Teatr Wierszalin w czterech odsłonach
The article concentrates on four different aspects of Teatr Wierszalin, namely: its debt to the tradition of Polish theatre, its affinities with the local problems of eastern Poland, insistent exploration of theatrical potential and fascination with ambiguities of religious notions. It is argued Pio...
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| Veröffentlicht in: | Konteksty 2020, Vol.330 (3), p.193-198 |
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| container_title | Konteksty |
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| creator | Wiśniewski, Tomasz |
| description | The article concentrates on four different aspects of Teatr Wierszalin, namely: its debt to the tradition of Polish theatre, its affinities with the local problems of eastern Poland, insistent exploration of theatrical potential and fascination with ambiguities of religious notions. It is argued Piotr Tomaszuk has managed to create specific theatrical language that is consistently employed by Teatr Wierszalin. |
| format | Article |
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| fulltext | fulltext |
| identifier | ISSN: 1230-6142 |
| ispartof | Konteksty, 2020, Vol.330 (3), p.193-198 |
| issn | 1230-6142 |
| language | eng ; pol |
| recordid | cdi_ceeol_journals_902277 |
| source | Central and Eastern European Online Library |
| subjects | Fine Arts / Performing Arts |
| title | Teatr Wierszalin w czterech odsłonach |
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