Colorization - The Saga of Legend Films

Colorization - The Saga of Legend Films

COLORIZATION - WHY NOT? THE SAGA OF LEGEND FILMS Colorization is as old as the movies. In fact, it's even older. Although some historians are want to trace the theory of colour photography as far back as 1785, the first patent for colour film was registered sometime in the late 1800s. This was...

Ausführliche Beschreibung

Gespeichert in:
Bibliographische Detailangaben
Veröffentlicht in:Kinema (Waterloo) 2007-04
1. Verfasser: Holloway, Ron
Format: Artikel
Sprache:eng
Online-Zugang:Volltext
Tags: Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
container_end_page
container_issue
container_start_page
container_title Kinema (Waterloo)
container_volume
creator Holloway, Ron
description COLORIZATION - WHY NOT? THE SAGA OF LEGEND FILMS Colorization is as old as the movies. In fact, it's even older. Although some historians are want to trace the theory of colour photography as far back as 1785, the first patent for colour film was registered sometime in the late 1800s. This was during the era of Georges Méliès, whose famed hand-tinted trick films delighted audiences as early as 1894. Edwin S. Porter borrowed the tinted technique to enhance the gunshot blast at the end of The Great Train Robbery (1904). Later, D. W. Griffith had gun explosions tinted in battle scenes of The Birth of a Nation (1915). And Sergei Eisenstein made sure that in the first prints of Battleship Potemkin (1925) a tinted red flag was raised to glorify the revolution. The first commercially successful colour system to hit the market was Kinemacolor, patented in 1906 by...
doi_str_mv 10.15353/kinema.vi.1176
format Article
fullrecord <record><control><sourceid>crossref</sourceid><recordid>TN_cdi_crossref_primary_10_15353_kinema_vi_1176</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><sourcerecordid>10_15353_kinema_vi_1176</sourcerecordid><originalsourceid>FETCH-crossref_primary_10_15353_kinema_vi_11763</originalsourceid><addsrcrecordid>eNqVzrsKwjAUgOGDKFgvs2s2p7Q5iUlxLoqDm91D0LRG20YSKejTi5cXcPqnHz6ABbIUpZAiu7rOtibtXYqYqwEkXCpOZa5WQ0gQ15wqLvkYJjFeGONCMExgWfjGB_c0d-c7Qkl5tuRgakN8Rfa2tt2JbF3TxhmMKtNEO_91Ctl2UxY7egw-xmArfQuuNeGhkemPR389unf67RH_Hy_9rT8v</addsrcrecordid><sourcetype>Aggregation Database</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype></control><display><type>article</type><title>Colorization - The Saga of Legend Films</title><source>EZB-FREE-00999 freely available EZB journals</source><creator>Holloway, Ron</creator><creatorcontrib>Holloway, Ron</creatorcontrib><description>COLORIZATION - WHY NOT? THE SAGA OF LEGEND FILMS Colorization is as old as the movies. In fact, it's even older. Although some historians are want to trace the theory of colour photography as far back as 1785, the first patent for colour film was registered sometime in the late 1800s. This was during the era of Georges Méliès, whose famed hand-tinted trick films delighted audiences as early as 1894. Edwin S. Porter borrowed the tinted technique to enhance the gunshot blast at the end of The Great Train Robbery (1904). Later, D. W. Griffith had gun explosions tinted in battle scenes of The Birth of a Nation (1915). And Sergei Eisenstein made sure that in the first prints of Battleship Potemkin (1925) a tinted red flag was raised to glorify the revolution. The first commercially successful colour system to hit the market was Kinemacolor, patented in 1906 by...</description><identifier>ISSN: 1192-6252</identifier><identifier>EISSN: 2562-5764</identifier><identifier>DOI: 10.15353/kinema.vi.1176</identifier><language>eng</language><ispartof>Kinema (Waterloo), 2007-04</ispartof><lds50>peer_reviewed</lds50><woscitedreferencessubscribed>false</woscitedreferencessubscribed></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><link.rule.ids>314,777,781,27905,27906</link.rule.ids></links><search><creatorcontrib>Holloway, Ron</creatorcontrib><title>Colorization - The Saga of Legend Films</title><title>Kinema (Waterloo)</title><description>COLORIZATION - WHY NOT? THE SAGA OF LEGEND FILMS Colorization is as old as the movies. In fact, it's even older. Although some historians are want to trace the theory of colour photography as far back as 1785, the first patent for colour film was registered sometime in the late 1800s. This was during the era of Georges Méliès, whose famed hand-tinted trick films delighted audiences as early as 1894. Edwin S. Porter borrowed the tinted technique to enhance the gunshot blast at the end of The Great Train Robbery (1904). Later, D. W. Griffith had gun explosions tinted in battle scenes of The Birth of a Nation (1915). And Sergei Eisenstein made sure that in the first prints of Battleship Potemkin (1925) a tinted red flag was raised to glorify the revolution. The first commercially successful colour system to hit the market was Kinemacolor, patented in 1906 by...</description><issn>1192-6252</issn><issn>2562-5764</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2007</creationdate><recordtype>article</recordtype><recordid>eNqVzrsKwjAUgOGDKFgvs2s2p7Q5iUlxLoqDm91D0LRG20YSKejTi5cXcPqnHz6ABbIUpZAiu7rOtibtXYqYqwEkXCpOZa5WQ0gQ15wqLvkYJjFeGONCMExgWfjGB_c0d-c7Qkl5tuRgakN8Rfa2tt2JbF3TxhmMKtNEO_91Ctl2UxY7egw-xmArfQuuNeGhkemPR389unf67RH_Hy_9rT8v</recordid><startdate>20070410</startdate><enddate>20070410</enddate><creator>Holloway, Ron</creator><scope>AAYXX</scope><scope>CITATION</scope></search><sort><creationdate>20070410</creationdate><title>Colorization - The Saga of Legend Films</title><author>Holloway, Ron</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-crossref_primary_10_15353_kinema_vi_11763</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>2007</creationdate><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>Holloway, Ron</creatorcontrib><collection>CrossRef</collection><jtitle>Kinema (Waterloo)</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Holloway, Ron</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>Colorization - The Saga of Legend Films</atitle><jtitle>Kinema (Waterloo)</jtitle><date>2007-04-10</date><risdate>2007</risdate><issn>1192-6252</issn><eissn>2562-5764</eissn><abstract>COLORIZATION - WHY NOT? THE SAGA OF LEGEND FILMS Colorization is as old as the movies. In fact, it's even older. Although some historians are want to trace the theory of colour photography as far back as 1785, the first patent for colour film was registered sometime in the late 1800s. This was during the era of Georges Méliès, whose famed hand-tinted trick films delighted audiences as early as 1894. Edwin S. Porter borrowed the tinted technique to enhance the gunshot blast at the end of The Great Train Robbery (1904). Later, D. W. Griffith had gun explosions tinted in battle scenes of The Birth of a Nation (1915). And Sergei Eisenstein made sure that in the first prints of Battleship Potemkin (1925) a tinted red flag was raised to glorify the revolution. The first commercially successful colour system to hit the market was Kinemacolor, patented in 1906 by...</abstract><doi>10.15353/kinema.vi.1176</doi></addata></record>
fulltext fulltext
identifier ISSN: 1192-6252
ispartof Kinema (Waterloo), 2007-04
issn 1192-6252
2562-5764
language eng
recordid cdi_crossref_primary_10_15353_kinema_vi_1176
source EZB-FREE-00999 freely available EZB journals
title Colorization - The Saga of Legend Films
url https://sfx.bib-bvb.de/sfx_tum?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2025-01-20T00%3A31%3A23IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-crossref&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=Colorization%20-%20The%20Saga%20of%20Legend%20Films&rft.jtitle=Kinema%20(Waterloo)&rft.au=Holloway,%20Ron&rft.date=2007-04-10&rft.issn=1192-6252&rft.eissn=2562-5764&rft_id=info:doi/10.15353/kinema.vi.1176&rft_dat=%3Ccrossref%3E10_15353_kinema_vi_1176%3C/crossref%3E%3Curl%3E%3C/url%3E&disable_directlink=true&sfx.directlink=off&sfx.report_link=0&rft_id=info:oai/&rft_id=info:pmid/&rfr_iscdi=true