想象韶音:余载《韶舞九成乐补》考论
《韶舞九成乐补》是宋元韶乐复兴运动的产物.作者余载在年高之时以布衣身份献书,延续了北宋以来寒士论乐的传统.该书以《尚书》为门径,构筑了"六律""五声""八音"的作曲理论.与经学诸说不同,其所谱韶乐音域狭窄,旋律机械,不讲起调毕曲.其所制韶舞用易学常识为据,缀兆、采章以五行、八卦相配,顺旋呈卦气图状;舞阵变化与《洛书》九宫相应,舞蹈动作奇特.该书旨在想象一个较周代礼乐更为远古的乐舞世界....
Gespeichert in:
| Veröffentlicht in: | 北京舞蹈学院学报 2021-10 (5), p.70-76 |
|---|---|
| 1. Verfasser: | |
| Format: | Artikel |
| Sprache: | chi |
| Online-Zugang: | Volltext |
| Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
| container_end_page | 76 |
|---|---|
| container_issue | 5 |
| container_start_page | 70 |
| container_title | 北京舞蹈学院学报 |
| container_volume | |
| creator | 杨逸 |
| description | 《韶舞九成乐补》是宋元韶乐复兴运动的产物.作者余载在年高之时以布衣身份献书,延续了北宋以来寒士论乐的传统.该书以《尚书》为门径,构筑了"六律""五声""八音"的作曲理论.与经学诸说不同,其所谱韶乐音域狭窄,旋律机械,不讲起调毕曲.其所制韶舞用易学常识为据,缀兆、采章以五行、八卦相配,顺旋呈卦气图状;舞阵变化与《洛书》九宫相应,舞蹈动作奇特.该书旨在想象一个较周代礼乐更为远古的乐舞世界. |
| format | Article |
| fullrecord | <record><control><sourceid>cass</sourceid><recordid>TN_cdi_cass_nssd_BJWDXYXB2021005011</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><cass_id>BJWDXYXB2021005011</cass_id><sourcerecordid>BJWDXYXB2021005011</sourcerecordid><originalsourceid>FETCH-cass_nssd_BJWDXYXB20210050113</originalsourceid><addsrcrecordid>eNpjYeA0NDCw0DUyMLTgYOAtLs5MMjAwNDQwNrA05GQwfNa8-cXGhS_nb3s5f7PVk70zX-zd-7ihC8h_0THvyc65zzomPNk54cXCpY8bul80NL9Yt4uHgTUtMac4lRdKczMou7mGOHvoJicWF8fnFRenxDt5hbtEREY4GRkYAa02BdpmTJwqAM2AQU0</addsrcrecordid><sourcetype>Aggregation Database</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype></control><display><type>article</type><title>想象韶音:余载《韶舞九成乐补》考论</title><source>国家哲学社会科学学术期刊数据库 (National Social Sciences Database)</source><creator>杨逸</creator><creatorcontrib>杨逸</creatorcontrib><description>《韶舞九成乐补》是宋元韶乐复兴运动的产物.作者余载在年高之时以布衣身份献书,延续了北宋以来寒士论乐的传统.该书以《尚书》为门径,构筑了"六律""五声""八音"的作曲理论.与经学诸说不同,其所谱韶乐音域狭窄,旋律机械,不讲起调毕曲.其所制韶舞用易学常识为据,缀兆、采章以五行、八卦相配,顺旋呈卦气图状;舞阵变化与《洛书》九宫相应,舞蹈动作奇特.该书旨在想象一个较周代礼乐更为远古的乐舞世界.</description><identifier>ISSN: 1008-2018</identifier><language>chi</language><publisher>北京舞蹈学院</publisher><ispartof>北京舞蹈学院学报, 2021-10 (5), p.70-76</ispartof><oa>free_for_read</oa><woscitedreferencessubscribed>false</woscitedreferencessubscribed></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><link.rule.ids>314,776,780</link.rule.ids></links><search><creatorcontrib>杨逸</creatorcontrib><title>想象韶音:余载《韶舞九成乐补》考论</title><title>北京舞蹈学院学报</title><description>《韶舞九成乐补》是宋元韶乐复兴运动的产物.作者余载在年高之时以布衣身份献书,延续了北宋以来寒士论乐的传统.该书以《尚书》为门径,构筑了"六律""五声""八音"的作曲理论.与经学诸说不同,其所谱韶乐音域狭窄,旋律机械,不讲起调毕曲.其所制韶舞用易学常识为据,缀兆、采章以五行、八卦相配,顺旋呈卦气图状;舞阵变化与《洛书》九宫相应,舞蹈动作奇特.该书旨在想象一个较周代礼乐更为远古的乐舞世界.</description><issn>1008-2018</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2021</creationdate><recordtype>article</recordtype><recordid>eNpjYeA0NDCw0DUyMLTgYOAtLs5MMjAwNDQwNrA05GQwfNa8-cXGhS_nb3s5f7PVk70zX-zd-7ihC8h_0THvyc65zzomPNk54cXCpY8bul80NL9Yt4uHgTUtMac4lRdKczMou7mGOHvoJicWF8fnFRenxDt5hbtEREY4GRkYAa02BdpmTJwqAM2AQU0</recordid><startdate>20211030</startdate><enddate>20211030</enddate><creator>杨逸</creator><general>北京舞蹈学院</general><scope>NSCOK</scope></search><sort><creationdate>20211030</creationdate><title>想象韶音:余载《韶舞九成乐补》考论</title><author>杨逸</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-cass_nssd_BJWDXYXB20210050113</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>chi</language><creationdate>2021</creationdate><toplevel>online_resources</toplevel><creatorcontrib>杨逸</creatorcontrib><collection>国家哲学社会科学文献中心 (National Center for Philosophy and Social Sciences Documentation)</collection><jtitle>北京舞蹈学院学报</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>杨逸</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>想象韶音:余载《韶舞九成乐补》考论</atitle><jtitle>北京舞蹈学院学报</jtitle><date>2021-10-30</date><risdate>2021</risdate><issue>5</issue><spage>70</spage><epage>76</epage><pages>70-76</pages><issn>1008-2018</issn><abstract>《韶舞九成乐补》是宋元韶乐复兴运动的产物.作者余载在年高之时以布衣身份献书,延续了北宋以来寒士论乐的传统.该书以《尚书》为门径,构筑了"六律""五声""八音"的作曲理论.与经学诸说不同,其所谱韶乐音域狭窄,旋律机械,不讲起调毕曲.其所制韶舞用易学常识为据,缀兆、采章以五行、八卦相配,顺旋呈卦气图状;舞阵变化与《洛书》九宫相应,舞蹈动作奇特.该书旨在想象一个较周代礼乐更为远古的乐舞世界.</abstract><pub>北京舞蹈学院</pub><oa>free_for_read</oa></addata></record> |
| fulltext | fulltext |
| identifier | ISSN: 1008-2018 |
| ispartof | 北京舞蹈学院学报, 2021-10 (5), p.70-76 |
| issn | 1008-2018 |
| language | chi |
| recordid | cdi_cass_nssd_BJWDXYXB2021005011 |
| source | 国家哲学社会科学学术期刊数据库 (National Social Sciences Database) |
| title | 想象韶音:余载《韶舞九成乐补》考论 |
| url | https://sfx.bib-bvb.de/sfx_tum?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2025-02-07T17%3A26%3A26IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-cass&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=%E6%83%B3%E8%B1%A1%E9%9F%B6%E9%9F%B3:%E4%BD%99%E8%BD%BD%E3%80%8A%E9%9F%B6%E8%88%9E%E4%B9%9D%E6%88%90%E4%B9%90%E8%A1%A5%E3%80%8B%E8%80%83%E8%AE%BA&rft.jtitle=%E5%8C%97%E4%BA%AC%E8%88%9E%E8%B9%88%E5%AD%A6%E9%99%A2%E5%AD%A6%E6%8A%A5&rft.au=%E6%9D%A8%E9%80%B8&rft.date=2021-10-30&rft.issue=5&rft.spage=70&rft.epage=76&rft.pages=70-76&rft.issn=1008-2018&rft_id=info:doi/&rft_dat=%3Ccass%3EBJWDXYXB2021005011%3C/cass%3E%3Curl%3E%3C/url%3E&disable_directlink=true&sfx.directlink=off&sfx.report_link=0&rft_id=info:oai/&rft_id=info:pmid/&rft_cass_id=BJWDXYXB2021005011&rfr_iscdi=true |