Semiotics of nonsemiotic performance
This paper uses Michael Kirby's structuralist theatre and its tendency to be nonsemiotic as a point of departure to address various aspects of structuralist performance including its resistance to meaning and participation in a communication process, its metatheatrical dimensions, and its defam...
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Veröffentlicht in: | Semiotica 2008-01, Vol.2008 (168), p.93-107 |
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Format: | Artikel |
Sprache: | eng |
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