Reformulating Black Cinematic Labor
Considering the 2022 film , this essay pushes beyond indexical and ontological readings of blackness in film in order to consider how invisible forms of blackness—in particular, the labor of black film workers—are inscribed in the film text. It argues that the inscription of black labor and a readin...
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| Veröffentlicht in: | Liquid blackness 2024-04, Vol.8 (1), p.84-101 |
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| container_issue | 1 |
| container_start_page | 84 |
| container_title | Liquid blackness |
| container_volume | 8 |
| creator | Baker, Courtney R. |
| description | Considering the 2022 film
, this essay pushes beyond indexical and ontological readings of blackness in film in order to consider how invisible forms of blackness—in particular, the labor of black film workers—are inscribed in the film text. It argues that the inscription of black labor and a reading of film as an effect of labor supply a reformulation of a deracinated film formalism. Mining
's self‐reflexive gestures, the essay explores the film's reformulation of American film history and its navigation of the invisible and the spectacular as the limited forms of manifesting blackness in cinema. |
| doi_str_mv | 10.1215/26923874-11005970 |
| format | Article |
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's self‐reflexive gestures, the essay explores the film's reformulation of American film history and its navigation of the invisible and the spectacular as the limited forms of manifesting blackness in cinema.</description><identifier>ISSN: 2692-3874</identifier><identifier>EISSN: 2692-3874</identifier><identifier>DOI: 10.1215/26923874-11005970</identifier><language>eng</language><publisher>Duke University Press</publisher><subject>African American Studies and Black Diaspora ; Art and Visual Culture ; Art Criticism and Theory ; Media Studies</subject><ispartof>Liquid blackness, 2024-04, Vol.8 (1), p.84-101</ispartof><lds50>peer_reviewed</lds50><oa>free_for_read</oa><woscitedreferencessubscribed>false</woscitedreferencessubscribed><citedby>FETCH-LOGICAL-c2480-549b7c22b6de54f7975cc1ff79173aa57502d7fbf709d7deae329f26714341833</citedby><cites>FETCH-LOGICAL-c2480-549b7c22b6de54f7975cc1ff79173aa57502d7fbf709d7deae329f26714341833</cites></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><link.rule.ids>314,776,780,860,27902,27903</link.rule.ids></links><search><creatorcontrib>Baker, Courtney R.</creatorcontrib><title>Reformulating Black Cinematic Labor</title><title>Liquid blackness</title><description>Considering the 2022 film
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's self‐reflexive gestures, the essay explores the film's reformulation of American film history and its navigation of the invisible and the spectacular as the limited forms of manifesting blackness in cinema.</description><subject>African American Studies and Black Diaspora</subject><subject>Art and Visual Culture</subject><subject>Art Criticism and Theory</subject><subject>Media Studies</subject><issn>2692-3874</issn><issn>2692-3874</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2024</creationdate><recordtype>article</recordtype><recordid>eNp9j0tLxDAUhYMoOIzzA9wVXFdz8-htllrUEQqC6DqkeUhn-hgSu_Df2zIOuHJ1Dx98h3sIuQZ6CwzkHSsU4yWKHIBSqZCekdXC8gWe_8mXZJPSjlLK5CxCsSI3bz6MsZ8689UOn9lDZ-w-q9rB9zOwWW2aMV6Ri2C65De_d00-nh7fq21evz6_VPd1bpkoaS6FatAy1hTOSxFQobQWwhwAuTESJWUOQxOQKofOG8-ZCqxAEFxAyfmawLHXxjGl6IM-xLY38VsD1ctQfRqqT0NnRxwdN-39dIg-Jb0bpzjMj_6j_QDSw1NT</recordid><startdate>20240401</startdate><enddate>20240401</enddate><creator>Baker, Courtney R.</creator><general>Duke University Press</general><scope>AAYXX</scope><scope>CITATION</scope></search><sort><creationdate>20240401</creationdate><title>Reformulating Black Cinematic Labor</title><author>Baker, Courtney R.</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-c2480-549b7c22b6de54f7975cc1ff79173aa57502d7fbf709d7deae329f26714341833</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>2024</creationdate><topic>African American Studies and Black Diaspora</topic><topic>Art and Visual Culture</topic><topic>Art Criticism and Theory</topic><topic>Media Studies</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>Baker, Courtney R.</creatorcontrib><collection>CrossRef</collection><jtitle>Liquid blackness</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Baker, Courtney R.</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>Reformulating Black Cinematic Labor</atitle><jtitle>Liquid blackness</jtitle><date>2024-04-01</date><risdate>2024</risdate><volume>8</volume><issue>1</issue><spage>84</spage><epage>101</epage><pages>84-101</pages><issn>2692-3874</issn><eissn>2692-3874</eissn><abstract>Considering the 2022 film
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's self‐reflexive gestures, the essay explores the film's reformulation of American film history and its navigation of the invisible and the spectacular as the limited forms of manifesting blackness in cinema.</abstract><pub>Duke University Press</pub><doi>10.1215/26923874-11005970</doi><tpages>18</tpages><oa>free_for_read</oa></addata></record> |
| fulltext | fulltext |
| identifier | ISSN: 2692-3874 |
| ispartof | Liquid blackness, 2024-04, Vol.8 (1), p.84-101 |
| issn | 2692-3874 2692-3874 |
| language | eng |
| recordid | cdi_crossref_primary_10_1215_26923874_11005970 |
| source | DOAJ Directory of Open Access Journals; Duke University Press Open Access Journals; EZB-FREE-00999 freely available EZB journals |
| subjects | African American Studies and Black Diaspora Art and Visual Culture Art Criticism and Theory Media Studies |
| title | Reformulating Black Cinematic Labor |
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