The Medium and the Messenger in Seneca’s Phaedra, Thyestes, and Trojan Women
The language of Seneca’s messenger speeches concentrates preceding patterns of imagery into grotesquely violent action. In three tragedies – , , and – the report of an anonymous messenger dominates an entire act. All three scenes describe gruesome deaths: the impalement of Hippolytus on a tree trunk...
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Veröffentlicht in: | Philologus 2023-01, Vol.166 (2), p.232-256 |
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description | The language of Seneca’s messenger speeches concentrates preceding patterns of imagery into grotesquely violent action. In three tragedies –
,
, and
– the report of an anonymous messenger dominates an entire act. All three scenes describe gruesome deaths: the impalement of Hippolytus on a tree trunk in
, Atreus’ butchering of his nephews in
, and the slaughter of Astyanax and Polyxena in
In portraying violence, these messenger speeches repurpose language established in earlier scenes to realize and deform a dominant theme of each play: distorted sexuality, appetite, and moral dissolution. |
doi_str_mv | 10.1515/phil-2023-0100 |
format | Article |
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,
, and
– the report of an anonymous messenger dominates an entire act. All three scenes describe gruesome deaths: the impalement of Hippolytus on a tree trunk in
, Atreus’ butchering of his nephews in
, and the slaughter of Astyanax and Polyxena in
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,
, and
– the report of an anonymous messenger dominates an entire act. All three scenes describe gruesome deaths: the impalement of Hippolytus on a tree trunk in
, Atreus’ butchering of his nephews in
, and the slaughter of Astyanax and Polyxena in
In portraying violence, these messenger speeches repurpose language established in earlier scenes to realize and deform a dominant theme of each play: distorted sexuality, appetite, and moral dissolution.</description><subject>messenger speeches</subject><subject>metatheater</subject><subject>Roman tragedy</subject><subject>Seneca</subject><subject>violence</subject><issn>0031-7985</issn><issn>2196-7008</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2023</creationdate><recordtype>article</recordtype><recordid>eNp1kMtKAzEUhoMoWKtb13mATj1JmmSycCHFG9QLOOAypJPTzpQ2U5Ip0p2v4ev5JM5Yt67Of374DoePkEsGYyaZvNpW9TrjwEUGDOCIDDgzKtMA-TEZAAiWaZPLU3KW0gq6Vhg9IM9FhfQJfb3bUBc8bX_XlDAsMdI60DcMWLrvz69EXyuHProRLao9phbT6BcpYrNygb43Gwzn5GTh1gkv_uaQFHe3xfQhm73cP05vZlnJGWszKcx8Mi8NmxjgufRzb0Aop0utNfcmZ7gwxnXtBLlWoFzuWC4NV9p5IYUYkvHhbBmblCIu7DbWGxf3loHtZdhehu1l2F5GB1wfgA-3bjF6XMbdvgt21exi6D79B2RKcS64-AECUGZB</recordid><startdate>20230112</startdate><enddate>20230112</enddate><creator>Catenaccio, Claire</creator><general>De Gruyter Akademie Forschung</general><scope>AAYXX</scope><scope>CITATION</scope></search><sort><creationdate>20230112</creationdate><title>The Medium and the Messenger in Seneca’s Phaedra, Thyestes, and Trojan Women</title><author>Catenaccio, Claire</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-c211t-539b4bc91490285dbd9036a7c7772d981ef99abd94e27606a8a1859267ad3533</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>2023</creationdate><topic>messenger speeches</topic><topic>metatheater</topic><topic>Roman tragedy</topic><topic>Seneca</topic><topic>violence</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>Catenaccio, Claire</creatorcontrib><collection>CrossRef</collection><jtitle>Philologus</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Catenaccio, Claire</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>The Medium and the Messenger in Seneca’s Phaedra, Thyestes, and Trojan Women</atitle><jtitle>Philologus</jtitle><date>2023-01-12</date><risdate>2023</risdate><volume>166</volume><issue>2</issue><spage>232</spage><epage>256</epage><pages>232-256</pages><issn>0031-7985</issn><eissn>2196-7008</eissn><abstract>The language of Seneca’s messenger speeches concentrates preceding patterns of imagery into grotesquely violent action. In three tragedies –
,
, and
– the report of an anonymous messenger dominates an entire act. All three scenes describe gruesome deaths: the impalement of Hippolytus on a tree trunk in
, Atreus’ butchering of his nephews in
, and the slaughter of Astyanax and Polyxena in
In portraying violence, these messenger speeches repurpose language established in earlier scenes to realize and deform a dominant theme of each play: distorted sexuality, appetite, and moral dissolution.</abstract><pub>De Gruyter Akademie Forschung</pub><doi>10.1515/phil-2023-0100</doi><tpages>25</tpages></addata></record> |
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ispartof | Philologus, 2023-01, Vol.166 (2), p.232-256 |
issn | 0031-7985 2196-7008 |
language | eng |
recordid | cdi_crossref_primary_10_1515_phil_2023_0100 |
source | De Gruyter journals |
subjects | messenger speeches metatheater Roman tragedy Seneca violence |
title | The Medium and the Messenger in Seneca’s Phaedra, Thyestes, and Trojan Women |
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