The Structure of Creative Revolutions
One of the more important questions about creativity is what makes a creative production a revolution? The present contribution follows the analysis of the development of scientific knowledge proposed by Kuhn (1962) in ‘ ,’ to propose a typology that may contribute to an answer. This typology, based...
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Veröffentlicht in: | Creativity : theories - research - applications 2023-12, Vol.10 (1), p.41-49 |
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Hauptverfasser: | , , , |
Format: | Artikel |
Sprache: | eng |
Schlagworte: | |
Online-Zugang: | Volltext |
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Zusammenfassung: | One of the more important questions about creativity is what makes a creative production a revolution? The present contribution follows the analysis of the development of scientific knowledge proposed by Kuhn (1962) in ‘
,’ to propose a typology that may contribute to an answer. This typology, based on a retrospective analysis of a given domain of productions, distinguishes between two types of creativity: normal creativity and revolutionary creativity. Creative revolutions refer to ‘game changing’ productions in the domain, creating a turning point in the development of this domain. These creative revolutions constitute major disruptions within the domain, since they display both a high degree of novelty and sufficiently high value for future creative productions to take them as a new
. The proposition to distinguish between normal and revolutionary creativity is explored as a complementary view to other typologies on creativity. |
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ISSN: | 2354-0036 2354-0036 |
DOI: | 10.2478/ctra-2023-0003 |