Hollywood East? A Cautionary Tale of Irish Film Distribution in North America
Cet essai apporte un certain nombre d'arguments et de réflexions sur les raisons de la difficulté de distribution des films narratifs en Amérique du Nord ainsi que les raisons pour lesquelles les films irlandais ou ayant un rapport quelconque avec l'Irlande ne reçoivent qu'une attenti...
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Veröffentlicht in: | Canadian journal of Irish studies 2003-10, Vol.29 (2), p.46-52 |
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container_title | Canadian journal of Irish studies |
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description | Cet essai apporte un certain nombre d'arguments et de réflexions sur les raisons de la difficulté de distribution des films narratifs en Amérique du Nord ainsi que les raisons pour lesquelles les films irlandais ou ayant un rapport quelconque avec l'Irlande ne reçoivent qu'une attention très modeste. La discussion porte sur différents schémas de production et de distribution et sur les résultats au box-office d'un certain nombre de films irlandais récents tels que Bloody Sunday (2001) dont la critique positive au festival du film de Sundance a soulevé des interrogations sur d'importantes questions telles que la promotion et la réception. /// This essay provides a number of arguments, reasons and reflections upon why the distribution of narrative films is so challenging in North America and why only certain kinds of Irish and Irish-related material achieve a modest degree of attention. There is discussion of different patterns of production and distribution, and of the box-office results of a number of recent Irish films, including Bloody Sunday (2001), whose favourable showing at the Sundance Film Festival brings many important issues around promotion and reception to light. |
doi_str_mv | 10.2307/25515474 |
format | Article |
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A Cautionary Tale of Irish Film Distribution in North America</title><title>Canadian journal of Irish studies</title><description>Cet essai apporte un certain nombre d'arguments et de réflexions sur les raisons de la difficulté de distribution des films narratifs en Amérique du Nord ainsi que les raisons pour lesquelles les films irlandais ou ayant un rapport quelconque avec l'Irlande ne reçoivent qu'une attention très modeste. 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A Cautionary Tale of Irish Film Distribution in North America</atitle><jtitle>Canadian journal of Irish studies</jtitle><date>2003-10-01</date><risdate>2003</risdate><volume>29</volume><issue>2</issue><spage>46</spage><epage>52</epage><pages>46-52</pages><issn>0703-1459</issn><abstract>Cet essai apporte un certain nombre d'arguments et de réflexions sur les raisons de la difficulté de distribution des films narratifs en Amérique du Nord ainsi que les raisons pour lesquelles les films irlandais ou ayant un rapport quelconque avec l'Irlande ne reçoivent qu'une attention très modeste. 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There is discussion of different patterns of production and distribution, and of the box-office results of a number of recent Irish films, including Bloody Sunday (2001), whose favourable showing at the Sundance Film Festival brings many important issues around promotion and reception to light.</abstract><pub>Canadian Association for Irish Studies</pub><doi>10.2307/25515474</doi><tpages>7</tpages></addata></record> |
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ispartof | Canadian journal of Irish studies, 2003-10, Vol.29 (2), p.46-52 |
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subjects | Business structures Film criticism Film producers Humor Irish culture Irish history Marketing Motion picture industry Movies Trade |
title | Hollywood East? A Cautionary Tale of Irish Film Distribution in North America |
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