浅谈京剧旦角唱腔的继承和创新
旦角流派唱腔是京剧传统唱腔的性格化具体呈现,以＂线性＂旋律为主要表现,从而让唱腔变得更加有新意。在上个世纪初,京剧旦角唱腔以陈德霖、王瑶卿为主要代表,在其后的发展历程中,＂四大名旦＂博采众生之长,力行革新,对旦角唱腔进行了改革,为其后世继承和创新产生了深远影响。...
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| Veröffentlicht in: | 戏剧之家 2017 (2), p.54-54 |
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| container_title | 戏剧之家 |
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| creator | 黄愕芳 |
| description | 旦角流派唱腔是京剧传统唱腔的性格化具体呈现,以＂线性＂旋律为主要表现,从而让唱腔变得更加有新意。在上个世纪初,京剧旦角唱腔以陈德霖、王瑶卿为主要代表,在其后的发展历程中,＂四大名旦＂博采众生之长,力行革新,对旦角唱腔进行了改革,为其后世继承和创新产生了深远影响。 |
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| fulltext | fulltext |
| identifier | ISSN: 1007-0125 |
| ispartof | 戏剧之家, 2017 (2), p.54-54 |
| issn | 1007-0125 |
| language | chi |
| recordid | cdi_chongqing_primary_671981852 |
| source | 国家哲学社会科学学术期刊数据库 (National Social Sciences Database) |
| subjects | 京剧旦角 唱腔研究 继承创新 |
| title | 浅谈京剧旦角唱腔的继承和创新 |
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