Archeologia modernizmu: kwestia specyfiki medium
The specificity of media is analyzed in the context of post-modernist art in the late seventies and eighties, particularly in the context of photogra- phy and its role in new media and the problem of “the invention of the medium” by Rosalind Krauss and general understanding of the medium as a conven...
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| container_title | DYSKURS Pismo Naukowo-Artystyczne ASP we Wrocławiu |
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| creator | Pijarski, Krzysztof |
| description | The specificity of media is analyzed in the context of post-modernist art
in the late seventies and eighties, particularly in the context of photogra-
phy and its role in new media and the problem of “the invention of
the medium” by Rosalind Krauss and general understanding of the medium
as a convention. Krauss’s attitude is different from Michael Fried’s
‘mediality of images’ (not only photographic images). Fried’s ideas of
“theatricality” and “exposition” are different from Krauss’s ideas. Also,
non-artistic strategy of ‘separation of realities’ is analyzed in the same
context. “True” and “false” elements are combined in pictures just like
“authentic” documents are combined with theatrical images, paintings
with photographs and modernism with post-modernism. |
| format | Article |
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as a convention. Krauss’s attitude is different from Michael Fried’s
‘mediality of images’ (not only photographic images). Fried’s ideas of
“theatricality” and “exposition” are different from Krauss’s ideas. Also,
non-artistic strategy of ‘separation of realities’ is analyzed in the same
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“authentic” documents are combined with theatrical images, paintings
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as a convention. Krauss’s attitude is different from Michael Fried’s
‘mediality of images’ (not only photographic images). Fried’s ideas of
“theatricality” and “exposition” are different from Krauss’s ideas. Also,
non-artistic strategy of ‘separation of realities’ is analyzed in the same
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“authentic” documents are combined with theatrical images, paintings
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the medium” by Rosalind Krauss and general understanding of the medium
as a convention. Krauss’s attitude is different from Michael Fried’s
‘mediality of images’ (not only photographic images). Fried’s ideas of
“theatricality” and “exposition” are different from Krauss’s ideas. Also,
non-artistic strategy of ‘separation of realities’ is analyzed in the same
context. “True” and “false” elements are combined in pictures just like
“authentic” documents are combined with theatrical images, paintings
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| identifier | ISSN: 1733-1528 |
| ispartof | DYSKURS Pismo Naukowo-Artystyczne ASP we Wrocławiu, 2013 (1 (15)), p.24-50 |
| issn | 1733-1528 |
| language | pol |
| recordid | cdi_ceeol_journals_233193 |
| source | EZB-FREE-00999 freely available EZB journals |
| subjects | Fine Arts / Performing Arts |
| title | Archeologia modernizmu: kwestia specyfiki medium |
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