqxLIUaLEunWssVCTnbHm8a_wQgienv3z3if6ggevJU0-eevLUk2cq3BwL39hH8pbe_XhIoLfD6Hfp1X-KwCGtQf4Aw1hZkA</recordid><startdate>20231201</startdate><enddate>20231201</enddate><creator>Bonetto, Eric</creator><creator>Pichot, Nicolas</creator><creator>Guiller, Théo</creator><creator>Arciszewski, Thomas</creator><general>Sciendo</general><scope>AAYXX</scope><scope>CITATION</scope><orcidid>https://orcid.org/0000-0001-9131-706X</orcidid><orcidid>https://orcid.org/0000-0002-0824-1103</orcidid><orcidid>https://orcid.org/0000-0002-7524-8911</orcidid></search><sort><creationdate>20231201</creationdate><title>The Structure of Creative Revolutions</title><author>Bonetto, Eric ; Pichot, Nicolas ; Guiller, Théo ; Arciszewski, Thomas</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-c2031-a491c79544d36d740d1b1c51fba07034afea1e0215e4dc8aa662ada86ff9d17e3</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>2023</creationdate><topic>creative revolution</topic><topic>creativity</topic><topic>typology</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>Bonetto, Eric</creatorcontrib><creatorcontrib>Pichot, Nicolas</creatorcontrib><creatorcontrib>Guiller, Théo</creatorcontrib><creatorcontrib>Arciszewski, Thomas</creatorcontrib><collection>CrossRef</collection><jtitle>Creativity : theories - research - applications</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Bonetto, Eric</au><au>Pichot, Nicolas</au><au>Guiller, Théo</au><au>Arciszewski, Thomas</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>The Structure of Creative Revolutions</atitle><jtitle>Creativity : theories - research - applications</jtitle><date>2023-12-01</date><risdate>2023</risdate><volume>10</volume><issue>1</issue><spage>41</spage><epage>49</epage><pages>41-49</pages><issn>2354-0036</issn><eissn>2354-0036</eissn><abstract>One of the more important questions about creativity is what makes a creative production a revolution? The present contribution follows the analysis of the development of scientific knowledge proposed by Kuhn (1962) in ‘ ,’ to propose a typology that may contribute to an answer. This typology, based on a retrospective analysis of a given domain of productions, distinguishes between two types of creativity: normal creativity and revolutionary creativity. Creative revolutions refer to ‘game changing’ productions in the domain, creating a turning point in the development of this domain. These creative revolutions constitute major disruptions within the domain, since they display both a high degree of novelty and sufficiently high value for future creative productions to take them as a new . The proposition to distinguish between normal and revolutionary creativity is explored as a complementary view to other typologies on creativity.</abstract><pub>Sciendo</pub><doi>10.2478/ctra-2023-0003</doi><tpages>9</tpages><orcidid>https://orcid.org/0000-0001-9131-706X</orcidid><orcidid>https://orcid.org/0000-0002-0824-1103</orcidid><orcidid>https://orcid.org/0000-0002-7524-8911</orcidid><oa>free_for_read</oa></addata></record>
fulltext fulltext
identifier ISSN: 2354-0036
ispartof Creativity : theories - research - applications, 2023-12, Vol.10 (1), p.41-49
issn 2354-0036
2354-0036
language eng
recordid cdi_crossref_primary_10_2478_ctra_2023_0003
source Walter De Gruyter: Open Access Journals; EZB-FREE-00999 freely available EZB journals
subjects creative revolution
creativity
typology
title The Structure of Creative Revolutions
url https://sfx.bib-bvb.de/sfx_tum?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2024-12-23T10%3A05%3A47IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-walterdegruyter_cross&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=The%20Structure%20of%20Creative%20Revolutions&rft.jtitle=Creativity%20:%20theories%20-%20research%20-%20applications&rft.au=Bonetto,%20Eric&rft.date=2023-12-01&rft.volume=10&rft.issue=1&rft.spage=41&rft.epage=49&rft.pages=41-49&rft.issn=2354-0036&rft.eissn=2354-0036&rft_id=info:doi/10.2478/ctra-2023-0003&rft_dat=%3Cwalterdegruyter_cross%3E10_2478_ctra_2023_0003101_241%3C/walterdegruyter_cross%3E%3Curl%3E%3C/url%3E&disable_directlink=true&sfx.directlink=off&sfx.report_link=0&rft_id=info:oai/&rft_id=info:pmid/&rfr_iscdi=true