Écoutant la musique de Pan: о онтолошком потенцијалу ʻпаузе’ у Дебисијевом делу Сиринкс

The basic thesis of this paper is that ʻpause’ represents the ontological center of Claude Debussy’s (1862–1918) Syrinx for solo flute (1913). The phenomenon of the musical work is interpreted through an ontological perspective, following Roman Ingarden’s reflections presented in his Ontology of the...

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Veröffentlicht in:	Muzikologija : časopis Muzikološkog instituta Srpske akademije nauka i umetnosti 2021, Vol.2 (31), p.213-229
1. Verfasser:	Tomić, Marija
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Sprache:	srp
Schlagworte:	Aesthetics Music Ontology Sociology of Art
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description	The basic thesis of this paper is that ʻpause’ represents the ontological center of Claude Debussy’s (1862–1918) Syrinx for solo flute (1913). The phenomenon of the musical work is interpreted through an ontological perspective, following Roman Ingarden’s reflections presented in his Ontology of the Work of Art, having also in mind the different modes in which music can exist, that can be read from Ferruccio Busoni’s Sketch of a New Esthetic of Music. Since the programmatic content of Syrinx represents the myth of Pan’s flute, we necessarily introduce Mircea Eliadeʼs explication of the phenomenon of myth, more precisely, of the mythical time, into the theoretical discussion as well.
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source	Central and Eastern European Online Library; DOAJ Directory of Open Access Journals; EZB-FREE-00999 freely available EZB journals
subjects	Aesthetics Music Ontology Sociology of Art
title	Écoutant la musique de Pan: о онтолошком потенцијалу ʻпаузе’ у Дебисијевом делу Сиринкс
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