Music, identity, and musical ethnocentrism of young people in six A sian, L atin A merican, and W estern cultures
Ethnomusicologists and sociologists have extensively discussed the symbolic role of music in the creation, maintenance, and expression of cultural and national identity, while the underlying social psychological processes remain unexplored. We elaborate psychological mechanisms of identity construct...
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Veröffentlicht in: | Journal of applied social psychology 2013-12, Vol.43 (12), p.2360-2376 |
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container_title | Journal of applied social psychology |
container_volume | 43 |
creator | Boer, Diana Fischer, Ronald González Atilano, Ma Luisa de Garay Hernández, Jimena Moreno García, Luz Irene Mendoza, Socorro Gouveia, Valdiney V. Lam, Jason Lo, Eva |
description | Ethnomusicologists and sociologists have extensively discussed the symbolic role of music in the creation, maintenance, and expression of cultural and national identity, while the underlying social psychological processes remain unexplored. We elaborate psychological mechanisms of identity construction and identity expression through culture‐specific music preferences. We propose and test a model linking music preferences to national identity via musical ethnocentrism in six student samples from
B
razil,
G
ermany,
H
ong
K
ong,
M
exico,
N
ew
Z
ealand, and the
P
hilippines. In each context, culture‐specific music styles were related to national identity of its listeners and musical ethnocentrism mediated these effects. This paper bridges culture‐specific and universal perspectives on music and identity by examining the underlying psychological processes in
A
sian,
L
atin, and
W
estern cultures. |
doi_str_mv | 10.1111/jasp.12185 |
format | Article |
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B
razil,
G
ermany,
H
ong
K
ong,
M
exico,
N
ew
Z
ealand, and the
P
hilippines. In each context, culture‐specific music styles were related to national identity of its listeners and musical ethnocentrism mediated these effects. This paper bridges culture‐specific and universal perspectives on music and identity by examining the underlying psychological processes in
A
sian,
L
atin, and
W
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B
razil,
G
ermany,
H
ong
K
ong,
M
exico,
N
ew
Z
ealand, and the
P
hilippines. In each context, culture‐specific music styles were related to national identity of its listeners and musical ethnocentrism mediated these effects. This paper bridges culture‐specific and universal perspectives on music and identity by examining the underlying psychological processes in
A
sian,
L
atin, and
W
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B
razil,
G
ermany,
H
ong
K
ong,
M
exico,
N
ew
Z
ealand, and the
P
hilippines. In each context, culture‐specific music styles were related to national identity of its listeners and musical ethnocentrism mediated these effects. This paper bridges culture‐specific and universal perspectives on music and identity by examining the underlying psychological processes in
A
sian,
L
atin, and
W
estern cultures.</abstract><doi>10.1111/jasp.12185</doi><tpages>17</tpages></addata></record> |
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title | Music, identity, and musical ethnocentrism of young people in six A sian, L atin A merican, and W estern cultures |
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