Cutting Edge of the Contemporary: KNUST, Accra, and the Ghanaian Contemporary Art Movement

Ghana’s capital, Accra, has seen an explosion in contemporary art in the last fifteen years. Many individuals, institutions, and foundations have contributed to this activity, with exhibitions, site-specific installations and interventions, accessible programming, critical inquiry and writing, digit...

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Veröffentlicht in:	African arts 2018-09, Vol.51 (3), p.1-8
Hauptverfasser:	Nagy, Rebecca Martin, Jordan, Alissa Marie
Format:	Artikel
Sprache:	eng
Schlagworte:	African art Artistic movements Contemporary art Digital humanities Humanities Sculpture Site-specific works
Online-Zugang:	Volltext
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