An Icon by the Icon-Painter Hieromonk Damascene of Ioannina from the Church Museum in Sofia – Towards the Iconography of the Holy Mother of God Oikonomissa
The object of this study is the icon of the Holy Mother of God Oikonomissa from the National Church Historical and Archaeological Museum whose style relates it to the works of an icon-painter who was unknown in Bulgaria until recently and whose rich creative life associates him with the Athonite pai...
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description | The object of this study is the icon of the Holy Mother of God Oikonomissa from the National Church Historical and Archaeological Museum whose style relates it to the works of an icon-painter who was unknown in Bulgaria until recently and whose rich creative life associates him with the Athonite painting. On the basis of our knowledge of his commissions in a number of Athonite monasteries one might also guess the time when the icon was created. Special attention has been paid to the iconography of the Holy Mother of God Oikonomissa and to the selection of saints around the throne of the Mother of God which could guide us to some assumptions as to which church the icon was intended for. |
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On the basis of our knowledge of his commissions in a number of Athonite monasteries one might also guess the time when the icon was created. 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On the basis of our knowledge of his commissions in a number of Athonite monasteries one might also guess the time when the icon was created. 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(DFG Nationallizenzen)</collection><collection>Central and Eastern European Online Library</collection><jtitle>Problemi na izkustvoto</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Kolusheva, Maria</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>An Icon by the Icon-Painter Hieromonk Damascene of Ioannina from the Church Museum in Sofia – Towards the Iconography of the Holy Mother of God Oikonomissa</atitle><jtitle>Problemi na izkustvoto</jtitle><addtitle>Art Studies Quarterly</addtitle><date>2021</date><risdate>2021</risdate><issue>2</issue><spage>10</spage><epage>23</epage><pages>10-23</pages><issn>0032-9371</issn><abstract>The object of this study is the icon of the Holy Mother of God Oikonomissa from the National Church Historical and Archaeological Museum whose style relates it to the works of an icon-painter who was unknown in Bulgaria until recently and whose rich creative life associates him with the Athonite painting. On the basis of our knowledge of his commissions in a number of Athonite monasteries one might also guess the time when the icon was created. Special attention has been paid to the iconography of the Holy Mother of God Oikonomissa and to the selection of saints around the throne of the Mother of God which could guide us to some assumptions as to which church the icon was intended for.</abstract><pub>Институт за изследване на изкуствата, Българска академия на науките</pub><tpages>14</tpages></addata></record> |
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issn | 0032-9371 |
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source | Central and Eastern European Online Library |
subjects | 16th Century 17th Century 18th Century Fine Arts / Performing Arts History History of Art Modern Age Visual Arts |
title | An Icon by the Icon-Painter Hieromonk Damascene of Ioannina from the Church Museum in Sofia – Towards the Iconography of the Holy Mother of God Oikonomissa |
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