Concepts of Harmony and Prolongation in Schoenberg's Op. 19/2
The study discusses whether prolongational organization occurs in Schoenberg's op. 19/2. The four conditions of prolongation postulated by Joseph Straus are adopted as the basis of the discussion, but the method of identifying harmonies with pitch-class sets is rejected. This is justified partl...
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| Veröffentlicht in: | Music theory spectrum 1999-10, Vol.21 (2), p.230-259 |
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| container_title | Music theory spectrum |
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| creator | Väisälä, Olli |
| description | The study discusses whether prolongational organization occurs in Schoenberg's op. 19/2. The four conditions of prolongation postulated by Joseph Straus are adopted as the basis of the discussion, but the method of identifying harmonies with pitch-class sets is rejected. This is justified partly on perceptual grounds. Using a conception of intervals and harmonies with restricted octave equivalence, an analysis is presented showing a structure in which the four conditions are fulfilled to a significant degree. Additional examples showing comparable organization in Schoenberg's op. 11 are presented. |
| doi_str_mv | 10.2307/745863 |
| format | Article |
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| fulltext | fulltext |
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| ispartof | Music theory spectrum, 1999-10, Vol.21 (2), p.230-259 |
| issn | 0195-6167 1533-8339 |
| language | eng |
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| source | Jstor Complete Legacy; Oxford University Press Journals All Titles (1996-Current) |
| title | Concepts of Harmony and Prolongation in Schoenberg's Op. 19/2 |
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