Homo ludens като homo futuristicus
The article deals with specific features of the play elements in the theories and practice of Italian Futurism. Three main topics are discussed: the use of manifestos in art, the nature of Futuristic performances, the idea of futuristic theater. The Futurists break away from classical art. To demons...
Gespeichert in:
Veröffentlicht in: | Filosofski alternativi 2016, Vol.XXV (3), p.73-79 |
---|---|
1. Verfasser: | |
Format: | Artikel |
Sprache: | eng |
Schlagworte: | |
Online-Zugang: | Volltext |
Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
container_end_page | 79 |
---|---|
container_issue | 3 |
container_start_page | 73 |
container_title | Filosofski alternativi |
container_volume | XXV |
creator | Kolev, Ivan |
description | The article deals with specific features of the play elements in the theories and practice of Italian Futurism. Three main topics are discussed: the use of manifestos in art, the nature of Futuristic performances, the idea of futuristic theater. The Futurists break away from classical art. To demonstrate this more clearly, the article presents the primary biblical act of man as a primary artistic act and discusses the Kantian idea of play in contemplation of beauty. |
format | Article |
fullrecord | <record><control><sourceid>ceeol</sourceid><recordid>TN_cdi_ceeol_journals_410161</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><ceeol_id>410161</ceeol_id><sourcerecordid>410161</sourcerecordid><originalsourceid>FETCH-ceeol_journals_4101613</originalsourceid><addsrcrecordid>eNpjYeA0sDAz1DW3sLTkYOAqLs4yMDAxMLMw4mRQ88jPzVfIKU1JzStWuLDrwoaLTRf2KWSABNNKS0qLMotLMpNLi3kYWNMSc4pTeaE0N4OMm2uIs4ducmpqfk58Vn5pUR5QPN7E0MDQzNCYgDQAgywtMw</addsrcrecordid><sourcetype>Publisher</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype></control><display><type>article</type><title>Homo ludens като homo futuristicus</title><source>Central and Eastern European Online Library - CEEOL Journals</source><creator>Kolev, Ivan</creator><creatorcontrib>Kolev, Ivan</creatorcontrib><description>The article deals with specific features of the play elements in the theories and practice of Italian Futurism. Three main topics are discussed: the use of manifestos in art, the nature of Futuristic performances, the idea of futuristic theater. The Futurists break away from classical art. To demonstrate this more clearly, the article presents the primary biblical act of man as a primary artistic act and discusses the Kantian idea of play in contemplation of beauty.</description><identifier>ISSN: 0861-7899</identifier><language>eng</language><publisher>Institute of Philosophy and Sociology at BAS</publisher><subject>Aesthetics ; Biblical studies ; History of ideas ; Theatre, Dance, Performing Arts ; Visual Arts</subject><ispartof>Filosofski alternativi, 2016, Vol.XXV (3), p.73-79</ispartof><lds50>peer_reviewed</lds50><woscitedreferencessubscribed>false</woscitedreferencessubscribed></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Uhttps://www.ceeol.com//api/image/getissuecoverimage?id=picture_2016_25893.jpg</thumbnail><link.rule.ids>314,780,784,4024,21362</link.rule.ids></links><search><creatorcontrib>Kolev, Ivan</creatorcontrib><title>Homo ludens като homo futuristicus</title><title>Filosofski alternativi</title><addtitle>Philosophical Alternatives</addtitle><description>The article deals with specific features of the play elements in the theories and practice of Italian Futurism. Three main topics are discussed: the use of manifestos in art, the nature of Futuristic performances, the idea of futuristic theater. The Futurists break away from classical art. To demonstrate this more clearly, the article presents the primary biblical act of man as a primary artistic act and discusses the Kantian idea of play in contemplation of beauty.</description><subject>Aesthetics</subject><subject>Biblical studies</subject><subject>History of ideas</subject><subject>Theatre, Dance, Performing Arts</subject><subject>Visual Arts</subject><issn>0861-7899</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2016</creationdate><recordtype>article</recordtype><sourceid>REL</sourceid><recordid>eNpjYeA0sDAz1DW3sLTkYOAqLs4yMDAxMLMw4mRQ88jPzVfIKU1JzStWuLDrwoaLTRf2KWSABNNKS0qLMotLMpNLi3kYWNMSc4pTeaE0N4OMm2uIs4ducmpqfk58Vn5pUR5QPN7E0MDQzNCYgDQAgywtMw</recordid><startdate>2016</startdate><enddate>2016</enddate><creator>Kolev, Ivan</creator><general>Institute of Philosophy and Sociology at BAS</general><general>Институт по философия и социология при БАН</general><scope>AE2</scope><scope>REL</scope></search><sort><creationdate>2016</creationdate><title>Homo ludens като homo futuristicus</title><author>Kolev, Ivan</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-ceeol_journals_4101613</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>2016</creationdate><topic>Aesthetics</topic><topic>Biblical studies</topic><topic>History of ideas</topic><topic>Theatre, Dance, Performing Arts</topic><topic>Visual Arts</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>Kolev, Ivan</creatorcontrib><collection>Central and Eastern European Online Library (C.E.E.O.L.) (DFG Nationallizenzen)</collection><collection>Central and Eastern European Online Library - CEEOL Journals</collection><jtitle>Filosofski alternativi</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Kolev, Ivan</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>Homo ludens като homo futuristicus</atitle><jtitle>Filosofski alternativi</jtitle><addtitle>Philosophical Alternatives</addtitle><date>2016</date><risdate>2016</risdate><volume>XXV</volume><issue>3</issue><spage>73</spage><epage>79</epage><pages>73-79</pages><issn>0861-7899</issn><abstract>The article deals with specific features of the play elements in the theories and practice of Italian Futurism. Three main topics are discussed: the use of manifestos in art, the nature of Futuristic performances, the idea of futuristic theater. The Futurists break away from classical art. To demonstrate this more clearly, the article presents the primary biblical act of man as a primary artistic act and discusses the Kantian idea of play in contemplation of beauty.</abstract><pub>Institute of Philosophy and Sociology at BAS</pub><tpages>7</tpages></addata></record> |
fulltext | fulltext |
identifier | ISSN: 0861-7899 |
ispartof | Filosofski alternativi, 2016, Vol.XXV (3), p.73-79 |
issn | 0861-7899 |
language | eng |
recordid | cdi_ceeol_journals_410161 |
source | Central and Eastern European Online Library - CEEOL Journals |
subjects | Aesthetics Biblical studies History of ideas Theatre, Dance, Performing Arts Visual Arts |
title | Homo ludens като homo futuristicus |
url | https://sfx.bib-bvb.de/sfx_tum?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2025-01-02T02%3A19%3A14IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-ceeol&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=Homo%20ludens%20%D0%BA%D0%B0%D1%82%D0%BE%20homo%20futuristicus&rft.jtitle=Filosofski%20alternativi&rft.au=Kolev,%20Ivan&rft.date=2016&rft.volume=XXV&rft.issue=3&rft.spage=73&rft.epage=79&rft.pages=73-79&rft.issn=0861-7899&rft_id=info:doi/&rft_dat=%3Cceeol%3E410161%3C/ceeol%3E%3Curl%3E%3C/url%3E&disable_directlink=true&sfx.directlink=off&sfx.report_link=0&rft_id=info:oai/&rft_id=info:pmid/&rft_ceeol_id=410161&rfr_iscdi=true |