Puccini, Il tabarro, and the Dilemma of Operatic Transposition

The presumption that composers transposed sections of their operas solely to facilitate the singer's task has fueled the debate about tonal relationships in eighteenth- and nineteenth-century opera. This essay proposes-via Puccini's one-act opera Il tabarro-that such alterations should be...

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Veröffentlicht in:Journal of the American Musicological Society 1998-10, Vol.51 (3), p.521-558
1. Verfasser: Greenwald, Helen M.
Format: Artikel
Sprache:eng
Online-Zugang:Volltext
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