Performance, caste, aesthetics
For almost a century from 1860, regional theatre was the foremost arena for the negotiation of upper-caste cultural dominance within the making of a middle-class Maharashtrian identity. Although emerging forms of Marathi middle-class theatre such as the sangeet natak were nourished by lower-caste pe...
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| Veröffentlicht in: | Contributions to Indian Sociology 2010-06, Vol.44 (1-2), p.79-101 |
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| Format: | Artikel |
| Sprache: | eng |
| Online-Zugang: | Volltext |
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