Spectral character of the resonator guitar

Spectral character of the resonator guitar

The resonator guitar was invented in the 1920s, with one or more metal cone resonators set into the body. These additions were originally meant to amplify the sound of the acoustic guitar for performance in a band. The distinct timbre of the resonator ensured that the design survived even after elec...

Ausführliche Beschreibung

Gespeichert in:
Bibliographische Detailangaben
Veröffentlicht in:The Journal of the Acoustical Society of America 2013-11, Vol.134 (5_Supplement), p.3994-3994
1. Verfasser: Ludwigsen, Daniel
Format: Artikel
Sprache:eng
Online-Zugang:Volltext
Tags: Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
container_end_page 3994
container_issue 5_Supplement
container_start_page 3994
container_title The Journal of the Acoustical Society of America
container_volume 134
creator Ludwigsen, Daniel
description The resonator guitar was invented in the 1920s, with one or more metal cone resonators set into the body. These additions were originally meant to amplify the sound of the acoustic guitar for performance in a band. The distinct timbre of the resonator ensured that the design survived even after electrification, especially in blues and bluegrass genres. A study of the sound radiated from different models of resonator guitars, as well as a similar standard acoustic guitar, compares spectral features to understand the unique sound of the resonator guitar.
doi_str_mv 10.1121/1.4830566
format Article
fullrecord <record><control><sourceid>crossref</sourceid><recordid>TN_cdi_crossref_primary_10_1121_1_4830566</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><sourcerecordid>10_1121_1_4830566</sourcerecordid><originalsourceid>FETCH-crossref_primary_10_1121_1_48305663</originalsourceid><addsrcrecordid>eNqVjssKwjAQABdRsD4O_kGuCq27bRPasyje9R5CSG2lmrKJB_9ehf6Ap2FgDgOwIcyIctpTVlYFSqUmkJDMMa1kXk4hQURKy1qpOSxCuH9VVkWdwO4yOBvZ9MK2ho2NjoVvRGydYBf800TP4vbqouEVzBrTB7ceuYTt6Xg9nFPLPgR2jR64exh-a0L9m9Gkx5nin_YD5eM4Yg</addsrcrecordid><sourcetype>Aggregation Database</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype></control><display><type>article</type><title>Spectral character of the resonator guitar</title><source>AIP Journals Complete</source><source>Alma/SFX Local Collection</source><source>AIP Acoustical Society of America</source><creator>Ludwigsen, Daniel</creator><creatorcontrib>Ludwigsen, Daniel</creatorcontrib><description>The resonator guitar was invented in the 1920s, with one or more metal cone resonators set into the body. These additions were originally meant to amplify the sound of the acoustic guitar for performance in a band. The distinct timbre of the resonator ensured that the design survived even after electrification, especially in blues and bluegrass genres. A study of the sound radiated from different models of resonator guitars, as well as a similar standard acoustic guitar, compares spectral features to understand the unique sound of the resonator guitar.</description><identifier>ISSN: 0001-4966</identifier><identifier>EISSN: 1520-8524</identifier><identifier>DOI: 10.1121/1.4830566</identifier><language>eng</language><ispartof>The Journal of the Acoustical Society of America, 2013-11, Vol.134 (5_Supplement), p.3994-3994</ispartof><lds50>peer_reviewed</lds50><woscitedreferencessubscribed>false</woscitedreferencessubscribed></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><link.rule.ids>207,208,314,780,784,27922,27923</link.rule.ids></links><search><creatorcontrib>Ludwigsen, Daniel</creatorcontrib><title>Spectral character of the resonator guitar</title><title>The Journal of the Acoustical Society of America</title><description>The resonator guitar was invented in the 1920s, with one or more metal cone resonators set into the body. These additions were originally meant to amplify the sound of the acoustic guitar for performance in a band. The distinct timbre of the resonator ensured that the design survived even after electrification, especially in blues and bluegrass genres. A study of the sound radiated from different models of resonator guitars, as well as a similar standard acoustic guitar, compares spectral features to understand the unique sound of the resonator guitar.</description><issn>0001-4966</issn><issn>1520-8524</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2013</creationdate><recordtype>article</recordtype><recordid>eNqVjssKwjAQABdRsD4O_kGuCq27bRPasyje9R5CSG2lmrKJB_9ehf6Ap2FgDgOwIcyIctpTVlYFSqUmkJDMMa1kXk4hQURKy1qpOSxCuH9VVkWdwO4yOBvZ9MK2ho2NjoVvRGydYBf800TP4vbqouEVzBrTB7ceuYTt6Xg9nFPLPgR2jR64exh-a0L9m9Gkx5nin_YD5eM4Yg</recordid><startdate>20131101</startdate><enddate>20131101</enddate><creator>Ludwigsen, Daniel</creator><scope>AAYXX</scope><scope>CITATION</scope></search><sort><creationdate>20131101</creationdate><title>Spectral character of the resonator guitar</title><author>Ludwigsen, Daniel</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-crossref_primary_10_1121_1_48305663</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>2013</creationdate><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>Ludwigsen, Daniel</creatorcontrib><collection>CrossRef</collection><jtitle>The Journal of the Acoustical Society of America</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Ludwigsen, Daniel</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>Spectral character of the resonator guitar</atitle><jtitle>The Journal of the Acoustical Society of America</jtitle><date>2013-11-01</date><risdate>2013</risdate><volume>134</volume><issue>5_Supplement</issue><spage>3994</spage><epage>3994</epage><pages>3994-3994</pages><issn>0001-4966</issn><eissn>1520-8524</eissn><abstract>The resonator guitar was invented in the 1920s, with one or more metal cone resonators set into the body. These additions were originally meant to amplify the sound of the acoustic guitar for performance in a band. The distinct timbre of the resonator ensured that the design survived even after electrification, especially in blues and bluegrass genres. A study of the sound radiated from different models of resonator guitars, as well as a similar standard acoustic guitar, compares spectral features to understand the unique sound of the resonator guitar.</abstract><doi>10.1121/1.4830566</doi></addata></record>
fulltext fulltext
identifier ISSN: 0001-4966
ispartof The Journal of the Acoustical Society of America, 2013-11, Vol.134 (5_Supplement), p.3994-3994
issn 0001-4966
1520-8524
language eng
recordid cdi_crossref_primary_10_1121_1_4830566
source AIP Journals Complete; Alma/SFX Local Collection; AIP Acoustical Society of America
title Spectral character of the resonator guitar
url https://sfx.bib-bvb.de/sfx_tum?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2025-01-14T12%3A55%3A36IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-crossref&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=Spectral%20character%20of%20the%20resonator%20guitar&rft.jtitle=The%20Journal%20of%20the%20Acoustical%20Society%20of%20America&rft.au=Ludwigsen,%20Daniel&rft.date=2013-11-01&rft.volume=134&rft.issue=5_Supplement&rft.spage=3994&rft.epage=3994&rft.pages=3994-3994&rft.issn=0001-4966&rft.eissn=1520-8524&rft_id=info:doi/10.1121/1.4830566&rft_dat=%3Ccrossref%3E10_1121_1_4830566%3C/crossref%3E%3Curl%3E%3C/url%3E&disable_directlink=true&sfx.directlink=off&sfx.report_link=0&rft_id=info:oai/&rft_id=info:pmid/&rfr_iscdi=true