Paradygmat i suspens. O dramaturgii scenariusza filmowego

Film scripts have a dramaturgical structure, i.e. a specific format comprising a particular number of scenes written in a predetermined order. Its vital elements are a three-act structure and two plot twists. It is also characterized by the development of tension, intended to lead to a constant rise...

Ausführliche Beschreibung

Gespeichert in:
Bibliographische Detailangaben
Veröffentlicht in:Images (Gniezno, Poland) Poland), 2015-01, Vol.16 (25), p.73-84
1. Verfasser: Otto, Wojciech
Format: Artikel
Sprache:eng ; pol
Schlagworte:
Online-Zugang:Volltext
Tags: Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
container_end_page 84
container_issue 25
container_start_page 73
container_title Images (Gniezno, Poland)
container_volume 16
creator Otto, Wojciech
description Film scripts have a dramaturgical structure, i.e. a specific format comprising a particular number of scenes written in a predetermined order. Its vital elements are a three-act structure and two plot twists. It is also characterized by the development of tension, intended to lead to a constant rise in emotions as the story advances. The dramaturgy of the scenes and their sequence are built in many ways, the main two being suspense and delay. These are used to suspend action, slow it down in order to achieve an element of surprise, and to raise emotions in forthcoming scenes.
doi_str_mv 10.14746/i.2015.25.05
format Article
fullrecord <record><control><sourceid>ceeol_cross</sourceid><recordid>TN_cdi_ceeol_journals_527622</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><ceeol_id>527622</ceeol_id><sourcerecordid>527622</sourcerecordid><originalsourceid>FETCH-LOGICAL-c595-b5daec36d9a39e9f3400ad29f04be866d6efb494803a9e283fe3bea023a4a9053</originalsourceid><addsrcrecordid>eNotj0tqwzAYhLVooSHNsrsufAG7etuiqxL6gkC6yKI78dv6ZRT8CFJNSU-Ts-RkTdPMZmD4GGYIuWO0YLKU-iEUnDJVcFVQdUVmrBQsl4p-3pBFSlt6kq6k0XxGHj8ggtu3PXxlIUtT2uGQimx9PLgIp3CKbQjHQ2pwgBim9AOZD10_fmM73pJrD13CxcXnZPPyvFm-5av16_vyaZU3yqi8Vg6wEdoZEAaNF5JScNx4KmustHYafS2NrKgAg7wSHkWNQLkACYYqMSf5f20Tx5QieruLoYe4t4za818b7N9fy5U98_cXHnHs7Hac4nCaZxUvNefiF26jVew</addsrcrecordid><sourcetype>Aggregation Database</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype></control><display><type>article</type><title>Paradygmat i suspens. O dramaturgii scenariusza filmowego</title><source>EZB-FREE-00999 freely available EZB journals</source><source>Alma/SFX Local Collection</source><creator>Otto, Wojciech</creator><creatorcontrib>Otto, Wojciech</creatorcontrib><description>Film scripts have a dramaturgical structure, i.e. a specific format comprising a particular number of scenes written in a predetermined order. Its vital elements are a three-act structure and two plot twists. It is also characterized by the development of tension, intended to lead to a constant rise in emotions as the story advances. The dramaturgy of the scenes and their sequence are built in many ways, the main two being suspense and delay. These are used to suspend action, slow it down in order to achieve an element of surprise, and to raise emotions in forthcoming scenes.</description><identifier>ISSN: 1731-450X</identifier><identifier>DOI: 10.14746/i.2015.25.05</identifier><language>eng ; pol</language><publisher>Adam Mickiewicz University</publisher><subject>Film / Cinema / Cinematography ; Sociology of Art</subject><ispartof>Images (Gniezno, Poland), 2015-01, Vol.16 (25), p.73-84</ispartof><lds50>peer_reviewed</lds50><oa>free_for_read</oa><woscitedreferencessubscribed>false</woscitedreferencessubscribed></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Uhttps://www.ceeol.com//api/image/getissuecoverimage?id=picture_2015_31994.png</thumbnail><link.rule.ids>314,776,780,27901,27902</link.rule.ids></links><search><creatorcontrib>Otto, Wojciech</creatorcontrib><title>Paradygmat i suspens. O dramaturgii scenariusza filmowego</title><title>Images (Gniezno, Poland)</title><addtitle>Images The International Journal of European Film, Performing Arts and Audiovisual Communication</addtitle><description>Film scripts have a dramaturgical structure, i.e. a specific format comprising a particular number of scenes written in a predetermined order. Its vital elements are a three-act structure and two plot twists. It is also characterized by the development of tension, intended to lead to a constant rise in emotions as the story advances. The dramaturgy of the scenes and their sequence are built in many ways, the main two being suspense and delay. These are used to suspend action, slow it down in order to achieve an element of surprise, and to raise emotions in forthcoming scenes.</description><subject>Film / Cinema / Cinematography</subject><subject>Sociology of Art</subject><issn>1731-450X</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2015</creationdate><recordtype>article</recordtype><sourceid>REL</sourceid><recordid>eNotj0tqwzAYhLVooSHNsrsufAG7etuiqxL6gkC6yKI78dv6ZRT8CFJNSU-Ts-RkTdPMZmD4GGYIuWO0YLKU-iEUnDJVcFVQdUVmrBQsl4p-3pBFSlt6kq6k0XxGHj8ggtu3PXxlIUtT2uGQimx9PLgIp3CKbQjHQ2pwgBim9AOZD10_fmM73pJrD13CxcXnZPPyvFm-5av16_vyaZU3yqi8Vg6wEdoZEAaNF5JScNx4KmustHYafS2NrKgAg7wSHkWNQLkACYYqMSf5f20Tx5QieruLoYe4t4za818b7N9fy5U98_cXHnHs7Hac4nCaZxUvNefiF26jVew</recordid><startdate>20150113</startdate><enddate>20150113</enddate><creator>Otto, Wojciech</creator><general>Adam Mickiewicz University</general><general>Uniwersytet Adama Mickiewicza</general><scope>AE2</scope><scope>BIXPP</scope><scope>REL</scope><scope>AAYXX</scope><scope>CITATION</scope></search><sort><creationdate>20150113</creationdate><title>Paradygmat i suspens. O dramaturgii scenariusza filmowego</title><author>Otto, Wojciech</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-c595-b5daec36d9a39e9f3400ad29f04be866d6efb494803a9e283fe3bea023a4a9053</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng ; pol</language><creationdate>2015</creationdate><topic>Film / Cinema / Cinematography</topic><topic>Sociology of Art</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>Otto, Wojciech</creatorcontrib><collection>Central and Eastern European Online Library (C.E.E.O.L.) (DFG Nationallizenzen)</collection><collection>CEEOL: Open Access</collection><collection>Central and Eastern European Online Library</collection><collection>CrossRef</collection><jtitle>Images (Gniezno, Poland)</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Otto, Wojciech</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>Paradygmat i suspens. O dramaturgii scenariusza filmowego</atitle><jtitle>Images (Gniezno, Poland)</jtitle><addtitle>Images The International Journal of European Film, Performing Arts and Audiovisual Communication</addtitle><date>2015-01-13</date><risdate>2015</risdate><volume>16</volume><issue>25</issue><spage>73</spage><epage>84</epage><pages>73-84</pages><issn>1731-450X</issn><abstract>Film scripts have a dramaturgical structure, i.e. a specific format comprising a particular number of scenes written in a predetermined order. Its vital elements are a three-act structure and two plot twists. It is also characterized by the development of tension, intended to lead to a constant rise in emotions as the story advances. The dramaturgy of the scenes and their sequence are built in many ways, the main two being suspense and delay. These are used to suspend action, slow it down in order to achieve an element of surprise, and to raise emotions in forthcoming scenes.</abstract><pub>Adam Mickiewicz University</pub><doi>10.14746/i.2015.25.05</doi><tpages>12</tpages><oa>free_for_read</oa></addata></record>
fulltext fulltext
identifier ISSN: 1731-450X
ispartof Images (Gniezno, Poland), 2015-01, Vol.16 (25), p.73-84
issn 1731-450X
language eng ; pol
recordid cdi_ceeol_journals_527622
source EZB-FREE-00999 freely available EZB journals; Alma/SFX Local Collection
subjects Film / Cinema / Cinematography
Sociology of Art
title Paradygmat i suspens. O dramaturgii scenariusza filmowego
url https://sfx.bib-bvb.de/sfx_tum?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2025-02-07T23%3A55%3A13IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-ceeol_cross&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=Paradygmat%20i%20suspens.%20O%C2%A0dramaturgii%C2%A0scenariusza%20filmowego&rft.jtitle=Images%20(Gniezno,%20Poland)&rft.au=Otto,%20Wojciech&rft.date=2015-01-13&rft.volume=16&rft.issue=25&rft.spage=73&rft.epage=84&rft.pages=73-84&rft.issn=1731-450X&rft_id=info:doi/10.14746/i.2015.25.05&rft_dat=%3Cceeol_cross%3E527622%3C/ceeol_cross%3E%3Curl%3E%3C/url%3E&disable_directlink=true&sfx.directlink=off&sfx.report_link=0&rft_id=info:oai/&rft_id=info:pmid/&rft_ceeol_id=527622&rfr_iscdi=true