Filming Guilt about the Past through Anachronistic Aesthetics: Roy Andersson’s A Pigeon Sat on a Branch Reflecting on Existence

According to Andersson himself, the references to Charles XII were an attempt to de-pedestalize the king, to challenge the idea of Charles XII "som machoideal" [as a macho ideal], which "vi svensker er oppvokst med" (quoted in Bhar 2014) [we Swedes have grown up with]. [...]it fo...

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