From the Cinema ‘Dekorator’ to the Cinema ‘Arkhitektor’: Set Design, Medium Specificity and Technology in Russian Cinema of the Silent Era
Abstract This article traces how understandings about the role of the cinema set designer—referred to in Russian as the khudozhnik (artist)—evolved across the 1910s and the 1920s in relation to broader artistic debates of the period. Drawing on archival material and articles published in the contemp...
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Veröffentlicht in: | Journal of design history 2021-12, Vol.34 (4), p.297-315 |
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Format: | Artikel |
Sprache: | eng |
Online-Zugang: | Volltext |
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