Reparative interpellation: public art’s Indigenous and non-human publics
This article considers the multiple ways in which public art interpellates viewers as settlers, Indigenous and non-human subjects. It could be argued that much public artwork in the late 20th and early 21st century has a ‘reparative’ function through its socially-engaged, community-specific and cons...
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| Veröffentlicht in: | Journal of visual culture 2022-04, Vol.21 (1), p.69-84 |
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| Format: | Artikel |
| Sprache: | eng |
| Online-Zugang: | Volltext |
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