The Expansion of New Media Art in Indian Visual Art Practices: An Analysis
Artistic creativity thrives in line with cultural contours and individual artist intent. The Digital age is a postmodern reality. The postmodern era is either on the verge of its conclusion or it has almost concluded. Galleries and museums are far from exempt from the effects of these technological...
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Veröffentlicht in: | ECS transactions 2022-04, Vol.107 (1), p.10529-10541 |
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Hauptverfasser: | , |
Format: | Artikel |
Sprache: | eng |
Online-Zugang: | Volltext |
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Zusammenfassung: | Artistic creativity thrives in line with cultural contours and individual artist intent. The Digital age is a postmodern reality. The postmodern era is either on the verge of its conclusion or it has almost concluded. Galleries and museums are far from exempt from the effects of these technological transformations. By the mid’90s a number of young artists had begun to make installations and site-specific art objects even as others continued to work in the conventional mediums of painting, sculpture, and print-making. Notion of pluralism and multiculturalism infect the artists of the 90’s, as there is a confident borrowing from all cultures and frequent crossovers. Artists like Ranbir Kaleka, Shilpa Gupta, Sheba Chhachhi, Thukral and Tagra, Jitish Kallat and many more are blurring the gap between the art and cutting edge technology with their inter/multidisciplinary approaches in their art practices. |
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ISSN: | 1938-5862 1938-6737 |
DOI: | 10.1149/10701.10529ecst |