NICOLAE TONITZA, THE PAINTER FROM TURTUCAIA

NICOLAE TONITZA, THE PAINTER FROM TURTUCAIA

The participation in the operations of the First World War exploits of Romanian soldiers on the battlefield and sacrifice the entire Romanian people for the Great Union from December 1th , 1918 represented, as in the case of the Independence War, a strong inspiration for the artists of that age. One...

Ausführliche Beschreibung

Gespeichert in:
Bibliographische Detailangaben
Veröffentlicht in:Revista română de studii eurasiatice 2013, Vol.9 (1+2), p.53-62
1. Verfasser: Cuciuc Romanescu, Laura Sînziana
Format: Artikel
Sprache:eng
Schlagworte:
Artists
Cultural history
World War I
Online-Zugang:Volltext
Tags: Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
container_end_page 62
container_issue 1+2
container_start_page 53
container_title Revista română de studii eurasiatice
container_volume 9
creator Cuciuc Romanescu, Laura Sînziana
description The participation in the operations of the First World War exploits of Romanian soldiers on the battlefield and sacrifice the entire Romanian people for the Great Union from December 1th , 1918 represented, as in the case of the Independence War, a strong inspiration for the artists of that age. One of the most sensitive Romanian artists at the horrors and crimes’ war was Nicolae Tonitza. The artist sensitivity to human problems had felt since the time of the Uprising from 1907, when he bemoaning the living martyr of the peasant, condemning those who exploit him. Answering to the recruitment’s order, Tonitza went to the Infantry Regiment 84 and between 20th and 25th August 1916 he took part in the battles that led to the final destruction of his regiment, the artist was taken prisoner and led, together with his comrades in camp from Turtucaia. Located in captivity, the painter Tonitza expresses his feelings to the facts and things that surrounded him through his sketchbook, using as inspiration grounds surrounding nature, fellow-sufferers, or scenes of camp.
format Article
fullrecord <record><control><sourceid>ceeol_proqu</sourceid><recordid>TN_cdi_ceeol_journals_261750</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><ceeol_id>261750</ceeol_id><sourcerecordid>261750</sourcerecordid><originalsourceid>FETCH-LOGICAL-c499-fa2f794b55e1cf3e17198951e77d1a111248b4f37a93824630da87550711251e3</originalsourceid><addsrcrecordid>eNpFzk1LAzEQBuAgCi61_8BDwKMGMvnYSY5h2dqFdVeWFMRLSbfJoRRXu_b_G6jQuczhfZh3bkghhEKmtCxvSQFGAVOIH_dkOc8Hnkcrk0FBnrum6ltXU993jf90L9Sva_rums7XA10N_Rv1m8FvKte4B3KXwnGOy_-9IH5V-2rN2v61qVzLRmUtS0EktGqndYQxyQgI1lgNEXEPAQCEMjuVJAYr8w-l5PtgUGuOOcpMLsjT5ez3afo5x_l3e5jOp6_cuAUNBkBqbrN6vKgxxul4JaIE1Fz-AQHMQjc</addsrcrecordid><sourcetype>Aggregation Database</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype><pqid>1518113509</pqid></control><display><type>article</type><title>NICOLAE TONITZA, THE PAINTER FROM TURTUCAIA</title><source>Central and Eastern European Online Library - CEEOL Journals</source><creator>Cuciuc Romanescu, Laura Sînziana</creator><creatorcontrib>Cuciuc Romanescu, Laura Sînziana</creatorcontrib><description>The participation in the operations of the First World War exploits of Romanian soldiers on the battlefield and sacrifice the entire Romanian people for the Great Union from December 1th , 1918 represented, as in the case of the Independence War, a strong inspiration for the artists of that age. One of the most sensitive Romanian artists at the horrors and crimes’ war was Nicolae Tonitza. The artist sensitivity to human problems had felt since the time of the Uprising from 1907, when he bemoaning the living martyr of the peasant, condemning those who exploit him. Answering to the recruitment’s order, Tonitza went to the Infantry Regiment 84 and between 20th and 25th August 1916 he took part in the battles that led to the final destruction of his regiment, the artist was taken prisoner and led, together with his comrades in camp from Turtucaia. Located in captivity, the painter Tonitza expresses his feelings to the facts and things that surrounded him through his sketchbook, using as inspiration grounds surrounding nature, fellow-sufferers, or scenes of camp.</description><identifier>ISSN: 1841-477X</identifier><identifier>EISSN: 2247-4536</identifier><language>eng</language><publisher>Constanta: Ovidius University Press</publisher><subject>Artists ; Cultural history ; World War I</subject><ispartof>Revista română de studii eurasiatice, 2013, Vol.9 (1+2), p.53-62</ispartof><rights>Copyright Centrul de Studii Eurasiatice/Eurasian Studies Center (CSEA) 2013</rights><lds50>peer_reviewed</lds50><oa>free_for_read</oa><woscitedreferencessubscribed>false</woscitedreferencessubscribed></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Uhttps://www.ceeol.com//api/image/getissuecoverimage?id=picture_2013_19042.jpg</thumbnail><link.rule.ids>314,780,784,4024,21362</link.rule.ids></links><search><creatorcontrib>Cuciuc Romanescu, Laura Sînziana</creatorcontrib><title>NICOLAE TONITZA, THE PAINTER FROM TURTUCAIA</title><title>Revista română de studii eurasiatice</title><addtitle>Romanian Review of Eurasian Studies</addtitle><description>The participation in the operations of the First World War exploits of Romanian soldiers on the battlefield and sacrifice the entire Romanian people for the Great Union from December 1th , 1918 represented, as in the case of the Independence War, a strong inspiration for the artists of that age. One of the most sensitive Romanian artists at the horrors and crimes’ war was Nicolae Tonitza. The artist sensitivity to human problems had felt since the time of the Uprising from 1907, when he bemoaning the living martyr of the peasant, condemning those who exploit him. Answering to the recruitment’s order, Tonitza went to the Infantry Regiment 84 and between 20th and 25th August 1916 he took part in the battles that led to the final destruction of his regiment, the artist was taken prisoner and led, together with his comrades in camp from Turtucaia. Located in captivity, the painter Tonitza expresses his feelings to the facts and things that surrounded him through his sketchbook, using as inspiration grounds surrounding nature, fellow-sufferers, or scenes of camp.</description><subject>Artists</subject><subject>Cultural history</subject><subject>World War I</subject><issn>1841-477X</issn><issn>2247-4536</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2013</creationdate><recordtype>article</recordtype><sourceid>REL</sourceid><sourceid>8G5</sourceid><sourceid>ABUWG</sourceid><sourceid>AFKRA</sourceid><sourceid>AZQEC</sourceid><sourceid>BENPR</sourceid><sourceid>CCPQU</sourceid><sourceid>DWQXO</sourceid><sourceid>GNUQQ</sourceid><sourceid>GUQSH</sourceid><sourceid>M2O</sourceid><recordid>eNpFzk1LAzEQBuAgCi61_8BDwKMGMvnYSY5h2dqFdVeWFMRLSbfJoRRXu_b_G6jQuczhfZh3bkghhEKmtCxvSQFGAVOIH_dkOc8Hnkcrk0FBnrum6ltXU993jf90L9Sva_rums7XA10N_Rv1m8FvKte4B3KXwnGOy_-9IH5V-2rN2v61qVzLRmUtS0EktGqndYQxyQgI1lgNEXEPAQCEMjuVJAYr8w-l5PtgUGuOOcpMLsjT5ez3afo5x_l3e5jOp6_cuAUNBkBqbrN6vKgxxul4JaIE1Fz-AQHMQjc</recordid><startdate>2013</startdate><enddate>2013</enddate><creator>Cuciuc Romanescu, Laura Sînziana</creator><general>Ovidius University Press</general><general>Centrul de Studii Eurasiatice/Eurasian Studies Center (CSEA)</general><scope>AE2</scope><scope>BIXPP</scope><scope>REL</scope><scope>3V.</scope><scope>7XB</scope><scope>8FK</scope><scope>8G5</scope><scope>ABUWG</scope><scope>AFKRA</scope><scope>AZQEC</scope><scope>BENPR</scope><scope>BYOGL</scope><scope>CCPQU</scope><scope>DWQXO</scope><scope>GNUQQ</scope><scope>GUQSH</scope><scope>M2O</scope><scope>MBDVC</scope><scope>PADUT</scope><scope>PQEST</scope><scope>PQQKQ</scope><scope>PQUKI</scope><scope>PRINS</scope><scope>Q9U</scope></search><sort><creationdate>2013</creationdate><title>NICOLAE TONITZA, THE PAINTER FROM TURTUCAIA</title><author>Cuciuc Romanescu, Laura Sînziana</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-c499-fa2f794b55e1cf3e17198951e77d1a111248b4f37a93824630da87550711251e3</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>2013</creationdate><topic>Artists</topic><topic>Cultural history</topic><topic>World War I</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>Cuciuc Romanescu, Laura Sînziana</creatorcontrib><collection>Central and Eastern European Online Library (C.E.E.O.L.) (DFG Nationallizenzen)</collection><collection>CEEOL: Open Access</collection><collection>Central and Eastern European Online Library - CEEOL Journals</collection><collection>ProQuest Central (Corporate)</collection><collection>ProQuest Central (purchase pre-March 2016)</collection><collection>ProQuest Central (Alumni) (purchase pre-March 2016)</collection><collection>Research Library (Alumni Edition)</collection><collection>ProQuest Central (Alumni Edition)</collection><collection>ProQuest Central UK/Ireland</collection><collection>ProQuest Central Essentials</collection><collection>ProQuest Central</collection><collection>East Europe, Central Europe Database</collection><collection>ProQuest One Community College</collection><collection>ProQuest Central Korea</collection><collection>ProQuest Central Student</collection><collection>Research Library Prep</collection><collection>Research Library</collection><collection>Research Library (Corporate)</collection><collection>Research Library China</collection><collection>ProQuest One Academic Eastern Edition (DO NOT USE)</collection><collection>ProQuest One Academic</collection><collection>ProQuest One Academic UKI Edition</collection><collection>ProQuest Central China</collection><collection>ProQuest Central Basic</collection><jtitle>Revista română de studii eurasiatice</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Cuciuc Romanescu, Laura Sînziana</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>NICOLAE TONITZA, THE PAINTER FROM TURTUCAIA</atitle><jtitle>Revista română de studii eurasiatice</jtitle><addtitle>Romanian Review of Eurasian Studies</addtitle><date>2013</date><risdate>2013</risdate><volume>9</volume><issue>1+2</issue><spage>53</spage><epage>62</epage><pages>53-62</pages><issn>1841-477X</issn><eissn>2247-4536</eissn><abstract>The participation in the operations of the First World War exploits of Romanian soldiers on the battlefield and sacrifice the entire Romanian people for the Great Union from December 1th , 1918 represented, as in the case of the Independence War, a strong inspiration for the artists of that age. One of the most sensitive Romanian artists at the horrors and crimes’ war was Nicolae Tonitza. The artist sensitivity to human problems had felt since the time of the Uprising from 1907, when he bemoaning the living martyr of the peasant, condemning those who exploit him. Answering to the recruitment’s order, Tonitza went to the Infantry Regiment 84 and between 20th and 25th August 1916 he took part in the battles that led to the final destruction of his regiment, the artist was taken prisoner and led, together with his comrades in camp from Turtucaia. Located in captivity, the painter Tonitza expresses his feelings to the facts and things that surrounded him through his sketchbook, using as inspiration grounds surrounding nature, fellow-sufferers, or scenes of camp.</abstract><cop>Constanta</cop><pub>Ovidius University Press</pub><tpages>10</tpages><oa>free_for_read</oa></addata></record>
fulltext fulltext
identifier ISSN: 1841-477X
ispartof Revista română de studii eurasiatice, 2013, Vol.9 (1+2), p.53-62
issn 1841-477X
2247-4536
language eng
recordid cdi_ceeol_journals_261750
source Central and Eastern European Online Library - CEEOL Journals
subjects Artists
Cultural history
World War I
title NICOLAE TONITZA, THE PAINTER FROM TURTUCAIA
url https://sfx.bib-bvb.de/sfx_tum?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2024-12-25T04%3A57%3A21IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-ceeol_proqu&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=NICOLAE%20TONITZA,%20THE%20PAINTER%20FROM%20TURTUCAIA&rft.jtitle=Revista%20rom%C3%A2n%C4%83%20de%20studii%20eurasiatice&rft.au=Cuciuc%20Romanescu,%20Laura%20S%C3%AEnziana&rft.date=2013&rft.volume=9&rft.issue=1+2&rft.spage=53&rft.epage=62&rft.pages=53-62&rft.issn=1841-477X&rft.eissn=2247-4536&rft_id=info:doi/&rft_dat=%3Cceeol_proqu%3E261750%3C/ceeol_proqu%3E%3Curl%3E%3C/url%3E&disable_directlink=true&sfx.directlink=off&sfx.report_link=0&rft_id=info:oai/&rft_pqid=1518113509&rft_id=info:pmid/&rft_ceeol_id=261750&rfr_iscdi=true