New Theatrology and Performance Studies: Starting Points Towards a Dialogue

New theatrology is a field of research not in two dimensions (theory-practice) but in three: theory-history-practice. "Theory" can refer to two genetically different metadiscourses: the theory of the theatre that artists create through their work; and the theory about the theatre made by s...

Ausführliche Beschreibung

Gespeichert in:
Bibliographische Detailangaben
Veröffentlicht in:TDR : Drama review 2011-12, Vol.55 (4), p.64-74
Hauptverfasser: De Marinis, Marco, Pecorari, Marie
Format: Artikel
Sprache:eng
Schlagworte:
Online-Zugang:Volltext
Tags: Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
container_end_page 74
container_issue 4
container_start_page 64
container_title TDR : Drama review
container_volume 55
creator De Marinis, Marco
Pecorari, Marie
description New theatrology is a field of research not in two dimensions (theory-practice) but in three: theory-history-practice. "Theory" can refer to two genetically different metadiscourses: the theory of the theatre that artists create through their work; and the theory about the theatre made by scholars and critics. New theatrology attempts to account for both. While new theatrology and performance studies share several presuppositions, the notion of performance needs to be better defined, especially from a historical point of view.
doi_str_mv 10.1162/DRAM_a_00122
format Article
fullrecord <record><control><sourceid>jstor_cross</sourceid><recordid>TN_cdi_crossref_primary_10_1162_DRAM_a_00122</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><jstor_id>41407107</jstor_id><sourcerecordid>41407107</sourcerecordid><originalsourceid>FETCH-LOGICAL-c456t-caf7db687cd9884a9390c47b0760b4da39ed44581a03e563a84463f357e768c03</originalsourceid><addsrcrecordid>eNp1kc1PFDEYhxsjibB482oy4eTB0bffM94IK0j4kMh6bt7tdKCbnenazkjwr6frGtgQPL3v4enTX38l5B2FT5Qq9nn64_DCoAGgjL0iu1RyWgpN5eu8gxQlA8HfkL2UFhnRmuldcnbp7orZrcMhhmW4uS-wb4orF9sQO-ytK66HsfEufckLxsH3N8VV8P2Qilm4w9ikAoupx3x0dPtkp8Vlcm__zQn5efx1dvStPP9-cnp0eF5aIdVQWmx1M1eVtk1dVQJrXoMVeg5awVw0yGvXCCErisCdVBwrIRRvudROq8oCn5APG-8qhl-jS4PpfLJuucTehTEZClyBklLRjB48QxdhjH1OZ2opFEiVL5iQjxvIxpBSdK1ZRd9hvM8msy7WbBebcfHoXDg7dGNyT1ohtWJgrtflr7unVACArJ9Sd34rxX9umL6ANhG731J6YRhlhue_zIMBo9lgoDZ__Oovs6V5v9Es0hDi46NETqQpaP4AmAul2g</addsrcrecordid><sourcetype>Aggregation Database</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype><pqid>954605656</pqid></control><display><type>article</type><title>New Theatrology and Performance Studies: Starting Points Towards a Dialogue</title><source>Jstor Complete Legacy</source><creator>De Marinis, Marco ; Pecorari, Marie</creator><creatorcontrib>De Marinis, Marco ; Pecorari, Marie</creatorcontrib><description>New theatrology is a field of research not in two dimensions (theory-practice) but in three: theory-history-practice. "Theory" can refer to two genetically different metadiscourses: the theory of the theatre that artists create through their work; and the theory about the theatre made by scholars and critics. New theatrology attempts to account for both. While new theatrology and performance studies share several presuppositions, the notion of performance needs to be better defined, especially from a historical point of view.</description><identifier>ISSN: 1054-2043</identifier><identifier>EISSN: 1531-4715</identifier><identifier>DOI: 10.1162/DRAM_a_00122</identifier><language>eng</language><publisher>55 Hayward St., Cambridge, MA 02142-1315, USA: MIT Press</publisher><subject>Anthropology ; Musical performance ; Performance art ; Performative utterances ; Performing arts ; Rhetorical dialogue ; Semiotics ; Terminology ; Theater ; Theater history ; Theater studies ; Vehicles ; Visual arts</subject><ispartof>TDR : Drama review, 2011-12, Vol.55 (4), p.64-74</ispartof><rights>2011 New York University and the Massachusetts Institute of Technology</rights><rights>Copyright © New York University and the Massachusetts Institute of Technology.</rights><rights>Copyright MIT Press Journals Winter 2011</rights><lds50>peer_reviewed</lds50><woscitedreferencessubscribed>false</woscitedreferencessubscribed><citedby>FETCH-LOGICAL-c456t-caf7db687cd9884a9390c47b0760b4da39ed44581a03e563a84463f357e768c03</citedby><cites>FETCH-LOGICAL-c456t-caf7db687cd9884a9390c47b0760b4da39ed44581a03e563a84463f357e768c03</cites></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><linktopdf>$$Uhttps://www.jstor.org/stable/pdf/41407107$$EPDF$$P50$$Gjstor$$H</linktopdf><linktohtml>$$Uhttps://www.jstor.org/stable/41407107$$EHTML$$P50$$Gjstor$$H</linktohtml><link.rule.ids>314,776,780,799,27901,27902,57992,58225</link.rule.ids></links><search><creatorcontrib>De Marinis, Marco</creatorcontrib><creatorcontrib>Pecorari, Marie</creatorcontrib><title>New Theatrology and Performance Studies: Starting Points Towards a Dialogue</title><title>TDR : Drama review</title><description>New theatrology is a field of research not in two dimensions (theory-practice) but in three: theory-history-practice. "Theory" can refer to two genetically different metadiscourses: the theory of the theatre that artists create through their work; and the theory about the theatre made by scholars and critics. New theatrology attempts to account for both. While new theatrology and performance studies share several presuppositions, the notion of performance needs to be better defined, especially from a historical point of view.</description><subject>Anthropology</subject><subject>Musical performance</subject><subject>Performance art</subject><subject>Performative utterances</subject><subject>Performing arts</subject><subject>Rhetorical dialogue</subject><subject>Semiotics</subject><subject>Terminology</subject><subject>Theater</subject><subject>Theater history</subject><subject>Theater studies</subject><subject>Vehicles</subject><subject>Visual arts</subject><issn>1054-2043</issn><issn>1531-4715</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2011</creationdate><recordtype>article</recordtype><recordid>eNp1kc1PFDEYhxsjibB482oy4eTB0bffM94IK0j4kMh6bt7tdKCbnenazkjwr6frGtgQPL3v4enTX38l5B2FT5Qq9nn64_DCoAGgjL0iu1RyWgpN5eu8gxQlA8HfkL2UFhnRmuldcnbp7orZrcMhhmW4uS-wb4orF9sQO-ytK66HsfEufckLxsH3N8VV8P2Qilm4w9ikAoupx3x0dPtkp8Vlcm__zQn5efx1dvStPP9-cnp0eF5aIdVQWmx1M1eVtk1dVQJrXoMVeg5awVw0yGvXCCErisCdVBwrIRRvudROq8oCn5APG-8qhl-jS4PpfLJuucTehTEZClyBklLRjB48QxdhjH1OZ2opFEiVL5iQjxvIxpBSdK1ZRd9hvM8msy7WbBebcfHoXDg7dGNyT1ohtWJgrtflr7unVACArJ9Sd34rxX9umL6ANhG731J6YRhlhue_zIMBo9lgoDZ__Oovs6V5v9Es0hDi46NETqQpaP4AmAul2g</recordid><startdate>20111201</startdate><enddate>20111201</enddate><creator>De Marinis, Marco</creator><creator>Pecorari, Marie</creator><general>MIT Press</general><general>Cambridge University Press</general><scope>AAYXX</scope><scope>CITATION</scope><scope>C18</scope></search><sort><creationdate>20111201</creationdate><title>New Theatrology and Performance Studies: Starting Points Towards a Dialogue</title><author>De Marinis, Marco ; Pecorari, Marie</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-c456t-caf7db687cd9884a9390c47b0760b4da39ed44581a03e563a84463f357e768c03</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>2011</creationdate><topic>Anthropology</topic><topic>Musical performance</topic><topic>Performance art</topic><topic>Performative utterances</topic><topic>Performing arts</topic><topic>Rhetorical dialogue</topic><topic>Semiotics</topic><topic>Terminology</topic><topic>Theater</topic><topic>Theater history</topic><topic>Theater studies</topic><topic>Vehicles</topic><topic>Visual arts</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>De Marinis, Marco</creatorcontrib><creatorcontrib>Pecorari, Marie</creatorcontrib><collection>CrossRef</collection><collection>Humanities Index</collection><jtitle>TDR : Drama review</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>De Marinis, Marco</au><au>Pecorari, Marie</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>New Theatrology and Performance Studies: Starting Points Towards a Dialogue</atitle><jtitle>TDR : Drama review</jtitle><date>2011-12-01</date><risdate>2011</risdate><volume>55</volume><issue>4</issue><spage>64</spage><epage>74</epage><pages>64-74</pages><issn>1054-2043</issn><eissn>1531-4715</eissn><abstract>New theatrology is a field of research not in two dimensions (theory-practice) but in three: theory-history-practice. "Theory" can refer to two genetically different metadiscourses: the theory of the theatre that artists create through their work; and the theory about the theatre made by scholars and critics. New theatrology attempts to account for both. While new theatrology and performance studies share several presuppositions, the notion of performance needs to be better defined, especially from a historical point of view.</abstract><cop>55 Hayward St., Cambridge, MA 02142-1315, USA</cop><pub>MIT Press</pub><doi>10.1162/DRAM_a_00122</doi><tpages>11</tpages></addata></record>
fulltext fulltext
identifier ISSN: 1054-2043
ispartof TDR : Drama review, 2011-12, Vol.55 (4), p.64-74
issn 1054-2043
1531-4715
language eng
recordid cdi_crossref_primary_10_1162_DRAM_a_00122
source Jstor Complete Legacy
subjects Anthropology
Musical performance
Performance art
Performative utterances
Performing arts
Rhetorical dialogue
Semiotics
Terminology
Theater
Theater history
Theater studies
Vehicles
Visual arts
title New Theatrology and Performance Studies: Starting Points Towards a Dialogue
url https://sfx.bib-bvb.de/sfx_tum?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2025-01-30T02%3A52%3A40IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-jstor_cross&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=New%20Theatrology%20and%20Performance%20Studies:%20Starting%20Points%20Towards%20a%20Dialogue&rft.jtitle=TDR%20:%20Drama%20review&rft.au=De%20Marinis,%20Marco&rft.date=2011-12-01&rft.volume=55&rft.issue=4&rft.spage=64&rft.epage=74&rft.pages=64-74&rft.issn=1054-2043&rft.eissn=1531-4715&rft_id=info:doi/10.1162/DRAM_a_00122&rft_dat=%3Cjstor_cross%3E41407107%3C/jstor_cross%3E%3Curl%3E%3C/url%3E&disable_directlink=true&sfx.directlink=off&sfx.report_link=0&rft_id=info:oai/&rft_pqid=954605656&rft_id=info:pmid/&rft_jstor_id=41407107&rfr_iscdi=true