Cultural Convergence: The Dublin Gate Theatre, 1928–1960

Based on extensive archival research, this open access book examines the poetics and politics of the Dublin Gate Theatre (est. 1928) over the first three decades of its existence, discussing some of its remarkable productions in the comparative contexts of avant-garde theatre, Hollywood cinema, popu...

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Hauptverfasser:	Pilný, Ondřej, van den Beuken, Ruud, Walsh, Ian R
Format:	Buch
Sprache:	eng
Schlagworte:	acculturation avant-garde Biography, Literature and Literary studies Book Industry Communication British and Irish Literature cultural exchange Dublin Gate Theatre exchange experimental interaction Ireland Literature Literature & literary studies Literature: history & criticism Literature: history and criticism National and Regional Theatre and Performance National/Regional Theatre and Performance North America Open Access PERFORMING ARTS The Arts Theater and society Theatre History Theatre studies thema EDItEUR
Online-Zugang:	Volltext
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Beschreibung
Zusammenfassung:	Based on extensive archival research, this open access book examines the poetics and politics of the Dublin Gate Theatre (est. 1928) over the first three decades of its existence, discussing some of its remarkable productions in the comparative contexts of avant-garde theatre, Hollywood cinema, popular culture, and the development of Irish-language theatre, respectively. The overarching objective is to consider the output of the Gate in terms of cultural convergence – the dynamics of exchange, interaction, and acculturation that reveal the workings of transnational infrastructures.
DOI:	10.1007/978-3-030-57562-5