Materiality of Colour
In this one-day seminar at KHiO, international leading experts in their academic, artistic, manufacturing, and scientific fields of research will respond to Barbara Balfour’s Inkling, Thinking About Ink (2022). "Something about the visual apprehension of ink, something about the haptic nature o...
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description | In this one-day seminar at KHiO, international leading experts in their academic, artistic, manufacturing, and scientific fields of research will respond to Barbara Balfour’s Inkling, Thinking About Ink (2022).
"Something about the visual apprehension of ink, something about the haptic nature of ink, something about ink as a substance in and of itself, something about how printmakers are drawn to ink, it’s an inkling I have.'’ Barbara Balfour (2022).
In this one-day seminar at KHiO, international leading experts in their academic, artistic, manufacturing, and scientific fields of research, respond to Barbara Balfour’s Inkling: thinking about ink (2022).
An exhibition of material artefacts embodying guest speakers' presentations, is located in KHiO's library and reception, and will be accessible for attendees during the seminar.
Artists are drawn to the haptic and visual presence of ink in the workshop, but now also question the socio-political and environmental impact of sourcing materials within a global distribution. For example, what are the ethical considerations when mining lapis lazuli in Afghanistan, to be ground into blue pigment?
In addition, with a reduction in craft making of artists’ colours, and an increase in mass manufacturing of inorganic and synthetic pigments, there is now an ‘inkling’ amongst printmakers to suggest that the materiality of ink has also transformed, perhaps even diminished.
SCHEDULE
10.00 - Introduction
10.15 - Barbara Balfour
11.00 - Michael Craine
11.45 - Lunch
12.30 - Carinna Parraman
13.15 - Marte Johnslien
14.00 - Break
14.15 - Q&A with speakers
14.45 - Finish (with 15 minute leeway)
Links about the project:
KHiO events: https://khio.no/events/1801
Grafikk:
https://www.grafikk.khio.no/post/730782456619352064/making-pigment-with-thomas-iversen
https://www.grafikk.khio.no/post/730782845846667264/making-ink-with-thomas-iversen
https://www.grafikk.khio.no/post/733804540493709312/materiality-of-ink-seminar-at-
khio-library-with
https://www.grafikk.khio.no/post/730782077453254656/mixing-ink-with-katherine-jones |
format | Text Resource |
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"Something about the visual apprehension of ink, something about the haptic nature of ink, something about ink as a substance in and of itself, something about how printmakers are drawn to ink, it’s an inkling I have.'’ Barbara Balfour (2022).
In this one-day seminar at KHiO, international leading experts in their academic, artistic, manufacturing, and scientific fields of research, respond to Barbara Balfour’s Inkling: thinking about ink (2022).
An exhibition of material artefacts embodying guest speakers' presentations, is located in KHiO's library and reception, and will be accessible for attendees during the seminar.
Artists are drawn to the haptic and visual presence of ink in the workshop, but now also question the socio-political and environmental impact of sourcing materials within a global distribution. For example, what are the ethical considerations when mining lapis lazuli in Afghanistan, to be ground into blue pigment?
In addition, with a reduction in craft making of artists’ colours, and an increase in mass manufacturing of inorganic and synthetic pigments, there is now an ‘inkling’ amongst printmakers to suggest that the materiality of ink has also transformed, perhaps even diminished.
SCHEDULE
10.00 - Introduction
10.15 - Barbara Balfour
11.00 - Michael Craine
11.45 - Lunch
12.30 - Carinna Parraman
13.15 - Marte Johnslien
14.00 - Break
14.15 - Q&A with speakers
14.45 - Finish (with 15 minute leeway)
Links about the project:
KHiO events: https://khio.no/events/1801
Grafikk:
https://www.grafikk.khio.no/post/730782456619352064/making-pigment-with-thomas-iversen
https://www.grafikk.khio.no/post/730782845846667264/making-ink-with-thomas-iversen
https://www.grafikk.khio.no/post/733804540493709312/materiality-of-ink-seminar-at-
khio-library-with
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"Something about the visual apprehension of ink, something about the haptic nature of ink, something about ink as a substance in and of itself, something about how printmakers are drawn to ink, it’s an inkling I have.'’ Barbara Balfour (2022).
In this one-day seminar at KHiO, international leading experts in their academic, artistic, manufacturing, and scientific fields of research, respond to Barbara Balfour’s Inkling: thinking about ink (2022).
An exhibition of material artefacts embodying guest speakers' presentations, is located in KHiO's library and reception, and will be accessible for attendees during the seminar.
Artists are drawn to the haptic and visual presence of ink in the workshop, but now also question the socio-political and environmental impact of sourcing materials within a global distribution. For example, what are the ethical considerations when mining lapis lazuli in Afghanistan, to be ground into blue pigment?
In addition, with a reduction in craft making of artists’ colours, and an increase in mass manufacturing of inorganic and synthetic pigments, there is now an ‘inkling’ amongst printmakers to suggest that the materiality of ink has also transformed, perhaps even diminished.
SCHEDULE
10.00 - Introduction
10.15 - Barbara Balfour
11.00 - Michael Craine
11.45 - Lunch
12.30 - Carinna Parraman
13.15 - Marte Johnslien
14.00 - Break
14.15 - Q&A with speakers
14.45 - Finish (with 15 minute leeway)
Links about the project:
KHiO events: https://khio.no/events/1801
Grafikk:
https://www.grafikk.khio.no/post/730782456619352064/making-pigment-with-thomas-iversen
https://www.grafikk.khio.no/post/730782845846667264/making-ink-with-thomas-iversen
https://www.grafikk.khio.no/post/733804540493709312/materiality-of-ink-seminar-at-
khio-library-with
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"Something about the visual apprehension of ink, something about the haptic nature of ink, something about ink as a substance in and of itself, something about how printmakers are drawn to ink, it’s an inkling I have.'’ Barbara Balfour (2022).
In this one-day seminar at KHiO, international leading experts in their academic, artistic, manufacturing, and scientific fields of research, respond to Barbara Balfour’s Inkling: thinking about ink (2022).
An exhibition of material artefacts embodying guest speakers' presentations, is located in KHiO's library and reception, and will be accessible for attendees during the seminar.
Artists are drawn to the haptic and visual presence of ink in the workshop, but now also question the socio-political and environmental impact of sourcing materials within a global distribution. For example, what are the ethical considerations when mining lapis lazuli in Afghanistan, to be ground into blue pigment?
In addition, with a reduction in craft making of artists’ colours, and an increase in mass manufacturing of inorganic and synthetic pigments, there is now an ‘inkling’ amongst printmakers to suggest that the materiality of ink has also transformed, perhaps even diminished.
SCHEDULE
10.00 - Introduction
10.15 - Barbara Balfour
11.00 - Michael Craine
11.45 - Lunch
12.30 - Carinna Parraman
13.15 - Marte Johnslien
14.00 - Break
14.15 - Q&A with speakers
14.45 - Finish (with 15 minute leeway)
Links about the project:
KHiO events: https://khio.no/events/1801
Grafikk:
https://www.grafikk.khio.no/post/730782456619352064/making-pigment-with-thomas-iversen
https://www.grafikk.khio.no/post/730782845846667264/making-ink-with-thomas-iversen
https://www.grafikk.khio.no/post/733804540493709312/materiality-of-ink-seminar-at-
khio-library-with
https://www.grafikk.khio.no/post/730782077453254656/mixing-ink-with-katherine-jones</abstract><pub>Kunsthøgskolen i Oslo</pub><oa>free_for_read</oa></addata></record> |
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source | NORA - Norwegian Open Research Archives |
title | Materiality of Colour |
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